Categories for the Description of Works of Art (CDWA) describes
the content of art databases by articulating a conceptual
framework for describing and accessing information about works
of art, architecture, other material culture, groups and collections
of works, and related images. The CDWA includes 512 categories
and subcategories. A small subset of categories are considered
core in that they represent the minimum information
necessary to identify and describe a work. The CDWA includes
discussions, basic guidelines for cataloging, and examples.
You may print an overview of the CDWA categories and definitions
as a PDF (see left navigation).
What is CDWA Lite?
CDWA Lite is an XML schema to describe core records for works of art and
material culture based on the CDWA and the CCO. CDWA Lite records are
intended for contribution to union catalogs and other repositories using
the Open Archives Initiative (OAI) harvesting protocol.
What is the CCO?
Cataloging
Cultural Objects: A Guide to Describing Cultural Works and
Their Images
(CCO) provides prescriptive guidelines for selecting,
ordering, and formatting data used to populate catalog records.
It deals with information related to a subset of the CDWA
Categories and the VRA Core Categories.
CDWA and other metadata element sets
The CDWA is mapped to several other standards and metadata
element sets in the Metadata Standards Crosswalks (see left
navigation).
History of the CDWA
The CDWA is a product of the Art Information Task Force
(AITF), which encouraged dialog between art historians, art information
professionals, and information providers so that together they could develop
guidelines for describing works of art, architecture, groups of objects,
and visual and textual surrogates.
Formed in the early 1990s, the task force was made up of
representatives from the communities that provide and use
art information: art historians, museum curators and registrars,
visual resource professionals, art librarians, information
managers, and technical specialists. The work of the AITF
was funded by the J. Paul Getty Trust, with a two-year
matching grant from the National Endowment for the
Humanities (NEH) to the College Art Association (CAA).
Purpose of the CDWA
The Categories provide a framework to which existing art information
systems can be mapped and upon which new systems can be developed. In
addition, the discussions in the CDWA identify vocabulary resources and
descriptive practices that will make information residing in diverse systems
both more compatible and more accessible.
The use of the CDWA framework will contribute to the integrity
and longevity of data and will facilitate its inevitable migration
to new systems as informational technology continues to evolve.
Above all, it will help to give end-users consistent, reliable
access to information, regardless of the system in which it
resides.
It is our hope that these guidelines will provide a common ground
for reaching agreement on what information should be included
in art information systems, and what information will be shared
or exchanged with other institutions or systems.
We envision the curator, the registrar, the researcher, the
information manager, the systems vendor, and others using
the Categories as a basis for making decisions about
the content of both new and existing databases.
Required categories
The CDWA was formulated for the needs of those who record,
maintain, and retrieve information about art information,
including the academic researcher and scholar. The categories
and subcategories that are indicated as core
are those that the task force agreed represented the minimum
information necessary to uniquely and unambiguously identify
and describe a particular work of art or architecture.
However, which categories are considered core can and indeed should vary
depending upon the end-users whom the particular art information
system are intended to serve, the mission of the specific
institution, and a number of other factors.
Display vs. indexing
The Categories often deal with differences between information
intended for display and information intended for retrieval. Information
for display is assumed to be in a format and with syntax that is easily
read and understood by users. Such free-texts or concatenated displays
may contain all the nuances of language necessary to relay the uncertainty
and ambiguity that are common in art information. In addition, the Categories
assume that certain key elements of information must be formatted to allow
for retrieval, often referred to as indexing in the CDWA. The CDWA
advises that such indexing should be a conscious activity performed
by knowledgeable catalogers who consider the retrieval implications of
their indexing terms, and not by an automated method that simply parses
every word in a text intended for display into indexes. In CDWA, display
fields are often described as free-text fields (which may be alternatively
be concatenated from controlled fields, if necessary); indexing fields
are intended to be controlled fields. The Categories advise the
use of controlled vocabularies; CDWA describes when categories should
be controlled by a simple controlled list (e.g., Classification), an authority
(e.g., Creator), or by consistent formatting of certain information (e.g.,
Earliest and Latest Dates) to ensure efficient end-user retrieval.
Authority files and data structure
The CDWA recommends a relational data structure, where records
for objects/works are linked to each other in hierarchical
relationships, where necessary. CDWA recommends maintaining
separate files or authorities for related visual works, related
textual materials, persons/corporate bodies, locations/places,
generic concepts, and subjects. Authority information about
persons, places, concepts, and subjects may be important for
retrieval of the work, but this information is more efficiently
recorded in separate authority files than in records
about the work itself. The advantage of storing ancillary
information in an authority file is that this information
needs only be recorded once, and it may then be linked to
all appropriate work records. Authorities described in CDWA
should be hierarchical; given that authority entities often
require multiple broader contexts, a polyhierarchical structure
is recommended.
Send questions and comments to cdwa@getty.edu.
Revised 28 August 2006
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