Walls of Algiers: Narratives of the City
(May 19–October 18, 2009)

Tango with Cows: Book Art of the Russian Avant-Garde, 1910–1917
(November 18, 2008–April 19, 2009)

The Marvel and Measure of Peru: Three Centuries of Visual History, 1550–1880
(July 8–October 19, 2008)

California Video
(March 15–June 8, 2008)

Lessons from Bernard Rudofsky
(March 11–June 8, 2008)

China on Paper: European and Chinese Works from the Late Sixteenth to the Early Nineteenth Century
(November 6, 2007–February 10, 2008)

Evidence of Movement
(July 10–October 7, 2007)

Art, Anti-Art, Non-Art: Experimentations in the Public Sphere in Postwar Japan, 1950–1970
(March 6–June 3, 2007)

A Tumultuous Assembly: Visual Poems of the Italian Futurists
(August 1, 2006–January 7, 2007)

Agitated Images: John Heartfield and German Photomontage, 1920–1938
(February 21–June 25, 2006)

Julius Shulman, Modernity and the Metropolis
(October 11, 2005–January 22, 2006)

The Artist Turns to the Book
(May 24, 2005–September 11, 2005)

Drawn to Rome: French Neoclassical Sketchbooks and Prints
(February 1–April 24, 2005)

Past Presence: Objects of Study at the Getty Research Institute
(October 26, 2004–January 2, 2005)
(At the Grolier Club in New York City, February 23–April 30, 2005)

Sea Tails: A Video Collaboration
(July 13–September 26, 2004)

The Business of Art: Evidence from the Art Market
(March 16–June 13, 2004)

Comic Art: The Paris Salon in Caricature
(November 18, 2003–February 15, 2004)
(at the Mary Leigh Block Museum of Art, January 20-March 12, 2006)

Photographs of Artists by Alexander Liberman
(July 22–October 19, 2003)

Robert Motherwell: A la pintura (To Painting)
(March 4–June 22, 2003)

Landscapes of Myth
(November 5, 2002–February 2, 2003)

The Danube Exodus: The Rippling Currents of the River
(August 17–September 29, 2002)

The Geometry of Seeing: Perspective and the Dawn of Virtual Space
(April 16–July 7, 2002)

Naples and Vesuvius on the Grand Tour
(December 21, 2001–March 24, 2002)

Devices of Wonder: From the World in a Box to Images on a Screen
(November 13, 2001–February 3, 2002)

Sherrie Levine/Joost van Oss: Sculpture Prototypes
(June 6, 2001–July 8, 2001)

Shaping the Great City: Modern Architecture in Central Europe, 1890-1937
(February 20–May 6, 2001)

Mexico: From Empire to Revolution
(Part I, October 21, 2000–January 21, 2001,
Part II, February 24 - May 20, 2001) Exhibition Information

Making a Prince's Museum: Drawings for the Late-Eighteenth-Century Redecoration of the Villa Borghese in Rome
(June 17, 2000–September 17, 2000)

The Edible Monument: The Art of Food for Festivals
(February 26, 2000–May 21, 2000)

The Shadow of Gradiva: A Last Excavation Campaign in the Collections of the Getty Center by Anne and Patrick Poirier
(November 6, 1999–January 30, 2000)

A Structure Revealed: Drawings of the Amsterdam Stock Exchange by Daniel Castor
(March 20, 1999–June 12, 1999)

Monuments of the Future: Designs by El Lissitzky
(November 21, 1998–February 21, 1999)

Port and Corridor: Working Sites in Los Angeles—Photographs by Robbert Flick and Alan Sekula
(August 15–October 18, 1998)

Framing the Asian Shore: Nineteenth-Century Photographs of the Ottoman Empire
(March 28, 1998–June 28, 1998)

Incendiary Art: The Representation of Fireworks in Early Modern Europe
(December 16, 1997–March 1, 1998)

Irresistible Decay: Ruins Reclaimed
(December 16, 1997–February 22, 1998)