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Hi All,
I have tried to restrain myself during this topic, but finally have to
say something about art coordinator positions based on my
experience.
I was the district level Elementary Visual Arts Coordinator for a
Northern California school district for nine years. The position was
soft-funded by a non-profit and matching funds by the school
district. My job description was pretty-wide open as they had
never had that position before; so I created the job. It was a 50%
classified position, no benefits.
For the first four years it was wonderful. I did staff development,
created curriculum packages, developed 'art cadre' people at each
school, ordered art supplies for special art boxes, had a recycling
program for 'art supplies', ordered all the art prints, labeled and
created art questions for them and did some demonstration
lessons in the classroom - on a 50% position. I was often on 1-3
job sites in the morning and then moved across town (on my non-
existent lunch time) to teach 3 periods of art at the junior high (hey,
I needed a full-time job and I cobbled together these two jobs to
make one salary) The program won a California Golden Bell Award
for excellence.
Then the school district grew, and while they hinted they would
someday add more time to the position, they never did. In the
meantime, principals demanded that I give more time to each of the
now seven campuses. So, in the end, I was a dog and pony show
going into one-hundred classrooms a year ONCE! Needless to
say, this was NOT an art program, I was always sick and
exhausted and being layed off each year due to soft funding. It
was the ultimate use and abuse! On the last lay-off, I had just
received a social studies authorization added to my credential and I
left to be in my junior high full-time as social studies and art. It was
the best decision of my teaching career in that district!
Everyone was surprised and saddened, but when principals were
asked to fund the position for the following year, they decided that
if I wasn't going to do it, they would let the position die; and so they
did. This wasn't a testament to my wonderful program, it was the
realization that no one would be likely to work under the same
conditions as I had for nine years!
The moral to this story? Beware of art coordinator positions that
expect the moon and stars, put you on many sites per day and are
only very part-time positions!! Many thanks to all of you for letting
me vent; I have never told this story on ArtsEdNet and I know it
probably sounds like I am bitter about it. I now consider it a
valuable learning experience and a benchmark of what I will NOT
put up with again in my career!
-Alix Peshette
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