The Getty Villa
All performances take place in the Auditorium at the Getty Villa. Parking is $10 after 3:00 p.m.
Rogue Machine Theatre Presents
THE SUPPLIANT WOMEN
Translated by George Theodoridis
Directed by Michael Arabian
Produced by Michael Arabian and John Perrin Flynn
Date: Friday, November 17, 2017 at 7:30 p.m.
Saturday, November 18, 2017 at 3:00 and 7:30 p.m.
Sunday, November 19, 2017 at 3:00 p.m.
Admission: Tickets: $7.
Aeschylus's The Suppliant Women, one of the oldest extant dramas from ancient Greece, is the first play and only surviving full text of the lost Danaid Tetralogy. The tetralogy was inspired by the myth of Io and her two warring sons, Aegyptus and Danaos. After Aegyptus usurps Danaos's throne, the 50 sons of Aegyptus seek to possess the 50 daughters of Danaos by forced marriage. Danaos and his daughters reject the compulsory unions and flee to Argos for sanctuary, pursued by the Egyptians.
The Suppliant Women is also one of the earliest known stories of refugees. It is one of Aeschylus's most poetic pieces, beautifully translated by renowned writer and translator George Theodoridis. In this remarkably timely production Argos becomes modern Greece and the daughters, wearing life jackets and arriving on overcrowded boats, become Syrian refugees. This ancient play has neither hero, nor downfall, nor even tragic conclusion. Instead, the play's themes, still pertinent today, explore human rights, the continuing oppression of women, and societal reactions to refugees.
Photo: Elena Vannoni
About the Director
Michael Arabian has directed and produced numerous West Coast and world premieres in New York and Los Angeles, winning over 50 awards. In Los Angeles, he is best known for his production of Waiting for Godot at the Mark Taper Forum in 2012 which was honored with five Los Angeles Drama Critics Circle Awards, including Outstanding Production and Direction. It was also nominated for ten Ovation Awards, winning five, including Best Production.
In 2016 Arabian directed Disgraced at San Diego Repertory Theatre, which received a San Diego Critics Award nomination for Best Production, and Red starring John Vickery. Both shows made the San Diego CityBeat's Top 10 list. He also directed Six Dance Lessons in Six Weeks, starring the dance icon Leslie Caron at the Laguna Playhouse and Staging the Unstageable (commemorating the centennial of the Armenian Genocide) at the Kirk Douglas Theatre. Other productions at the Mark Taper include Samuel Beckett's Krapp's Last Tape, Edward Albee's The Sandbox, Harold Pinter's A Slight Ache, and workshops of new works.
His site-specific company, Theatre InSite, formed a partnership with CBS (Radford) Studios (a first for L.A. theater), to produce live TV pilots (Third Rock from the Sun picked up) and inventive, large-scale productions, such as an updated production of Romeo and Juliet where audiences followed scenes and car chases through the backlot's suburban streets, and The Trojan Women set during the Gulf War and staged in 400,000 gallons of water at the old Gilligan's Island Lagoon site.
Arabian's film King of the Ants, shot on 35mm film, is distributed by Vanguard Cinema.
About the Company
Rogue Machine Theatre was founded in 2008 as a performing arts organization to serve the greater Los Angeles community by developing and nurturing emerging playwrights, introducing important new contemporary works to Southern California, and engaging diverse audiences by presenting vital, invigorating productions. The company mirrors and examines contemporary culture as a theater of ideas and imagination.
This year, Rogue Machine Theatre (RMT) received the Polly Warfield Award for Outstanding Season from the Los Angeles Drama Critics Circle, making it the only theater company to be given this award twice in the past sixteen years. The company is a recipient of the American Theatre Wing's 2014 National Theatre Company Grant, awarded to select theater organizations for the development of new work and other significant contributions to the field of professional theater in the United States. World premieres have subsequently played off Broadway, in major regional theaters, and at the Donmar Warehouse in London. RMT has been nominated for the Los Angeles Drama Critics Circle and/or Ovation Awards Best Production in Los Angeles in six of the last seven years and has won each award three times. In addition, RMT has garnered more than 60 awards for direction, design, and acting. More information is available at RogueMachineTheatre.com.
April 21–23, 2017
The Homeric Hymns are a collection of songs from the seventh and sixth centuries BC, reflecting the earliest stories about the Greek gods. Award-winning Four Larks returns to the Getty Villa with a chorus of actors, musicians, and dancers to perform original compositions from these ancient verses.
February 17–19, 2017
Loosely based on Aristophanes's The Frogs, Sapo takes place in the mid-1970s Latin music scene. It's a slithery world of mischief, deception, and slippery hippy lily pads where anything goes. Adapted and performed by Culture Clash.
