<?xml version="1.0" encoding="utf-8"?>
<rss xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" version="2.0">
	<channel>
		<lastBuildDate>Wed, 27 Jun 2007 10:54:55 -0700</lastBuildDate>
		<title>The Getty's Close Radio Podcast</title>
		<itunes:author>Getty Research Institute</itunes:author>
		<link>http://www.getty.edu/art/exhibitions/evidence_movement/close_radio.html</link>
		<description>Close Radio was broadcast on Los Angeles Radio station KPFK bwteen 1976 and 1979. The program allowed artists to present sound and art projects and performances via radio broadcast. This podcast presents 17 audio episodes, chosen from the more than 100 broadcasts produced by Close Radio. All artorks in this podcast are copyright of the artists who created them. Please do not reproduce without permission of the artist. This podcast is made available in conjunction with the exhibition "Evidence of Movement" on view at the Getty Research Institute's galleries at the Getty Center from July 10 to October 7, 2007. Hear more episodes from Close Radio at getty.edu. Look for the exhibition "Evidence of Movement."</description>
		<itunes:subtitle>Artists broadcasting sound art on Los Angeles radio KPFK, 1976-1979</itunes:subtitle>
		<itunes:summary>Close Radio was broadcast on Los Angeles Radio station KPFK bwteen 1976 and 1979. The program allowed artists to present sound and art projects and performances via radio broadcast. This podcast presents 17 audio episodes, chosen from the more than 100 broadcasts produced by Close Radio. All artorks in this podcast are copyright of the artists who created them. Please do not reproduce without permission of the artist. This podcast is made available in conjunction with the exhibition "Evidence of Movement" on view at the Getty Research Institute's galleries at the Getty Center from July 10 to October 7, 2007. Hear more episodes from Close Radio at getty.edu. Look for the exhibition "Evidence of Movement."</itunes:summary>
		<language>en</language>
		<copyright>J. Paul Getty Trust, 2007</copyright>
		<itunes:owner>
			<itunes:name>J. Paul Getty Trust</itunes:name>
			<itunes:email>podcast@getty.edu</itunes:email>
		</itunes:owner>
		<image>
			<url>http://www.getty.edu/art/exhibitions/evidence_movement/images/close_album.jpg</url>
			<title>The Getty&apos;s Close Radio Podcast</title>
			<link>http://www.getty.edu/art/exhibitions/evidence_movement/close_radio.html</link>
			<width>300</width>
			<height>300</height>
		</image>
		<itunes:image href="http://www.getty.edu/art/exhibitions/evidence_movement/images/close_album.jpg" />
		<category>Podcasting</category>
		<itunes:category text="Arts">
			<itunes:category text="Performing Arts" />
		</itunes:category>
		<category>Performing Arts</category>
		<itunes:category text="Arts">
			<itunes:category text="Performing Arts" />
		</itunes:category>
		<itunes:keywords>performance, california artists, sound art, 1970s, conceptual art, archives, los angeles history, radio art program, Paul McCarthy, John Duncan</itunes:keywords>
		<itunes:explicit>no</itunes:explicit>
		<item>
			<title>Close Radio Podcast, #16: Center for Experimental Art and Communication, "Strike, No. 1," June 1978</title>
			<itunes:author>Center for Experimental Art and Communication</itunes:author>
			<description>Broadcast June 1978. Information about CEAC's "Strike Magazine," which was critical of dominant capitalist ideologies. Includes interviews with Amerigo Marras, and music by the punk band the Diodes © 1977, 2007 Crash and Burn Music/SOCAN. Presented by the Getty Research Institute</description>
			<itunes:subtitle>Broadcast June 1978. Information about CEAC's "Strike Magazine," which was critical of dominant capitalist ideologies. Includes interviews with Amerigo Marras, and music by the punk band the Diodes © 1977, 2007 Crash and Burn Music/SOCAN.</itunes:subtitle>
