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project idea for Diane
[ Thread ][ Subject ][ Author ][ Date ]HyDeJoF
Mon, 7 Dec 1998 00:30:28 EST
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In a message dated 98-12-05 18:29:28 EST, owner-artsednet-
digest.edu writes:
<< Sorry this is last minute, but here goes...some of you already know I teach
k-2. I'm worried that their ceramic fish, etc. may not come out as good as
I hoped, and so I need a backup holiday gift idea for parents' gifts.
Nothing ceramic, too late for that. My classes are jumping beans, I think
not quite a few are Attention Deficit Disorder, etc. so any ideas must be
simple, not pattern stuff, hopefully not with paint, or printing. (except
if you have ideas with stamp pads and original type stamping medium.)
Simple, elegant,not requiring materials other than standard artroom
supplies and easy to wrap. Tall order. Thanks in advance.(I would really
prefer not to do holiday art, and stick to a fine arts curriculum, but as a
new teacher, I'm still getting my feet wet. maybe next year I will better
be able to concretely define and assert my curriculum.) Sincerely, Diane L.
>>
Diane -
maybe you could make paper snowflakes with your students. this would satisify
your need for a project that is simple and elegant, with classroom materials.
all you would need is square white paper, scissors, and maybe some glue and
glitter for an added touch. this would give them a project that goes with the
season, but is not really a holiday theme, so you wouldn't run into problems
with religious differences. you could point out in this lesson the design
elements of a snowflake and how each one is different and unique, and
encourage each to be orginal. i assume that you know what a paper snowflake
is, but if not, here's a quick explanation: fold the paper in half one way,
and then the other to make a square - then cut in various diamond and triangle
shapes from all sides - open, glue on glitter, and add a hanger if desired.
just an idea (one of my favorites as a kid!) = )
Heidi Faith
Art Education major - University of Arizona
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artsednet-digest Saturday, December 5 1998 Volume 02 : Number 1104
This edition includes :
quietness 3-5
Holiday gifts
Re: Drawing
Drawing From Life
computer graphic courses
Re: Wire for K
Re: Drawing
Holiday gifts
Re: Drawing From Life
dried up crayola magic
Re: Drawing
Great Britain, South Africa, Finland Teachers
RE: DBAE
RE: DBAE
Re: Drawing
Re: DBAE
Re: Drawing From Life (long post)
Re: Holiday gifts/ burlap weaving
----------------------------------------------------------------------
Date: Fri, 4 Dec 1998 21:52:06 EST
From: SOKERO
Subject: quietness 3-5
Dec. is difficult for quietness. And just how quiet you can get them depends
on the school and the class and your sanity. 1. We want as many positive
words to be used as possible. 2. Radio-CD rule:Classical only. 3. How
tolerant are the teachers in the rooms next to yours. ? I teach inner city
and have 25 years in many situations, so ask questions anytime. There will be
times when you stand back and you can feel those little guys "humming" with
pleasure as they all grasp a concept and do it. I poke my nose out of the
room and flag people to come and look and listen......The same lesson will not
produce those results with another class......
------------------------------
Date: Fri, 04 Dec 1998 22:37:10 -0500
From: "Diane L." <mselle>
Subject: Holiday gifts
Sorry this is last minute, but here goes...some of you already know I teach
k-2. I'm worried that their ceramic fish, etc. may not come out as good as
I hoped, and so I need a backup holiday gift idea for parents' gifts.
Nothing ceramic, too late for that. My classes are jumping beans, I think
not quite a few are Attention Deficit Disorder, etc. so any ideas must be
simple, not pattern stuff, hopefully not with paint, or printing. (except
if you have ideas with stamp pads and original type stamping medium.)
Simple, elegant,not requiring materials other than standard artroom
supplies and easy to wrap. Tall order. Thanks in advance.(I would really
prefer not to do holiday art, and stick to a fine arts curriculum, but as a
new teacher, I'm still getting my feet wet. maybe next year I will better
be able to concretely define and assert my curriculum.) Sincerely, Diane L.