November 19–20, 2016
Inspired by the the myth of the Minotaur, Asterion explores the life of one man who has seen the dark side of his nature and fights to regain his humanity. This visceral, physical, and poetic retelling is conceived by Katharine Noon, developed by the Ghost Road Company, and reflects the ensemble's recent work with renowned Polish theatre company, Teatr ZAR.
Griot Theatre of the West Valley presents The Archer from Malis
April 15–17, 2016
In this bold reimagining of Sophocles's Philoctetes, set in a Hunger Games-inspired dystopia and employing non-traditional casting, Odysseus orders young Neoptolema, daughter of Achilles, to trick Philoctetes into joining the Greeks to assure their victory of the Trojan War.
Wilderness/Tilted Field present The Antigone Project
February 19–21, 2016
An intimate physical-theater duo imagines unspoken parts of the iconic Antigone story and examines the unique qualities of the sibling bond. An up-close and human exploration of the heroine and the brother she buries, this original work pulls from current events, the Wild West, ancient Greece, and our own childhood living rooms for a fresh and personal look at the legacy of Oedipus, offering insight into how the themes in this story live in our culture, both privately and publicly, today.
Theatre Movement Bazaar presents SUBLIMINAL
November 20–22, 2015
Theatre Movement Bazaar's new performance work—merging humor, dance, song, and video—takes place on a submarine deep in the subarctic and is inspired by the ancient legend of Cassandra, the Trojan princess who was granted the gift of prophecy and the curse of never being believed.
Latino Theater Company present La Olla—Plautus's The Pot of Gold
March 27–29, 2015
The Latino Theater Company deploys its unique style of imagery, music, and movement—inspired by the noir films of the golden age of Mexican Cinema—for this adaptation of ancient Roman playwright Plautus's comedy The Pot of Gold. Crime, greed, ambition, and mistrust drive the characters into a state of confusion and misinterpreted motives, with hilarious results.
Automata Arts present Tungsten (artery) A Modern Retelling of Persephone
February 20–22, 2015
This multidisciplinary puppet play with video and live performance centers on Cora, a contemporary Persephone whose annual return to the "upper air" has been the catalyst for spring. But her role, and the cycle of the seasons, are now in question. Directed and designed by Janie Geiser. Written by Erik Ehn.
The Hypocrites present All Our Tragic
November 8–9, 2014
All Our Tragic, by Chicago's award-winning company The Hypocrites, is a unique 12-hour theatrical adaptation that combines the 32 surviving Greek tragedies into a single epic narrative. Performed over two six-hour installments, the performance creates a modern festival of Dionysus. Adapted and directed by Sean Graney.
Troubadour Theater Company presents ABBAMEMNON
April 18–20, 2014
Featuring the music of the seminal Swedish band, ABBA, this 90 minute romp employed the theatrical conventions and devices of the Greeks, the Commedia del Arte, and Brecht. Physical and musical, along with a strong emotional core, the Troubies brought the noise, the funk, and the dysfunctional family vibe to life in what is considered by many to be the masterwork of all Greek tragedies.
Four Larks Presents Orpheus
March 14–16, 2014
The Orphic katabasis resonates across cultures and centuries, inspiring poets, painters, and musicians with the potential of art to shift the course of history. This bold new adaptation weaves electrifying visual and physical theater with a hypnotizing live score.
Orpheus follows the golden-voiced hero on his journey through the underworld to rescue his lost love, Eurydice. He sings his way across the River Styx, past the three-headed hellhound, and into the House of the Dead. As he descends into the heart of Hades, Orpheus dares to defy the fates, convincing Persephone to return Eurydice. But will he be forced to accept her mortality once they reach the light of day?
Not Man Apart Physical Theatre Ensemble Presents Lysistrata Unbound
by Eduardo Machado, Inspired by Aristophanes' Lysistrata
February 8–10, 2013
Sibling-actors Olympia and Apollo Dukakis lead the cast of an ingenious new script in progress by award-winning playwright Eduardo Machado. This newly imagined "prequel" to Aristophanes' Lysistrata, directed by John Farmanesh-Bocca, tells of an aristocratic Athenian matron who is crushed by fateful events and gradually transformed into the most celebrated peace activist of the ancient world.
May 18–20, 2012
Hugh Lupton is one of Britain's greatest living storytellers, carrying forward the ancient bardic tradition. Helen Chadwick is a celebrated composer and singer. Together they present a new work in progress, conjuring tales sacred and profane of the Greek and Roman gods of love.
Like the Getty Villa exhibition Aphrodite and the Gods of Love, this performance of Hymns to Aphrodite explores in story and song the many dimensions of the ancient goddess. Lupton and Chadwick's retelling of her complex mythology encompasses the legend of her miraculous birth, the intrigues involving her many immortal lovers (Zeus, Ares, Poseidon, Dionysus, Adonis, and husband Hephaestus, among others), and the turbulent lives of her children (Eros, Hermaphroditos, Priapus, Rhode, Deimos and Phobos).
