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Entity Relationship Diagram
The CDWA and Other Metadata Standards
A Crosswalk of Metadata Standards
Bibliography
 



Categories for the Description of Works of Art


Introduction

Categories for the Description of Works of Art (CDWA) describes the content of art databases by articulating a conceptual framework for describing and accessing information about works of art, architecture, other material culture, groups and collections of works, and related images. The CDWA includes 512 categories and subcategories. A small subset of categories are considered core in that they represent the minimum information necessary to identify and describe a work. The CDWA includes discussions, basic guidelines for cataloging, and examples. You may print an overview of the CDWA categories and definitions as a PDF (see left navigation).

What is CDWA Lite?
CDWA Lite is an XML schema to describe core records for works of art and material culture based on the CDWA and the CCO. CDWA Lite records are intended for contribution to union catalogs and other repositories using the Open Archives Initiative (OAI) harvesting protocol.

What is the CCO?
Cataloging Cultural Objects: A Guide to Describing Cultural Works and Their Images (CCO) provides prescriptive guidelines for selecting, ordering, and formatting data used to populate catalog records. It deals with information related to a subset of the CDWA Categories and the VRA Core Categories.

CDWA and other metadata element sets
The CDWA is mapped to several other standards and metadata element sets in the Metadata Standards Crosswalks (see left navigation).

History of the CDWA
The CDWA is a product of the Art Information Task Force (AITF), which encouraged dialog between art historians, art information professionals, and information providers so that together they could develop guidelines for describing works of art, architecture, groups of objects, and visual and textual surrogates.

Formed in the early 1990s, the task force was made up of representatives from the communities that provide and use art information: art historians, museum curators and registrars, visual resource professionals, art librarians, information managers, and technical specialists. The work of the AITF was funded by the J. Paul Getty Trust, with a two-year matching grant from the National Endowment for the Humanities (NEH) to the College Art Association (CAA).

Purpose of the CDWA
The Categories provide a framework to which existing art information systems can be mapped and upon which new systems can be developed. In addition, the discussions in the CDWA identify vocabulary resources and descriptive practices that will make information residing in diverse systems both more compatible and more accessible.

The use of the CDWA framework will contribute to the integrity and longevity of data and will facilitate its inevitable migration to new systems as informational technology continues to evolve. Above all, it will help to give end-users consistent, reliable access to information, regardless of the system in which it resides.

It is our hope that these guidelines will provide a common ground for reaching agreement on what information should be included in art information systems, and what information will be shared or exchanged with other institutions or systems.

We envision the curator, the registrar, the researcher, the information manager, the systems vendor, and others using the Categories as a basis for making decisions about the content of both new and existing databases.

Required categories
The CDWA was formulated for the needs of those who record, maintain, and retrieve information about art information, including the academic researcher and scholar. The categories and subcategories that are indicated as core are those that the task force agreed represented the minimum information necessary to uniquely and unambiguously identify and describe a particular work of art or architecture.

However, which categories are considered core can and indeed should vary depending upon the end-users whom the particular art information system are intended to serve, the mission of the specific institution, and a number of other factors.

Display vs. indexing
The Categories often deal with differences between information intended for display and information intended for retrieval. Information for display is assumed to be in a format and with syntax that is easily read and understood by users. Such free-texts or concatenated displays may contain all the nuances of language necessary to relay the uncertainty and ambiguity that are common in art information. In addition, the Categories assume that certain key elements of information must be formatted to allow for retrieval, often referred to as indexing in the CDWA. The CDWA advises that such indexing should be a conscious activity performed by knowledgeable catalogers who consider the retrieval implications of their indexing terms, and not by an automated method that simply parses every word in a text intended for display into indexes. In CDWA, display fields are often described as free-text fields (which may be alternatively be concatenated from controlled fields, if necessary); indexing fields are intended to be controlled fields. The Categories advise the use of controlled vocabularies; CDWA describes when categories should be controlled by a simple controlled list (e.g., Classification), an authority (e.g., Creator), or by consistent formatting of certain information (e.g., Earliest and Latest Dates) to ensure efficient end-user retrieval.

Authority files and data structure
The CDWA recommends a relational data structure, where records for objects/works are linked to each other in hierarchical relationships, where necessary. CDWA recommends maintaining separate files or authorities for related visual works, related textual materials, persons/corporate bodies, locations/places, generic concepts, and subjects. Authority information about persons, places, concepts, and subjects may be important for retrieval of the work, but this information is more efficiently recorded in separate authority files than in records about the work itself. The advantage of storing ancillary information in an authority file is that this information needs only be recorded once, and it may then be linked to all appropriate work records. Authorities described in CDWA should be hierarchical; given that authority entities often require multiple broader contexts, a polyhierarchical structure is recommended.

Send questions and comments to cdwa@getty.edu.

Revised 28 August 2006

 
     

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