------------------------------
Date: Fri, 4 Dec 1998 21:59:09 -0600
From: "Jasmine Preston" <jdp30>
Subject: Re: Drawing
Wendy wrote:
>But where do they learn to make white skies with blue
> clouds?
It takes less effort to color the clouds blue rather than the entire sky?
Jasmine
jdp30
------------------------------
Date: Fri, 4 Dec 1998 22:13:12 -0000
From: dwwebb
Subject: Drawing From Life
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Hello everyone,
I have been having troubles with connecting and answering....I hope =
this gets through because I really need some advise.
I was on leave from school last year and returned to be named =
Department=20
Chair. The person filling in for me while on leave was retained and one =
teacher retired. (3 of us now) High school level.
I teach pottery and sculpture. One other teacher has the Photography =
and 2 fundamentals. The new teacher has the drawing and painting plus 3 =
fundamentals...
The new teacher uses only photos, magazine cut outs, and fantasy =
images, for both the drawing and painting classes. The only medium that =
has been used for the entire first semester is oil and chalk pastels. =
The fundamental classes have been doing fantasy paintings in glow-in =
- -the -dark tempera. Ther has been no exposure to other mediums. The =
Administration seems blind (how suprising). They just see "pretty =
pictures".
College recruitors have come and talked with the students regarding =
what they look for..( life drawing, experience with mediums, creativity =
)..seems to fall on deaf ears.
I am at wits end..No suggestion or kind approach to adjust to the =
level of a student lookin for scholarship..is taken kindly. Did I =
mention this teacher came from 22 years at elementary or middle school? =
How can I stear her in a better direction for the high school student's =
benefit? With out conflict in teaching methods? Is there some concrete =
evidence I can show her that would support drawing from life and =
experience with mediums? Please Help!
Laurie
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<!DOCTYPE HTML PUBLIC "-//W3C//DTD W3 HTML//EN">
Hello everyone,
I have been having troubles with connecting =
and=20
answering....I hope this gets through because I really need some=20
advise.
I was on leave from school last year and =
returned to be=20
named Department
Chair. The person filling in for me while on leave =
was=20
retained and one teacher retired. (3 of us now) High school =
level.
I teach pottery and sculpture. One =
other teacher=20
has the Photography and 2 fundamentals. The new teacher has the drawing =
and=20
painting plus 3 fundamentals...
The new teacher uses only photos, =
magazine=20
cut outs, and fantasy images, for both the drawing and painting classes. =
The=20
only medium that has been used for the entire first semester is oil and =
chalk=20
pastels. The fundamental classes have been doing fantasy paintings in =
glow-in=20
- -the -dark tempera. Ther has been no exposure to other mediums. The=20
Administration seems blind (how suprising). They just see "pretty=20
pictures".
College recruitors have come and talked =
with the=20
students regarding what they look for..( life drawing, experience with =
mediums,=20
creativity )..seems to fall on deaf ears.
I am at wits end..No suggestion or kind =
approach=20
to adjust to the level of a student lookin for scholarship..is taken =
kindly. Did=20
I mention this teacher came from 22 years at elementary or middle =
school? =20
How can I stear her in a better direction for the high school student's =
benefit?=20
With out conflict in teaching methods? Is there some concrete evidence I =
can=20
show her that would support drawing from life and experience with =
mediums?=20
Please Help!
&nbs=
p;  =
; =
=
Laurie
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------------------------------
Date: Thu, 03 Dec 1998 18:51:50 -0600
From: George Doros
Subject: computer graphic courses
Looking ahead to the new millenium I often wonder where Art Education is
headed? Will it exist as the present? or is it time to make some
changes? We are on the dawn of an exciting future with the advent of
computers. Are we ignoring this change or meeting it head on? Are out
school programs keeping up with these changes and are we preparing our
students with the courses that we teach? I have been asking these and
several more questions and have decided to develop a new course at our
school involving the use of Art and Computer Graphics. I have received
a few responses from some ArtsEdnet particpants from another e-mail
request, but still need some more concrete material.