			<itunes:summary>Broadcast June 1978. A collage of information from a variety of media sources about CEAC's "Strike Magazine", which was critical of dominant capitalist ideologies. Includes interviews with Amerigo Marras and music by the punk band the Diodes © 1977, 2007 Crash and Burn Music/SOCAN. Presented by the Getty Research Institute</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio16_ceac.mp3" length="57279000" />
			<guid>http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio16_ceac.mp3</guid>
			<pubDate>Tue, 2 Oct 2007 09:00:00 PDT</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>01:01:05</itunes:duration>
			<itunes:keywords>kensington arts association, political art, canadian art, canadian collaborative, experimental art, radical art, stryke </itunes:keywords>
		</item>
		<item>
			<title>Close Radio Podcast, #15: Los Angeles Free Music Society, "Close Radio," November 3, 1977</title>
			<itunes:author>Los Angeles Free Music Society</itunes:author>
			<description>© LAFMS. Recorded live November 3, 1977. A concert of experimental music and performance. Presented by the Getty Research Institute</description>
			<itunes:subtitle>© LAFMS. Recorded live November 3, 1977. A concert of experimental music and performance.</itunes:subtitle>
			<itunes:summary>© LAFMS. Recorded live November 3, 1977. A concert of experimental music and performance. Presented by the Getty Research Institute</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio15_lafms.mp3" length="43026000" />
			<guid>http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio15_lafms.mp3</guid>
			<pubDate>Tue, 25 Sep 2007 09:00:00 PDT</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:45:53</itunes:duration>
			<itunes:keywords>lafms, tom recchion, tom rechion, tom rayshawn, underground music, sound collage, avantgarde music, free music, psychodelic, sonic exploration</itunes:keywords>
		</item>
		<item>
			<title>Close Radio Podcast, #14: Victor Henderson, "VH Takes a Walk," February 7, 1978</title>
			<itunes:author>Victor Henderson</itunes:author>
			<description>Broadcast February 7, 1978. Peppered with social commentary, the artist narrates his walk from Los Angeles toward the mountains. Presented by the Getty Research Institute</description>
			<itunes:subtitle>Broadcast February 7, 1978. Peppered with social commentary, the artist narrates his walk from Los Angeles toward the mountains.</itunes:subtitle>
			<itunes:summary>Broadcast February 7, 1978. Peppered with social commentary, the artist narrates his walk from Los Angeles toward the mountains. Presented by the Getty Research Institute</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio14_henderson.mp3" length="16590000" />
			<guid>http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio14_henderson.mp3</guid>
			<pubDate>Thu, 20 Sep 2007 09:00:00 PDT</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>yes</itunes:explicit>
			<itunes:duration>00:17:41</itunes:duration>
			<itunes:keywords>viktor henderson, hendersen, fine arts squad, walking in la, artist journey, art travels, performance documentation, los angeles river</itunes:keywords>
		</item>
		<item>
			<title>Close Radio Podcast, #13: Co-Accident, "Close Accident," February 21, 1979</title>
			<itunes:author>Various Artists</itunes:author>
			<description>Broadcast February 21, 1979. A performance broken into segments of song, music, and sound poetry, and sometimes a combination of all three. By Co-Accident: Kirby Malone, Chris Mason, Marshall Reese, Alec Bernstein, and Mitchell Pressman. Presented by the Getty Research Institute</description>
			<itunes:subtitle>Broadcast February 21, 1979. A performance broken into segments of song, music, and sound poetry, and sometimes a combination of all three. By Co-Accident: Kirby Malone, Chris Mason, Marshall Reese, Alec Bernstein, and Mitchell Pressman.</itunes:subtitle>
			<itunes:summary>Broadcast February 21, 1979. A performance broken into segments of song, music, and sound poetry, and sometimes a combination of all three. By Co-Accident: Kirby Malone, Chris Mason, Marshall Reese, Alec Bernstein, and Mitchell Pressman. Presented by the Getty Research Institute</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio13_coaccident.mp3" length="15497000" />
