Delve into the postwar Los Angeles art world in this online archive, which provides additional material related to the exhibitions on view at the Getty Center. Learn about hipsters and happenings, and the venues across the city where all the action took place through images from the archives and first-hand accounts with the artists.
Business-card box for Charles Brittin, 1957, Robert Alexander. Collaged box with medicine cap affixed. 2 1/2 x 6 3/8 x 3 7/8 in. The Getty Research Institute, Charles Brittin Papers, 2005.M.11.27. Courtesy of the Temple of Man, Inc.
Business-card box for Charles Brittin, ca. 1950s, Robert Alexander. Collaged box with key affixed. 2 1/4 x 4 5/16 x 3 15/16 in. The Getty Research Institute, Charles Brittin Papers, 2005.M.11.28. Courtesy of the Temple of Man, Inc.
Card to Betty Asher, ca. 1965, Wallace Berman. Photomontage and ink on board. 4 x 2 15/16 in. The Getty Research Institute, Gift of Michael Asher, 2009.M.30.25. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Card to George Herms, 1970, Wallace Berman. Letterpress, ink, and gelatin silver print on board. 6 1/4 x 4 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.9. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Homage to Hermann Hesse, 1949 (modified 1954), Wallace Berman. Wood. 59 x 21 3/16 x 17 7/8 in. Collection of Joy Stockwell. Permission courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Explore the Era
Delve into the postwar Los Angeles art world in this online archive, which provides additional material related to the exhibitions on view at the Getty Center. Learn about hipsters and happenings, and the venues across the city where all the action took place through images from the archives and first-hand accounts with the artists.
Show All
Styles
Materials
Venues
Decades
Exhibitions at the Getty Center
Category: Show All > Assemblage & Collage
Afrophoenix 1, 1963, Melvin Edwards. Welded steel. 12 1/2 x 9 1/2 x 4 in. The Art Institute of Chicago, restricted gift of Stanley M. Freehling, 1997.411. © Melvin Edwards. Photography © The Art Institute of Chicago
American Beauty, 1965, Ed Bereal. Metal, paint, tree branch. 50 x 31 x 12 in. Collection of Betty & Monte Factor. © Ed Bereal. Photo by Larry Hirshowitz
Book 1, ca. 1960s, Russel Tamblyn. Letterpress and photocollage. Skyline Press, ca. 1960s 5 7/16 x 4 1/4 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.8. © Russel Tamblyn
Business-card box for Charles Brittin, 1957, Robert Alexander. Collaged box with medicine cap affixed. 2 1/2 x 6 3/8 x 3 7/8 in. The Getty Research Institute, Charles Brittin Papers, 2005.M.11.27. Courtesy of the Temple of Man, Inc.
Business-card box for Charles Brittin, ca. 1950s, Robert Alexander. Collaged box with key affixed. 2 1/4 x 4 5/16 x 3 15/16 in. The Getty Research Institute, Charles Brittin Papers, 2005.M.11.28. Courtesy of the Temple of Man, Inc.
Card to Betty Asher, ca. 1965, Wallace Berman. Photomontage and ink on board. 4 x 2 15/16 in. The Getty Research Institute, Gift of Michael Asher, 2009.M.30.25. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Card to George Herms, 1970, Wallace Berman. Letterpress, ink, and gelatin silver print on board. 6 1/4 x 4 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.9. Courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles
Card to George Herms, 1968, Dean Stockwell. Letterpress, ink, and tinted gelatin silver print on board. 5 x 3 3/8 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.12. © Dean Stockwell
Card to George Herms, 1967, Dean Stockwell. Letterpress, ink, and gelatin silver prints on board. 5 1/4 x 3 9/16 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.17. © Dean Stockwell
Card to George Herms, 1966, Russel Tamblyn. Photomontage and ink board. 4 9/16 x 3 9/16 in. The Getty Research Institute, Gift of George Herms, 2009.M.20.10. © Russel Tamblyn
Concord #11, 1964, Ron Miyashiro. Wood, cardboard, papier-mâché, and enamel. 15 x 12 1/2 x 12 ½ in. The Buck Collection, Laguna Beach, California. © Ron Miyashiro. Photo courtesy Cardwell Jimmerson and the artist
Concord #8, 1963, Ron Miyashiro. Wood, cardboard, and enamel. 11 5/8 x 5 7/8 x 6 1/4 in. Collection of Diana Zlotnick. © Ron Miyashiro. Photo courtesy of Cardwell Jimmerson and the artist
Concord #9, 1963, Ron Miyashiro. Wood, cardboard, and acrylic. 10 5/8 x 15 1/16 x 8 1/4 in. Courtesy of the artist and Cardwell Jimmerson. © Ron Miyashiro
Flanders, 1961–62, Llyn Foulkes. Mixed media. 54 x 36 x 14 in. and 16 x 15 3/4 in. Collection of Ernest & Eunice White. © Llyn Foulkes. Photo © Douglas M. Parker Studio
Homage to Hermann Hesse, 1949 (modified 1954), Wallace Berman. Wood. 59 x 21 3/16 x 17 7/8 in. Collection of Joy Stockwell. Permission courtesy of the Estate of Wallace Berman and Michael Kohn Gallery, Los Angeles