Are there any teachers out there that may have developed a course in
Computer Graphics and have examples of units or course outlines for a
course of this nature. Better yet are there any schools in your area
that are using courses of this courses of this nature that would be
willing to share their experiences.
------------------------------
Date: Sat, 5 Dec 1998 06:48:09 EST
From: Juncture
Subject: Re: Wire for K
Subject: Wire for Kindergarten
Does anyone have any ideas for using the Twisteez kind of thin colored wire
with kindergarteners?
I'm looking for other possibilities that will get them to
realize that wire can make shapes in space with line --
Thanks for any help you can offer!
Liz in rural NY
1st of all wire of this sort is Telephone wire & should be free from your
local
Ma Bell. I approached Ma a few yrs ago with examples of what could be created
w/ it - like animals, jewelry etc & got light & medium guage copper & Aluminum
Tel wire.
The best approach would be to have them wrap wire around pencils for coils
& make slinky critters with them. (You can also wrap it around square or
triangilar wood pieces & stretch it out - K teachers have all sorts of blocks
& shapes Kids could trace their wire around) You could staple finished pieces
to tag or poster board. You can use it in conjunction w/ construction paper or
felt. I f you have examples to show & some pictures of the Calder's Circus
menagerie (Should be available on the Internet) - try:
National Gallery of Art-Calder Exhibition they will want to make animals &
serious Sculpture.
Good Luck with it Liz,
Bill
------------------------------
Date: Sat, 05 Dec 1998 08:00:31 -0500
From: lindacharlie
Subject: Re: Drawing
Jasmine Preston wrote:
>
> Wendy wrote:
>
> >But where do they learn to make white skies with blue
> > clouds?
>
> It takes less effort to color the clouds blue rather than the entire sky?
>
That's what I think. My kids who love to create don't do this as much as
the "is this good enough" and "am I done yet" factions.
Linda in warm and rainy Michigan
------------------------------
Date: Sat, 05 Dec 1998 10:17:06 -0500
From: "Diane L."
Subject: Holiday gifts
Thank you all for your wonderful responses to my request for holiday gift
ideas. I know how busy you all are, and so what you did was extra special!
Sincerely, Diane L.
------------------------------
Date: Sat, 05 Dec 1998 07:13:49 -0800
From: Maggie White
Subject: Re: Drawing From Life
dwwebb wrote:
>
> The new teacher uses only photos, magazine cut outs, and fantasy
> images, for both the drawing and painting classes. The only medium
> that has been used for the entire first semester is oil and chalk
> pastels. The fundamental classes have been doing fantasy paintings in
> glow-in -the -dark tempera. There has been no exposure to other
> mediums.
> College recruiters have come and talked with the students regarding
> what they look for..( life drawing, experience with mediums,
> creativity )..seems to fall on deaf ears.
> How can I steer her in a better direction for the high school
> student's benefit? Is there
> some concrete evidence I can show her that would support drawing from
> life and experience with mediums?
Laurie,
As department chair you may have to become assertive and let her know the
expectations for HS work. Your state department of education probably has
some standards you can show her. If not, check the portfolio requirements
from a number of art schools to show her what they expect. It doesn't matter
that few _will_ go on to college; their requirements are pretty minimal and
are indicative what the students should have been at least exposed to, if not
completely mastered.
Touchy situation! Since she's new, though, it may be easier to deal with than
if she were a veteran at your school. Good luck. Let us know how things work
out.
Maggie
------------------------------
Date: Sat, 5 Dec 1998 11:00:20 EST
From: MALOSHD
Subject: dried up crayola magic
Hey Fellow Artsednetters-------------------------->
Sorry I have been very silent for a while. I have been working two jobs
(performing and teaching) and preparing for a move. Soon I hope to be back in
the circle of discussion. You all have helped me so much on different
occasions.