			<guid>http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio13_coaccident.mp3</guid>
			<pubDate>Tue, 18 Sep 2007 09:00:00 PDT</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:16:31</itunes:duration>
			<itunes:keywords>deleuze and guattari, semiotexte, anti-oedipus, adolf wolfli, kurt schwitter, collaborative art, experimental art</itunes:keywords>
		</item>
		<item>
			<title>Close Radio Podcast, #12: Pauline Oliveros, "Pathways to Grandmothers," January 5, 1978</title>
			<itunes:author>Pauline Oliveros</itunes:author>
			<description>© Deep Listening Publications. Broadcast January 5, 1978. A meditative accordion concert by the musician who started the "deep listening" movement. Presented by the Getty Research Institute</description>
			<itunes:subtitle>© Deep Listening Publications. Broadcast January 5, 1978. A meditative accordion concert by the musician who started the "deep listening" movement.</itunes:subtitle>
			<itunes:summary>© Deep Listening Publications. Broadcast January 5, 1978. A meditative accordion concert by the musician who started the "deep listening" movement. Presented by the Getty Research Institute</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio12_oliveros.mp3" length="84010000" />
			<guid>http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio12_oliveros.mp3</guid>
			<pubDate>Tue, 11 Sep 2007 09:00:00 PDT</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>01:29:36</itunes:duration>
			<itunes:keywords>harmony, meditation music, improvisation, just intonation, deep listening, electronic, experimentalmusic, quantum listening, modern composer</itunes:keywords>
		</item>
		<item>
			<title>Close Radio Podcast, #11: Tom Jenkins, "Untitled," July 7, 1977</title>
			<itunes:author>Tom Jenkins</itunes:author>
			<description>Broadcast July 7, 1977. A "sculpture of sounds" by instruments made from found materials. Presented by the Getty Research Institute</description>
			<itunes:subtitle>Broadcast July 7, 1977. A "sculpture of sounds" by instruments made from found materials.</itunes:subtitle>
			<itunes:summary>Broadcast July 7, 1977. A "sculpture of sounds" by instruments made from found materials. Presented by the Getty Research Institute</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio11_jenkins.mp3" length="12223000" />
			<guid>http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio11_jenkins.mp3</guid>
			<pubDate>Tue, 4 Sep 2007 09:00:00 PDT</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:13:02</itunes:duration>
			<itunes:keywords>thom jenkins, sound device, anti-music, steel top, spoon crank, machine, pipe whistles, music wire, acoustic table, experimental music</itunes:keywords>
		</item>
		<item>
			<title>Close Radio Podcast, #10: Robert Wilhite, "History of the One-String," May 9, 1977</title>
			<itunes:author>Robert Wilhite</itunes:author>
			<description>Broadcast May 9, 1977. The artist tells back stories and plays excerpts from his onestring-instrument concerts. Presented by the Getty Research Institute</description>
			<itunes:subtitle>Broadcast May 9, 1977. The artist tells back stories and plays excerpts from his onestring-instrument concerts.</itunes:subtitle>
			<itunes:summary>Broadcast May 9, 1977. The artist tells back stories and plays excerpts from his onestring-instrument concerts. Presented by the Getty Research Institute</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio10_wilhite.mp3" length="14557000" />
			<guid>http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio10_wilhite.mp3</guid>
			<pubDate>Tue, 28 Aug 2007 09:00:00 PDT</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:15:31</itunes:duration>
			<itunes:keywords>artist musician, 1 string, 1970s, birch instrument, larry white, spruce sounding box, bob wilhite, whilhite, willhite</itunes:keywords>
		</item>
		<item>
			<title>Close Radio Podcast, #9: Galerie Ecart presents performances from Zurich, October 6, 1977</title>
			<itunes:author>Galerie Ecart</itunes:author>
