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Making Things, Moving Places: The Work of artist Glen Seator
Saturday, September 28, 2002
8:45 a.m.6:00 p.m.
Harold M. Williams Auditorium
8:45–9:15 |
Registration |
9:15–9:30 |
Opening Remarks and Symposium Introduction |
Session I: |
Deliberate Errors: Object, Context, Place |
9:30–9:45 |
Session I Opening Statement |
9:45–10:05 |
Slowed Motion: Some Aspects of the Cinematic and |
10:05–10:25 |
"It's about slowing down": Glen Seator's Three |
10:25–10:40 |
Transportable Objects: Found Places Transformed |
10:40–10:55 |
15 Minute Break |
10:55–11:15 |
If you can make it here, you can make it anywhere |
11:15–11:35 |
If Glen Seator did not exist, it would be necessary to
invent him |
11:35–12:10 |
Panel Discussion |
12:10–12:30 |
Audience Discussion |
12:30–1:50 |
Lunch |
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Session II: |
Retraining, Rebuilding, and the Everyday |
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1:50–2:00 |
Session II Opening Statement |
2:00–2:20 |
Photo Finish |
2:20–2:40 |
Studio Condition and Laboratory Condition |
2:40–3:00 |
Skinned Alive: Material Abuse in the White Cube |
3:00–3:20 |
Architectural Perspectives |
3:20–3:35 |
15 Minute Break |
3:35–4:05 |
Panel Discussion |
4:05–4:25 |
Audience Discussion |
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Session III: |
First-Voice: The Artist Speaks |
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4:25–5:10 |
Thomas Crow in Conversation with Glen Seator |
5:10–5:25 |
Speaker Response |
5:25–5:50 |
Audience Discussion |
5:50–6:00 |
Closing Remarks, Thomas Crow |
Getty Research Institute
Glen Seator, Artist
Special thank you to:
Nina Holland, Seator Symposium Development Consultant
Getty Research Institute Symposium Development and Planning Staff
Charles Salas
Karen Stokes
Donna Beckage
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