Anyway, I got this donation of Crayola Model Magic. Its partially dry, kind
of spongy, but not malleable. I have been hanging on to it in hopes that I
will discover a wonderful new use. I hate to throw it out. Has anyone creative
uses for this stuff? Is there a trick to refurbishing it?
Wishing everyone well,
Dawn in Tucson
------------------------------
Date: Sat, 05 Dec 1998 08:06:08 PST
From: "Sharon Hause"
Subject: Re: Drawing
It's the "suns in the corner" that is my pet pieve!
>Reply-To:
>From: "Jasmine Preston"
>To: "artsednet"
>Subject: Re: Drawing
>Date: Fri, 4 Dec 1998 21:59:09 -0600
>
>Wendy wrote:
>
>>But where do they learn to make white skies with blue
>> clouds?
>
>It takes less effort to color the clouds blue rather than the entire
sky?
>
>Jasmine
>jdp30
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
------------------------------
Date: Sat, 5 Dec 1998 11:06:18 EST
From: MALOSHD
Subject: Great Britain, South Africa, Finland Teachers
Hey Artsednetters--------------------------->
I am presently a candidate for the Fulbright Teacher Exchange Program. I may
be placed in Great Britain, South Africa, or Finland, depending on where they
find my exchange partner. Are there any art teachers on Artsednet from these
countries? I would like to ask lots of questions in order to prepare myself
for this potential exchange.
Wishing everyone well,
Dawn in Tucson
------------------------------
Date: Sat, 05 Dec 1998 08:34:48 PST
From: "Sharon Hause"
Subject: RE: DBAE
With all the conversation on DBAE, I would like to find more information
on the topic since I never been trained or educated on the subject.
Anyone know if it can be found online? This is all new to me.
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
------------------------------
Date: Sat, 05 Dec 1998 08:52:44 PST
From: "Sharon Hause"
Subject: RE: DBAE
I located a good site on DBAE on ArsEdNet. Guess I was surprised to see
the same thing I base my curriculum on only with a fancy name. To me the
idea of taking all the parts of DBAE to make a whole is much like the
compostion of piece: it all has to fit together to make significant
form. Sharon
______________________________________________________
Get Your Private, Free Email at http://www.hotmail.com
------------------------------
Date: Sat, 5 Dec 1998 13:08:02 EST
From: RWilk85411
Subject: Re: Drawing
jAmen to the suns in the corner. In middle school it was the sky that was blue
only part of the way down. There was this big band of white between the earth
and the sky. When I asked them what that was, I got, " I don't know." When I
asked them to point it out to me in the real outside world, they became
confused. I don't recall seeing this phenomenon in high school. But the
@#**##! sun persists in being a problem.
Reatha
------------------------------
Date: Sat, 05 Dec 1998 15:29:10 -0500
From: John & Sandra Barrick
Subject: Re: DBAE
Silly, you are part of the list and don't know where it is??? It's
on the getty web.
http://www.artsednet.getty.edu
Would you like some easy guidelines for writing up a lesson plan
with DBAE?
S
Sharon Hause wrote:
>
> With all the conversation on DBAE, I would like to find more information
> on the topic since I never been trained or educated on the subject.
> Anyone know if it can be found online? This is all new to me.
Sandra Barrick
astroboy
http://home.fuse.net/astroboy
------------------------------
Date: Sat, 5 Dec 1998 16:27:51 EST
From: Jennings51
Subject: Re: Drawing From Life (long post)
Laurie,
As long time dept. chair for 2 high schools and 3 middle schools, I (and my
school and county) see my dept chair role as setting standards, expectations,
and a vision for the art programs, then helping my teachers buy into the
vision and gain the skills to meet expected standards. It is also the dept.
chair's job to see that the county's art curriculum is taught consistently
across all schools.
You are the department chair, insist that the teacher begin to include units
which use observational drawing (from life), art history, aesthetics and art
criticism.
If you anticipate resistance, talk with your administration first to get their
support.