			<description>Broadcast October 6, 1977. Recordings in Zurich, Switzerland of performances by various artists. Maurizio Nannucci material © Zona Archives, Florence, Italy. Presented by the Getty Research Institute</description>
			<itunes:subtitle>Broadcast October 6, 1977. Recordings in Zurich, Switzerland of performances by various artists. Maurizio Nannucci material © Zona Archives, Florence, Italy.</itunes:subtitle>
			<itunes:summary>Broadcast October 6, 1977. Recordings in Zurich, Switzerland of performances by various artists. Galerie Ecart workshop: Collage of sounds, words, noise, and music. Maurizio Nannucci: An artist reads the names of several colors, and sometimes the names overlap, © Zona Archives, Florence, Italy. Galerie Ecart workshop: Composition of 'chance systems' and improvisational exercises. Giuseppe Chiari in concert at Ecart Gallery: A piano concert of randomly played notes. Ecart Performance Group: Collage of sounds and music. Mary Harding, John Armleder, and Phillippe Deleglise in Wolf Vosteli's 'Regen': A recording of the artists talking while performing under outdoor showers in Vosteli's 'Regen'. Ecart Performance Group: A sound piece played on a gong. Presented by the Getty Research Institute</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio9_ecart.mp3" length="56660000" />
			<guid>http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio9_ecart.mp3</guid>
			<pubDate>Tue, 21 Aug 2007 09:00:00 PDT</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>01:00:26</itunes:duration>
			<itunes:keywords>concert, piano, vostelli, chance, improvisation, e cart, eckardt, italian artist, gallery, John Armleder, Claude Rychner, Swiss Performance Art</itunes:keywords>
		</item>
		<item>
			<title>Close Radio Podcast, #8: Jim Roche, "Cadillac, Power Poles, Straight Razor and Swoops Down Out of the Sky," January 29, 1978</title>
			<itunes:author>Jim Roche</itunes:author>
			<description>Broadcast January 29, 1978. One-voice performances of characters the artist imagined were representative of America after a cross-country trip taken in the late 1960s. Presented by the Getty Research Institute</description>
			<itunes:subtitle>Broadcast January 29, 1978. One-voice performances of characters the artist imagined were representative of America after a cross-country trip taken in the late 1960s.</itunes:subtitle>
			<itunes:summary>Broadcast January 29, 1978. One-voice performances of characters the artist imagined were representative of America after a cross-country trip taken in the late 1960s. Presented by the Getty Research Institute</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio8_roche.mp3" length="31373000" />
			<guid>http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio8_roche.mp3</guid>
			<pubDate>Fri, 17 Aug 2007 09:00:00 PDT</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>yes</itunes:explicit>
			<itunes:duration>00:33:27</itunes:duration>
			<itunes:keywords>jim roach, james roche, rambling, sound poetry, stream of conscious, cadilac, gospel art, jim roache</itunes:keywords>
		</item>
		<item>
			<title>Close Radio Podcast, #7: Michael Brewster, "Radio Borne Space," January 12, 1978</title>
			<itunes:author>Michael Brewster</itunes:author>
			<description>Broadcast January 12, 1978. Instructions for an acoustic sculpture with a discussion afterwards. Presented by the Getty Research Institute</description>
			<itunes:subtitle>Broadcast January 12, 1978. Instructions for an acoustic sculpture with a discussion afterwards.</itunes:subtitle>
			<itunes:summary>Broadcast January 12, 1978. Instructions for an acoustic sculpture with a discussion afterwards. Presented by the Getty Research Institute</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio7_brewster.mp3" length="15776000" />
			<guid>http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio7_brewster.mp3</guid>
			<pubDate>Tue, 14 Aug 2007 09:00:00 PDT</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:16:49</itunes:duration>
