Portrait of Arthur Schnitzler, Atelier Madame d'Ora, 1915. Image courtesy ONB/Vienna, 203.759-D
Arthur Schnitzler and Vienna 1900
Arthur Schnitzler—Being Jewish, a staged reading based on Schnitzler's journals and correspondence, focuses on the renowned and controversial Austrian writer's conflicted feelings about his Jewish identity. After the performance, a panel discussion situates Schnitzler and his contemporaries, including Gustav Klimt, in the cultural and political context of 19th- and early-20th-century Vienna.
The Getty Research Institute: Recent Print Acquisitions
This exhibition presents select masterpieces from the GRI's nearly 27,000 prints and offers a compelling overview of more than 400 years of printmaking. From the inspired meditations on narrative and perspective by Albrecht Dürer, one of the foremost old-master printmakers, to the modernist experiments by avant-garde artists at the Bauhaus, each print on display holds important research value and has contributed to the narrative of art history.
Harald Szeemann, 1994. Photo by Armin Linke. Harald Szeemann Archive. The Getty Research Institute, 2011.M.30
Harald Szeemann Photographs, 1892–2007
The photograph series from the massive Harald Szeemann Archive has been processed and is available for research. Also known as Series IV, this portion of the archive features 40,500 photographic prints, negatives, slides, and transparencies documenting most of Szeemann's curatorial work, including such landmark exhibitions as Live in Your Head: When Attitudes Become Form (1969), Documenta V (1972), and the Venice Biennials of 1980, 1999, and 2001. Series IV also includes Szeemann's slide library and photographs of works by hundreds of artists with whom he collaborated.
Sketch of an Interior (detail), Matthieu-Prosper Morey, ca. 1836–37. The Getty Research Institute, 870626*
Morey Architectural Sketchbook
This sketchbook from French architect Matthieu-Prosper Morey (1805–1886) features more than 100 representations of well-known Italian churches, monuments, and antiquities, including a full set of drawings of the Florence Baptistery and watercolors of Greek architectural fragments. The drawings, which likely date from Morey's student travels between 1836 and 1837, also include his titles, notes, and measurements.
Cardinal Gabriele Paleotti's remarkable 16th-century treatise, translated into English for the first time, was written during an era when the Church feared rampant abuse in the arts. Paleotti, who was the archbishop of Bologna, explains the painter's responsibility to those who view his work and argues that art should serve a higher purpose and address a broad audience.
Banner image: Design for Mozart's opera The Magic Flute, act I, scene I (detail), Carl Friedrich Thiele after Karl Friedrich Schinkel, ca. 1824. From Theater Decorationen, ca. 1823–24. The Getty Research Institute, 2011.PR.19