Note: To protect the privacy of our members, e-mail addresses have been removed from the archived messages. As a result, some links may be broken.
------=_NextPart_000_0022_01BED446.2A6C6A60
Content-Type: text/plain;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
Hmmmm I can't help but think that we just addressed much the same =
question, Bob, made similar observations, but differently. The one thing =
that a DBAE scope and sequence doesn't effectively address is:
"So?" Some times and places there just isn't a lot of space for =
appreciation and enlightened cherishing. There are other overriding =
siutuations. Still I think there is a connection to some art there never =
the less.
-henry
-----Original Message-----
From: Bob Beeching <robprod>
To: artsEdnet DIGEST <artsednet-digest.edu>
Date: Thursday, July 22, 1999 12:59 PM
Subject: Re: SCOPE and SEQUENCE
=20
=20
=20
----- Original Message -----=20
From: Bob Beeching=20
To: Bob Beeching=20
Sent: Thursday, July 22, 1999 12:14 PM
=20
=20
RE: "While many of us have fought very hard for years to =
get the larger=20
community to buy into the need for good quality, =
sequential art education
for students..."
=20
REPLY: ...the problem is compounded by the discontinuity in the =
teaching of the
arts. Although the teaching of music and sports =
follows a scope and
sequence approach within the elementary grades =
framework - this is
not the case for visual arts training until a =
child reaches high school.
=20
Unlike Sports and Music education, Visual arts =
tend to be taught cafeteria-
style by teachers displaying different levels of =
knowledge and expertise.
=20
One may question a practice where the arts are =
acknowledged by the
observation and verbal discussion of object and =
artifact, and at the same
time, negating the processes by which these =
objects and artifacts are
produced?
=20
Visual Arts will continue to suffer from benign =
neglect as long as they operate
without a rudder. Currently, visual arts are =
whatever a parent, teacher, or student
thinks them to be. When the arts reach the level =
of a discipline-based scope and
sequnce approach to learning, the general public =
will then be able to differentiate
more readily between art and craft.
=20
We will continue to debate the merits of the =
value of visual arts training as long
as we continue to deny children exposure to the =
same learning sequences
we normally apply to the teaching of =
reading,writing, and arithmetic.
=20
If the visual arts continue to be introduced as =
novelty projects, the general public
will continue to view visual arts as a desparate =
collection of isolated variables that are
"fun" to do and apply to a rainy day activity =
not necessarily related to serious
academic studies.=20
=20
=20
=20
=20
=20
=20
=20
=20
=20
------=_NextPart_000_0022_01BED446.2A6C6A60
Content-Type: text/html;
charset="iso-8859-1"
Content-Transfer-Encoding: quoted-printable
<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
------=_NextPart_000_0022_01BED446.2A6C6A60-------Original = Message-----
From:=20 Bob Beeching <robprod>
To:=20 artsEdnet DIGEST <artsednet-digest@web1= .pub.getty.edu>
Date:=20 Thursday, July 22, 1999 12:59 PM
Subject: Re: SCOPE = and=20 SEQUENCE----- Original Message ----- =From:=20 Bob=20 BeechingTo: Bob=20 BeechingSent: Thursday, July 22, = 1999 12:14=20 PM= RE: =20 "While many of us have fought very hard for years to get = the larger=20&nbs= p; =20 community to buy into the need for good quality, sequential art=20 education&nbs= p; =20 for students..."REPLY: ...the problem is compounded by the=20 discontinuity in the teaching of the&nbs= p; =20 arts. Although the teaching of music and sports follows a scope=20 and&nbs= p; sequence=20 approach within the elementary grades framework - this=20 is&nbs= p; not=20 the case for visual arts training until a child reaches high=20 school.&nbs= p; Unlike=20 Sports and Music education, Visual arts tend to be taught=20 cafeteria-&nbs= p; =20 style by teachers displaying different levels of knowledge = and=20 expertise.&nbs= p;&nbs= p; =20 One may question a practice where the arts are=20 acknowledged by the&nbs= p; =20 observation and verbal discussion of object and artifact, and at = the=20 same&nbs= p; =20 time, negating the processes by = which=20 these objects and artifacts are&nbs= p; =20 produced?=20 Visual Arts will continue = to=20 suffer from benign neglect as long as they = operate&nbs= p; =20 without a rudder. Currently, visual arts are whatever a = parent,=20 teacher, or student&nbs= p; =20 thinks them to be. When the arts reach the level of a=20 discipline-based scope and&nbs= p; sequnce approach to learning, the general public = will then=20 be able to differentiate&nbs= p; more=20 readily between art and = craft.&nbs= p; =20 We will continue to debate the = merits of the value=20 of visual arts training as long&nbs= p; =20 as we continue to deny children=20 exposure to the same learning sequences&nbs= p; =20 we normally apply to the teaching of reading,writing, and=20 arithmetic.&nbs= p; If=20 the visual arts continue to be introduced as novelty = projects,=20 the general public=20 will continue to view = visual arts=20 as a desparate collection of isolated variables that=20 are&nbs= p; =20 "fun" to do and apply to a rainy day activity not = necessarily=20 related to serious&nbs= p; =20 academic studies.&nbs= p; =20=20=20=20&nbs= p; =20