 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
February 2010 |
 |
|
 |
 |
 |
P R O J E C T S A N D A C T I V I T I E S |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
The GCI has a long history of contributing to collaborative efforts to advance the study and conservation of earthen architecture through training, research, planning and implementation, and advocacy. Activities that are part of its current Earthen Architecture Initiative include development and dissemination of seismic retrofit measures, analysis of noninvasive structural grouting of seismically induced cracks, and assessing consolidants for earthen finishes.
The initiative also organizes strategic regional efforts to identify areas for project research and implementation. A 2009 experts workshop, convened by the GCI in Sardinia, focused on challenges facing the conservation and management of earthen sites, and on earthen architecture for sustainable development. The final report is available.
|
 |
|
|
A sample produced to replicate earthen finishes found at Mesa Verde National Park with a thicker plaster layer covered by very thin wash layer. The sample will be treated with various ethyl silicates and subjected to tests to assess the performance of the consolidants. Photo: Amila Ferron
|
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
P U B L I C A T I O N S A N D V I D E O |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
|
|
 |
As part of the Earthen Architecture Initiative, in 2006 the GCI hosted the Getty Seismic Adobe Project Colloquium, which brought together professionals with expertise in conservation, seismic retrofitting methods, and building codes and standards. The colloquium was a forum for discussion of key issues and identification of further research needed to preserve earthen cultural heritage in seismic regions while ensuring safety.
Access the proceedings online.
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
|
|
 |
By David A. Scott
Now available as a free PDF.
This book provides an introduction to the structure and morphology of ancient and historic metallic materials. It deals extensively with many practical matters relating to the mounting, preparation, etching, polishing, and microscopy of metallic samples, and includes an account of the way in which phase diagrams can be used to assist structural interpretation.
Access this publication online.
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
|
|
 |
By Mary-Lou E. Florian, Dale Paul Kronkright, and Ruth E. Norton
Now available as a free PDF.
This teaching guide covers the identification, deterioration, and conservation of artifacts made from plant materials.
Access this publication online.
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
|
|
 |
By Mary Striegel and Jo Hill
Now availble as a free PDF.
This volume consists of a handbook and protocols. The handbook serves as a primer for the basic application of thin-layer chromatography to the analysis of coatings, binders, and adhesives found on cultural objects. The protocols provide step-by-step instructions for procedures involved in typical analyses.
Access this publication online.
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
|
|
 |
On December 4, 2009, moderator David Bomford, associate director for collections at the Getty Museum, and a panel of experts, including conservators and scientists, discussed the impact of scientific analysis on how we understand, interpret, and care for art.
Watch the video online.
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
|
|
 |
Attention! If you are a subscriber to the GCI's print publication Conservation Perspectives: The GCI Newsletter and have not yet renewed your free subscription, please take two minutes and renew online at www.getty.edu/conservation/subscribe/. If you do not renew now, you will not receive future issues! If you are not currently a subscriber but would like to be, you can subscribe for free at the same online address.
|
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|
 |
|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
CONTACT US
The Getty Conservation Institute 1200 Getty Center Drive, Suite 700 Los Angeles, CA 90049-1684 USA
Tel.: (310) 440-7325
Fax: (310) 440-7702
www.getty.edu/conservation
GCIBulletin@getty.edu
Press inquiries: mabraham@getty.edu
GCI Mission Statement
The Getty Conservation Institute works internationally to advance conservation practice in the visual arts-broadly interpreted to include objects, collections, architecture, and sites. The Institute serves the conservation community through scientific research, education and training, model field projects, and the dissemination of the results of both its own work and the work of others in the field. In all its endeavors, the GCI focuses on the creation and delivery of knowledge that will benefit the professionals and organizations responsible for the conservation of the world's cultural heritage. The GCI is a program of the J. Paul Getty Trust, an international cultural and philanthropic institution that focuses on the visual arts that also includes the J. Paul Getty Museum, the Getty Research Institute, and the Getty Foundation.
About the GCI e-Bulletin
The GCI e-Bulletin is published electronically six times a year to keep partners and supporters up-to-date with GCI programs and activities.
Subscribe to the GCI e-Bulletin
C O P Y R I G H T © 2011 J. Paul Getty Trust | Privacy Policy

|
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
 |
|