Green and Cream, 1966, Ken Price. Glazed ceramic. 4 x 8 1/2 x 3 1/2 in. Private collection. Permission courtesy Ken Price Studio. Photo by Zoe Zimmerman
Ken Price, a student of sculptor Peter Voulkos in the 1950s, was fascinated by craftsmanship, finish, and color, as well as the possibilities offered by industrial techniques. As his work matured, Price eschewed the physical monumentality of Voulkos’s ceramic sculpture, as well as his teacher’s tendency towards earth tones. In the early 1960s, he started to use industrial enamels and automobile lacquers to achieve vibrant, glossy colors and an immaculate finish. These works incorporate brilliant color combinations that speak of the influence of jazz and be-bop, and the aesthetic of the Southern California surfing subculture, of which Price was a part. Price was one of the key artists associated with the influential Ferus Gallery and had three important solo shows there.
Explore the Era
Delve into the postwar Los Angeles art world in this online archive, which provides additional material related to the exhibitions on view at the Getty Center. Learn about hipsters and happenings, and the venues across the city where all the action took place through images from the archives and first-hand accounts with the artists.
Green and Cream
Green and Cream, 1966, Ken Price. Glazed ceramic. 4 x 8 1/2 x 3 1/2 in. Private collection. Permission courtesy Ken Price Studio. Photo by Zoe Zimmerman
On View at the Getty Center: Pacific Standard Time: Crosscurrents in L.A. Painting and Sculpture, 1950-1970
Ken Price, a student of sculptor Peter Voulkos in the 1950s, was fascinated by craftsmanship, finish, and color, as well as the possibilities offered by industrial techniques. As his work matured, Price eschewed the physical monumentality of Voulkos’s ceramic sculpture, as well as his teacher’s tendency towards earth tones. In the early 1960s, he started to use industrial enamels and automobile lacquers to achieve vibrant, glossy colors and an immaculate finish. These works incorporate brilliant color combinations that speak of the influence of jazz and be-bop, and the aesthetic of the Southern California surfing subculture, of which Price was a part. Price was one of the key artists associated with the influential Ferus Gallery and had three important solo shows there.
Historic Map Locations
Styles & Materials
Time Periods & Venues
Works of Art
BG Red, 1963, Ken Price. Fired clay with acrylic and lacquer on wooden base. 10 in. high. Collection of Mr. & Mrs. Gifford Phillips. Permission courtesy Ken Price Studio. Photo by Taylor Sherill
Avocado Mountain, 1959, Ken Price. Glazed ceramics (2 parts). 24 x 21 x 21 in. James Corcoran Gallery, Los Angeles. Permission courtesy Ken Price Studio
Explore the Archive
Poster for The Studs group exhibition at the Ferus Gallery in Los Angeles, 1964. Image courtesy of Hal Glicksman
Installation view of Ken Price's sculptures in the exhibition New American Sculpture at the Pasadena Art Museum, February 11–March 7, 1964. Photo by Frank J. Thomas. Courtesy of the Frank J. Thomas Archives
Larry Bell, Billy Al Bengston, and Ken Price outside Hotel Caesars in Tijuana, Mexico, 1968. Image courtesy of Larry Bell
Ken Price firing works for his Curio Store at the home of Dennis Hopper in Taos, New Mexico, 1973. Photo by Happy Price. Image courtesy of the Ken Price Studio
Ken Price at a party in Los Angeles in 1965. Image courtesy of Ken Price Studio
Ken Price with student work at the University of Southern California, Los Angeles, 1956. Image courtesy of the Ken Price Studio
Several Los Angeles artists at Culture Day at LACMA (L.A. County Museum of Art), 1968. Photo by and © Julian Wasser.