Delve into the postwar Los Angeles art world in this online archive, which provides additional material related to the exhibitions on view at the Getty Center. Learn about hipsters and happenings, and the venues across the city where all the action took place through images from the archives and first-hand accounts with the artists.
BG Red, 1963, Ken Price. Fired clay with acrylic and lacquer on wooden base. 10 in. high. Collection of Mr. & Mrs. Gifford Phillips. Permission courtesy Ken Price Studio. Photo by Taylor Sherill
Green and Cream, 1966, Ken Price. Glazed ceramic. 4 x 8 1/2 x 3 1/2 in. Private collection. Permission courtesy Ken Price Studio. Photo by Zoe Zimmerman
Explore the Era
Delve into the postwar Los Angeles art world in this online archive, which provides additional material related to the exhibitions on view at the Getty Center. Learn about hipsters and happenings, and the venues across the city where all the action took place through images from the archives and first-hand accounts with the artists.
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Exhibitions at the Getty Center
Category: Show All > New Processes
BG Red, 1963, Ken Price. Fired clay with acrylic and lacquer on wooden base. 10 in. high. Collection of Mr. & Mrs. Gifford Phillips. Permission courtesy Ken Price Studio. Photo by Taylor Sherill
Big Jim McLain, 1967, Billy Al Bengston. Polyurethane and laquer on aluminum. 60 x 58 in. Collection of Joan and Jack Quinn. © Billy Al Bengston
Black Tear, 1969, Ronald Davis. Molded polyester resin and fiberglass. 60 ½ x 136 in. The Robert A. Rowan Collection, Pasadena, California. © Ronald Davis
Car Hood, 1964, Judy Chicago. Sprayed acrylic lacquer on Corvair car hood. 42 15/16 x 49 3/16 x 4 5/16 in. Moderna Museet, Stockholm. Acquired 2007 with means from The Second Museum of our Wishes. © Judy Chicago, 1964. Photo © Donald Woodman
Cloud Box, 1966, Peter Alexander. Cast polyester resin. 9 5/8 x 9 5/8 x 9 5/8 in. Collection of Janis Horn and Leonard Feldman, Los Angeles. © Peter Alexander. Photo: Brian Forrest
For People Who Know The Difference, 1967, John McCracken. Polyester resin, fiberglass, and plywood. 120 x 20 1/4 x 3 1/4 in. Collection of the Mohn Family Trust. © The Estate of John McCracken. Courtesy David Zwirner, New York
Gray Column, 1975–76, De Wain Valentine. Polyester resin. 140 x 87 1/2 x 9 1/2 in. Lent by De Wain Valentine. Artwork © De Wain Valentine
Green and Cream, 1966, Ken Price. Glazed ceramic. 4 x 8 1/2 x 3 1/2 in. Private collection. Permission courtesy Ken Price Studio. Photo by Zoe Zimmerman
Hegemann Wedge, 1971, Ed Moses. Powdered pigment, acrylic, and resin on canvas. 96 x 82 in. Collection of Phyllis & John Kleinberg. Image courtesy of and © Ed Moses
Larry Bell in his Market Street studio in Venice, California, 1961. Image courtesy of Larry Bell, Marvin Silver and Craig Krull Gallery, Santa Monica. © Marvin Silver
Larry Bell in his studio in Venice, California, 1969. Image courtesy of Malcolm Lubliner and Craig Krull Gallery, Santa Monica. © Malcolm Lubliner
Craig Kauffman, ca. 1955. © The Estate of Craig Kauffman. Photo by Ed Moses
Ed Moses painting on the floor of his studio, ca. 1955. Image courtesy of Ed Moses
Ed Moses working on a resin painting on the floor of his studio in the early 1970s. Image courtesy of Ed Moses
Helen Pashgian working in her studio in the 1970s. Photo by Walt Mancini. Courtesy of and © Helen Pashgian