			<itunes:keywords>interactive performance, sound performance, spatial performance, scale performance, wavelength sound, tone art, tonal performance, mike brewster</itunes:keywords>
		</item>
		<item>
			<title>Close Radio Podcast, #6: The Monitors, November 10, 1977</title>
			<itunes:author>The Monitors</itunes:author>
			<description>© Humaneer Music, BMI. Recorded live November 10, 1977. Punk rock music by an L.A. band. Presented by the Getty Research Institute</description>
			<itunes:subtitle>© Humaneer Music, BMI. Recorded live November 10, 1977. Punk rock music by an L.A. band.</itunes:subtitle>
			<itunes:summary>© Humaneer Music, BMI. Recorded live November 10, 1977. Punk rock music by an L.A. band. Presented by the Getty Research Institute</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio6_monitors.mp3" length="17216000" />
			<guid>http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio6_monitors.mp3</guid>
			<pubDate>Tue, 7 Aug 2007 09:00:00 PDT</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:18:21</itunes:duration>
			<itunes:keywords>juan gomez, punk, rock music, los angeles music, 1970</itunes:keywords>
		</item>
		<item>
			<title>Close Radio Podcast, #5: Paul McCarthy interviews Gene Youngblood, July 7, 1977</title>
			<itunes:author>Paul McCarthy and Gene Youngblood</itunes:author>
			<description>Recorded live July 7, 1977. Youngblood, an electronic media arts scholar, discusses six new technologies that artists are using. Presented by the Getty Research Institute</description>
			<itunes:subtitle>Recorded live July 7, 1977. Youngblood, an electronic media arts scholar, discusses six new technologies that artists are using.</itunes:subtitle>
			<itunes:summary>Recorded live July 7, 1977. Youngblood, an electronic media arts scholar, discusses six new technologies that artists are using. Presented by the Getty Research Institute</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio5_youngblood.mp3" length="61367000" />
			<guid>http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio5_youngblood.mp3</guid>
			<pubDate>Tue, 31 Jul 2007 09:00:00 PDT</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>01:05:27</itunes:duration>
			<itunes:keywords>expanded cinema, video art, author, media professor, media research, art and technology, emerging technology</itunes:keywords>
		</item>
		<item>
			<title>Close Radio Podcast, #4: Ant Farm, "CarMen...The Opera," November 22, 1976</title>
			<itunes:author>Ant Farm</itunes:author>
			<description>Broadcast November 22, 1976. An opera in three acts featuring an orchestra of automobiles. Presented by the Getty Research Institute</description>
			<itunes:subtitle>Broadcast November 22, 1976. An opera in three acts featuring an orchestra of automobiles.</itunes:subtitle>
			<itunes:summary>Broadcast November 22, 1976. An opera in three acts featuring an orchestra of automobiles. Presented by the Getty Research Institute</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio4_antfarm.mp3" length="13875000" />
			<guid>http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio4_antfarm.mp3</guid>
			<pubDate>Thu, 26 Jul 2007 09:00:00 PDT</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:14:47</itunes:duration>
			<itunes:keywords>Antfarm, Chip Lord, Doug Michels, Hudson Marquez, texas artists, architects, car opera, Sydney Opera House, Kangaroo conductor, cadillac performance</itunes:keywords>
		</item>
		<item>
			<title>Close Radio Podcast, #3: Ronald Benom, &quot;Room, Part 1,&quot; June 9, 1977</title>
			<itunes:author>Ronald Benom</itunes:author>
			<description>© Estate of Ronald Benom. Broadcast June 9, 1977. Stories about a particular room from multiple perspectives. Presented by the Getty Research Institute</description>
			<itunes:subtitle>© Estate of Ronald Benom. Broadcast June 9, 1977. Stories about a particular room from multiple perspectives.</itunes:subtitle>
			<itunes:summary>© Estate of Ronald Benom. Broadcast June 9, 1977. Stories about a particular room from multiple perspectives. Presented by the Getty Research Institute</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio3_benom.mp3" length="15023000" />