Of a performance by Hugh Lupton at London's Barbican Centre, a Times of London reviewer wrote, "I saw banquets and voyages, armies and oceans, battling heroes and ravening gods—all conjured out of thin air by a voice. Film is often thought to be a threat to literature. But the images that billowed and faded in that darkened auditorium were quite different from those that unspool across a screen. I could put my hands in front of my face and the pictures would not vanish. They were inside me. They belonged to me. They were part of the history of the whole of human life."
March 23–25, 2012
In 1894, the reported discovery of a large cache of exquisite poetry by an ancient Greek courtesan electrified the world of Classical studies. The author was Bilitis, described as an intimate friend and contemporary of the poet Sappho. So sensuous and moving were these poems that they were immediately hailed as classics of ancient erotic literature and began to appear across Europe in sensationally illustrated "private editions." More than a decade later, the poems were unmasked as an elaborate literary hoax, fabricated by an obscure and impoverished French novelist, Pierre Louys—a comrade of the author Andre Gide and composer Claude Debussy, among others. How a flamboyantly heterosexual Parisian avant-gardist came to successfully impersonate a Sapphic Greek poet is the subject of this new work by the acclaimed Los Angeles mask and puppet troupe Rogue Artists Ensemble.
Behind the Scenes with Rogue Artists EnsembleSee the performers in mask and hear Sean Cawelti of the Rogue Artists Ensemble discuss their approach to theater in this video. Plus: a Flickr set of masks and puppets being created for Songs of Bilitis.
Critical Mass Performance Group Presents An Alcestis Project
February 17–19, 2012
The latest work in progress by this ambitious experimental-theater ensemble explored ancient myths of the faithful wife who descends to the realm of the dead. Under the direction of Nancy Keystone, the play takes its name from the Greek heroine Alcestis, a queen and mother who volunteers to die in place of her husband. Drawing on a long history of interpretation by dramatists, poets, and composers of opera, Keystone and Critical Mass Performance Group presented the first draft of their mythic research.
Adapted from the Play by Aristophanes
June 9–12, 2011
The Troubies, as the Troubadour Theater Company is known, are renowned for their deliriously satiric adaptations of theatrical and literary classics set to pop musical scores. Set in the mythical CloudCuckooLand and floating halfway between heaven and earth, the Troubies' newest work is based on Aristophanes' feathery utopian comedy.
The Madness of Hercules by Seneca
May 20–22, 2011
Considered one of the finest tragedies of the Roman philosopher and playwright Seneca, Hercules Furens portrays one of the most bitter and grotesque legends of this half-mortal son of Zeus―Hercules' maddened slaughter of his own innocent wife and children. Seneca's play asks, how does a man survive his own unforgivable crimes?
February 4 and 5, 2011
Half-man and half-horse, the wild and badly behaved Satyrs were legendary companions of Dionysus, the ancient Greek god of wine and theater. In their latest work in progress, Poor Dog Group, rising stars of L.A.'s experimental-theater scene, immersed themselves in ancient satyr drama, imagery, and lore to reinvent the term satyr play. Go behind the scenes as the group rehearses the work and hear from director Jesse Bonnell on the creative process on the Iris.
May 14–16, 2010
Conceived, adapted and staged by Mexican director Maria Morett, this multimedia work for the stage is inspired by the surrealist love poem of the same name by the late Nobel laureate Octavio Paz. Considered one of the poet's greatest works, Piedra de Sol (Sunstone) is a circular poem based on the circular calendar of the Aztecs (or sun stone,) and overflows with images both modern and historical. This original staging is performed in an aural tapestry of English, Spanish and Nahuatl.
February 19–21, 2010
Two acclaimed creative forces—renowned translator Anne Carson and the daring, experimental Big Dance Theater—joined in the creation of a new movement-theater version of Alkestis. Euripides' genre-defying play, in which Herakles wrestles Death for the soul of an ideal woman, is one of the playwright's strangest and most beautiful works.
The SITI Company: Antigone
May 15–17, 2009
Director Anne Bogart and the members of her New York City-based ensemble brought to the Villa the first public presentations of their latest project, an adaptation of Sophocles' Antigone by Irish dramaturge and translator Jocelyn Clarke.
Troubadour Theater Company: Oedipus: The King, Mama!
April 17–19, 2009
Los Angeles-based Troubadour Theater Company, a freewheeling, no-holds-barred, commedia dell'arte-flavored ensemble of actors, musicians, and comedians, tackled the ancient Greek tragedy.
Ghost Road: Orestes
February 20–22, 2009
Orestes is the third part of Home Siege Home, a trilogy of new plays based on The Oresteia and devised by Ghost Road, one of California's most ambitious experimental multimedia theater ensembles.
How to Get Here
The Getty Villa is located at 17985 Pacific Coast Highway in Malibu, California, approximately 25 miles west of downtown Los Angeles. See Hours, Directions, Parking for directions and parking information.