That Captured Instant of Time: Realism and Drama in Baroque Sculpture
Chair: Catherine Hess The Languet de Gergy Tomb: Visible and Invisible Components
Anne Betty Weinshenker, Montclair State University Temporality and Narration in the Sculptural Morceaux de Reception of the Academie Royale in Paris
Ursula Stroebele, Heinrich-Heine University Acting and Symbolizing Sacred Narratives: Polychrome Sculpture in the Sacro Monte of Varese
Marco Musillo, Centro Incontri Umani Speaking of Likeness: The Act of Liveliness
Maarten Delbeke, Ghent University Ferrata on Fire, Agnes in Flames
Jessica Boehman, University of Pennsylvania
Running time: 120 min.
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Luxury Devotional Books and Their Female Owners
Chairs: Thomas Kren and Richard Leson The Breviary of Beatrijs van Assendelft
Anne Margreet W. As-Vijvers, independent scholar, IJsselstein, Netherlands Purple-Spun and Purple-Dressed: Imaging Mary for a Byzantine Princess
Maria Evangelatou, University of California, Santa Cruz Marginalia in the Psalter: Hours of Ghuiluys de Boisleux
Richard A. Leson, University of Wisconsin, Milwaukee The Prayer Book of Queen Claude de France
Roger Wieck, Morgan Library and Museum
Discussant: Anne Rudloff Stanton, University of Missouri, Columbia
Running time: 144 min.
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What We Talk about When We Talk about Artist's Books
Chair: Marcia Reed Read This If You Can; Or, Reader Beware
Barbara Balfour, York University Surface Readings: Ruscha Surveys LA
Whitney Rugg, University of Chicago Formalism of Artist's Books
Tatiana Ginsberg, University of California, Santa Barbara A Book as Performance: Carolee Schneemann's ABC—We Print Anything—In the Cards
Kathleen Wentrack, Queensborough Community College, City University of New York
Running time: 96 min.
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European Drawings, 1400–1900
Chairs: Lee Hendrix and Stephanie Schrader Dirk Vellert's Apocalypse Drawings, Dürer, and Some Reformist Images in Antwerp
Ellen Konowitz, State University of New York, New Paltz Michelangelo's Study Child's Head in Haarlem: The Artist's Nephew as a Baby or a Black African Girl?
Joaneath Spicer, Walters Art Museum With His Back to Nature: The Rhetoric of Landscape in Rubens's Drawing of a Fallen Tree with Brambles, ca. 1615–17
Catherine H. Lusheck Anatomy of a Design Repertory: Giulio Romano's Drawings for Dining
Valerie Taylor, independent scholar, Burbank A New Source for David's Architectural Perceptiveness: The Roman Drawings of Hubert Robert
Heidi Kraus, University of Iowa
Running time: 105 min.
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Networks and Boundaries
Chair: Thomas Gaehtgens Photographic Contacts: Reflections on Photography and Orientalism
Ali Behdad, University of California, Los Angeles Convergences and Collisions: Art Networks in Nineteenth-Century Istanbul
Mary Roberts, University of Sydney Object and Space: George Kubler's Prime Object and the Search for Territorial Definitions
Avinoam Shalem, Kunsthistorisches Institut; Institut für Kunstgeschichte der Universität München
Running time: 90 min.
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Cabinet Pictures in Seventeenth-Century Europe
Chair: Andreas Henning Praise or Censure of Small Pictures? Rubens as a Critic of Adam Elsheimer
Michael Thimann, Kunsthistorisches Institut in Florenz; Max-Planck-Institut The Cabinet Picture: Toward a Definition
Susannah Rutherglen, Princeton University The Love for the Small and Curious: Paintings on Copper by the Children of Bacchus in Rome
Christine Göttler, University of Washington "Piccole" Paintings for the Home: Women and the Market for Cabinet Pictures in Seventeenth-Century Bologna
Erin J. Campbell, University of Victoria The Cabinet of Minister Colbert
Tatiana V. Senkevitch, University of Southern California
Running time: 144 min.
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The Medieval Manuscript Transformed
Chairs: Kristen Collins and Christine Sciacca Cult and Codex: The Case of the St. Albans Psalter
Kathryn Gerry, Walters Art Museum Interleaving Narrative and Devotion: Fifteenth-Century Additions to a Late Romanesque Vita Christi (Getty Ms.101)
Kristen Collins, J. Paul Getty Museum Destruction and Reinvention: Reconstructing the Laudario of Sant'Agnese
Christine Sciacca, J. Paul Getty Museum Cut, Pasted, and Cut Again: The Original Function and Later Collection of Early Prints in Western Europe
Kathryn M. Rudy, Koninklijke Bibliotheek Pilgrimage through the Pages: Pilgrims' Badges in Late Medieval Devotional Manuscripts
Megan H. Foster-Campbell, University of Illinois, Urbana-Champaign
Discussant: Adam S. Cohen, University of Toronto
Running time: 155 min.
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The Art and Archaeology of Ancient Greece, Rome, and Etruria
Chair: Karol Wight Relationships between Divine and Human Bodies: The Temple of Asklepios at Epidauros (ca. 390–375 BCE)
Ann E. Patnaude, University of Chicago Adopting Identity: Afterlife Personae in Second- and Third-Century Rome
Linda Moskeland Fuchs, independent scholar, Ithaca, New York Portraits of Piety: Images of Priestesses in the Second Century CE
Molly Lindner, Kent State University Virtus and the Virtuous Breast
Lillian B. Joyce, University of Alabama, Huntsville Roma and Augustus on the Gemma Augustea
Mark Fullerton, Ohio State University
Running time: 155 min.
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