			<guid>http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio3_benom.mp3</guid>
			<pubDate>Tue, 24 Jul 2007 09:00:00 -0700</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:16:01</itunes:duration>
			<itunes:keywords>ron benam, interviews, stories, place, location, downtown Los Angeles, 1970s, building</itunes:keywords>
		</item>
		<item>
			<title>Close Radio Podcast, #2: Douglas Huebler presents..., May 1978</title>
			<itunes:author>Douglas Huebler and various artists</itunes:author>
			<description>Broadcast May 1978. © Estate of Douglas Huebler ©, Estate of Jack Goldstein ©, 2007 Lawrence Weiner/Artists Rights Society (ARS), New York. Marc Pally, T.J. Silverlake, The Poetics (Mike Kelley, Tony Oursler, and Don Krieger).</description>
			<itunes:subtitle>Broadcast May 1978. © Estate of Douglas Huebler ©, Estate of Jack Goldstein ©, 2007 Lawrence Weiner/Artists Rights Society (ARS), New York. Marc Pally, T.J. Silverlake, The Poetics (Mike Kelley, Tony Oursler, and Don Krieger).</itunes:subtitle>
			<itunes:summary>© Estate of Douglas Huebler. Huebler introduces an exhibition of audio works by artists who use tapes and records as their medium. Boadcast May 1978 - Douglas Huebler presents Jack Goldstein. © Estate of Jack Goldstein. "A Faster Run" is a composition of wranglers herding horses. "Tornado" presents the sounds of the weather phenomenon -Douglas Huebler presents Lawrence Weiner, "Nothing to Lose," english and Dutch phrases about society's relationship to objects, layered with music box melodies. © 2007 Lawrence Weiner/Artists Rights Society (ARS), New York. - Douglas Huebler presents Marc Pally, "He Knew the Fear," descriptive sentences of a contemporary Renaissance man. (May not be suitable for children.) - Douglas Huebler presents Marc Pally, "The Book of Time," a collection of musings interrupted by instructions for an escape. - Douglas Huebler presents T.J. Silverlake, "Untitled," a snapshot of a state of mind told in first person and edited to read like a poem. - Douglas Huebler presents the Poetics (Mike Kelley, Tony Oursler, and Don Krieger), "Dream Lover," a slapstick musical performance of adolescent-like provocations. (May not be suitable for children.) Presented by the Getty Research Institute</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio2_huebler.mp3" length="58301000" />
			<guid>http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio2_huebler.mp3</guid>
			<pubDate>Tue, 17 Jul 2007 09:00:00 -0700</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>01:02:11</itunes:duration>
			<itunes:keywords>situation art, conceptual art, sound art, heebler, jack goldstien, mark paly, tony ousler, don kreiger, mike kelly, cal arts 1970s, dreamlover, Hubler</itunes:keywords>
		</item>
		<item>
			<title>Close Radio Podcast, #1: Kipper Kids, &quot;Singing,&quot; April 1978</title>
			<itunes:author>Kipper Kids</itunes:author>
			<description>Recorded live, April 1978. A long duet sung in noises and short bits of popular culture. Presented by the Getty Research Institute</description>
			<itunes:subtitle>Recorded live, April 1978. A long duet sung in noises and short bits of popular culture.</itunes:subtitle>
			<itunes:summary>Recorded live, April 1978. A long duet sung in noises and short bits of popular culture. Presented by the Getty Research Institute</itunes:summary>
			<enclosure type="audio/mpeg" url="http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio1_kipperkids.mp3" length="14578000" />
			<guid>http://www.getty.edu/art/exhibitions/evidence_movement/audio/podcasts/closeradio1_kipperkids.mp3</guid>
			<pubDate>Tue, 10 Jul 2007 09:00:00 -0700</pubDate>
			<category>Performing Arts</category>
			<itunes:explicit>no</itunes:explicit>
			<itunes:duration>00:15:32</itunes:duration>
			<itunes:keywords>improvisation, singing, nonsense, Brian Routh, Martin von Haselberg, Harry Kipper, artist collaboration, British art, Argentinian artist, Martin van Haselberg</itunes:keywords>
		</item>
	</channel>
</rss>