Help the teacher make the transition by giving suggestions of how to transfer
a couple of her/his current units to a drawing from life basis and perhaps
even bring her/him the materials to do it with -- for example a wonderful
grouping of still life objects, and an outline of the new lesson plan and a
unit on drawing the human figure from life - gesture series then longer 15
minute drawings etc. then a culminating asignment using student's gesture
drawings -- maybe a grouping of them in the teacher's favorite, pastel?
Expect it to be a continous process and don't expect the teacher to change all
at once.
Maybe the teacher hesitates to change because he/she doesn't have time to
replan her lessons, maybe it's fear of taking the risk, or maybe it's just
because he/she doesn't know how to do it differently.
Your role as dept. chair probably should include setting standards and
expectations for instruction within your dept. and helping your teachers gain
the skills to meet those standards. If you aren't clear on your
administration's expectations for the dept. chair role, you may want to
clarify their vision of the role before approaching the teacher.
Another factor is curriculum. Do you have a written curriculum for drawing
classes which includes drawing from life, art history, aesthetics, art
criticism and any additional school system expectations? If so, the teacher
should be meeting the expectations set forth in the curriculum. If not, that
could be part of the answer to your problem; write a curriculum that adheres
to National and State arts standards and county/school expectations, then
expect your teachers to teach the curriculum.
A well written curriculum will guide what students should leave the course
knowing , but still give teachers freedom in selecting instructional methods
to teach the curriculum. In our school system we say that currriculum is
tightly held (we must teach it) but instructional methodology is loosely held
(teachers great freedom in how they teach the curriculum).
Denise
------------------------------
Date: Sat, 5 Dec 1998 18:23:16 EST
From: Laurann65
Subject: Re: Holiday gifts/ burlap weaving
Hello.
With my 3rd graders I do a burlap weaving -- and it becomes a "decorative
hanging"...
I cut different colors of burlap into rectangles -- about 6 x 9 - it is not an
exact measurement. I have yarn and yarn needles. It takes at least two
periods to finish. First we make an envelope to keep the pieces in between
classes. We discuss warp & weft then they pick out their burlap. We fringe
it and trim it. Then every inch or so they pinch and pull out a weft string.
They choose different colors of yarn and then weave them in the spaces
created. We talk about pattern, so when they weave it might be "over two,
under three" ... or whatever they choose - It doesn't have to be "over one,
under one" ... those who finish that and want to can add zigzag lines in-
between the parallel weft lines they have already added. I cut strips of
corrugated cardboard -- about 1"x6" ... each child gets 2. When they are
finished weaving they put a line of white glue along each edge of the back
side, and then the cardboard strips on the top and bottom. A piece of yarn
can be threaded through the corrugation of the top for a "hanger"...... a
picture is worth a thousand words! Hope you can visualize this. The kids
love this. It is amazing how many kids don't know what burlap is. Most of my
kids are bilingual so I tend to scale projects down. 2nd graders who speak
the same language as you could probably do this. I think it is an excellent
exposure to the elements of weaving, and everyone is successful.
:) Laura Allan
In a message dated 12/4/98 9:40:16 PM Central Standard Time,
mselle writes:
<< Sorry this is last minute, but here goes...some of you already know I teach
k-2. I'm worried that their ceramic fish, etc., may not come out as good as
I hoped, and so I need a backup holiday gift idea for parents' gifts.
Nothing ceramic, too late for that. My classes are jumping beans, I think
not quite a few are Attention Deficit Disorder, etc., so any ideas must be
simple, not pattern stuff, hopefully not with paint, or printing. (except
if you have ideas with stamp pads and original type stamping medium).
Simple, elegant, not requiring materials other than standard artem
supplies and easy to wrap. Tall order. Thanks in advance.(I would really
prefer not to do holiday art, and stick to a fine arts curriculum, but as a
new teacher, I'm still getting my feet wet. maybe next year I will better
be able to concretely define and assert my curriculum.) Sincerely, Diane L.
>>
------------------------------
End of artsednet-digest V2 #1104
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Reply: lr23961: "Re: project idea for Diane"