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This Section considers how the physical traces of the past are transformed into ruins, sites that are endowed with a particular aesthetic value or historical meaning.
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Johann Huttich
German, 1480(?)1544
Roman ruins at Mainz, Germany
Woodcut from Johann Huttich, Collectanea antiquitatum in urbe atque agro Moguntino repertarum
Mainz: Ioannis Schoeffer, 1525
85-B26875
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Anonymous
Imaginary ruins with arcade
Woodcut from Sebastiano Serlio, Tutte l'opere d'architettura
Venice: Francesco Marcolino da Forli, 1540
85-B6491
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Marco Sadeler
German, active early seventeenth century
Interior of the Baths of Caracalla, Rome
Engraving from Aegidius Sadeler, Vestigi delle antichità di Roma Tivoli Pozzuolo et altri luochi
Rome: Gio. Iacomo de Rossi, 1660
85-B14694
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René Jacques Charpentier
French, 17331770
Ruins of classical architecture and tomb
Engraving from Jacques-François Blondel, Livre nouveau; ou, Règles des cinq ordres d'architecture
Paris: Chés Petit, 1767
93-B6777
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Frederick MacKenzie
British, 1788(?)1854
Theater at Patara, Turkey
circa 1840
Drawing, ink and wash, after a sketch by William Gell
840199*
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Frederick MacKenzie
British, 1788(?)1854
Propylon at Patara, Turkey
circa 1840
Drawing, ink and wash, after a sketch by William Gell
840199*
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