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<<Now, one nice thing about the theory is that it takes account of
the time-problem Ms. Kerns mentions. Something could have been made at an
earlier time without any intent of its being regarded (then) as an
artwork, and yet, because folks later on DEEMED it art, it would become
art at that later date. And of course it could subsequently become
non-art, and later again, art, and so on. It all depends on what goes on
in the artworld within which each population lives. And artworlds, like
art itself, are always on the change.>>