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By Sharon Cather
As we peer back from the turn of a new century, the history of
conservation education seems very short indeed—barely a few decades.
It has evolved, largely erratically, partly in response to perceived
needs within the profession and partly in response to the student
market. Both of these forces of evolution present issues that neither
can be nor should be resolved wholly within the educational context.
Yet they are critical, since conservation education is not merely
a reflection of current needs but also a powerful influence in shaping
the future directions of conservation itself.
What are these issues? Broadly, they can be subsumed within the
answer to the question: What should the "product" (or,
inevitably, products) of education be? That is, what are the ranges
and levels of knowledge and skills required? The answer, however
complex, to this basic question generates the plethora of specific
educational issues: curriculum content, structure and sequence,
teachers and teaching methods, entrant profile and requirements,
and learning and research contexts.
Defining a Conservation Education
To define the knowledge and skills required in conservation means
defining conservation itself—its aims, approaches, and methods.
But each of these is rapidly evolving. Aims have, rightly, escalated
to encompass public awareness, holistic management, cultural economics,
and risk assessment. Approaches have shifted decisively from remedial
treatment to preventive and passive intervention, and from a focus
on individual objects to sites and collections. Methods have proliferated
hugely as scientific technology is more effectively harnessed, and
in response to the more complex demands of passive intervention.
Moreover, the professional, and hence educational, definitions of
the individuals who under-take this bewildering range of activities
depends, in turn, on the administrative infrastructure of conservation,
on who legally—or traditionally—is responsible for what. This
varies not only nationally (and even occasionally regionally) but
also with the proprietary context within which the conservation
is undertaken—that is, whether public or private, and whether
it is a site, museum, or historic building in current use.
Finally, to this litany of preconditions for considering the present
state of conservation education must be added the assertion that
the acquisition of skills and knowledge is not confined to the relatively
brief period of formal training leading to some qualification. Rather
it is an educational process that continues throughout a professional
career, and that process must be both accommodated within and fostered
by the administrative structure in order to ensure professional
standards.
How has the educational establishment responded to this challenge?
Erratically, inevitably. An apparently irreconcilable diversity
of educational "products" has evolved in reaction to the
protean aims of conservation. Scant decades ago, a restorer cleaned
and retouched, or cleaned and glued. Now, at minimum, a conservator
is presumed to understand the original materials of the object and
the way in which they have altered; to appreciate the cultural and
social values that it—and indeed its context—may have; to
assess its condition and rate of decay; to advise on preventive
measures; to have the knowledge and skills to plan and execute remedial
interventions with a vast range of conservation materials and methods;
and to do all of this within an ethical framework. And this list
conspicuously omits documentation, a real technological runaway:
the 1980s debate of whether to use color or black and white has
now metamorphosed into whether to use AutoCAD or GIS.
Is all of this possible? Can it be taught? Can it be learned by
one person? Or perhaps this list of competencies is unrealistic.
Perhaps less is expected out there in the "real world."
Yet if the list of "Standards of a Competent Conservator for
United Kingdom Institute of Conservation Accreditation" is
consulted, then we have only just begun our enumeration. There,
46 lengthy descriptions of the requisite "skills, knowledge,
and behavior" are grouped under seven headings, ranging from
preventive conservation through management to "professional
contribution." Expectations verge on the impossible: from demonstrating
how to "remove, reduce, or neutralize potential and active"
deterioration, to "cost-benefit analysis," to keeping
"up-to-date with the content and scope of new legislation,"
to regularly assessing the "content and effectiveness of training"
provision.
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Andreas Arnold of the Institut für
Denkmalpflege in Zurich discussing with students the formation
of black crusts on Winchester Cathedral in England. Conservation
is such a multidisciplinary field that education depends heavily
on participation from a diversity of specialists. Photo: Courtesy
the Courtauld Institute of Art.
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What is the administrative infrastructure that requires such universal
competence? A vacuum? Little wonder that educators have responded
with some desperation, constantly expanding the curriculum and demanding
more and more of students, who are increasingly baffled by what
precisely this intensive training will eventually equip them for,
and who wonder how the presently nebulous career structure will
resolve itself.
Is there such a thing as career structure in conservation? In museums,
perhaps. But a vast amount of conservation takes place in other
contexts, where the administrative structures that define the conservation
process are less developed, more ephemeral, and more likely to be
project-based than long-term. This means that the definition of
the competencies required is likely to be more vague and mutable,
varying with the specific legal context and with the previous experience
of those ultimately responsible. Hence the persistent efforts at
accreditation to try to objectify the nature of competency and the
avenues to recognize it.
So we have come full circle, since accreditation requires defining
a conservator. This has been attempted, but not very successfully,
and the reason is simple: the increasing complexity and, indeed,
professionalism of conservation means that it can no longer be encompassed
by a single individual or, consequently, by a single educational
path. Each of the newly complex aspects of the expanded conservation
process has spawned its own specialists. The most obvious are managers,
conservation scientists, and "documentarists," but there
are also those who specialize in preventive conservation, risk assessment,
and imaging, for example.
This situation is an artifact of the ad hoc development of conservation,
in which subject matter expertise dominated, and it is partly due
to the fact that conservation is not a discipline but, rather, a
hybrid—or hydra—that we rightly call multidisciplinary. Because
it is multidisciplinary, it does not slot neatly into the classical
structure of higher education, and it is still far too small—
in all senses—to form a new discipline. It therefore loses out.
It loses out particularly on funding. Since conservation training
is very expensive, this is a serious problem. It also loses out
on attracting students. Even now, a surprising number of applicants
discover conservation remarkably late, often after a bout of job
dissatisfaction. Job satisfaction—rather than career structure,
adequate status, or remuneration—remains the primary lure. Even
in the aftermath of the 1980s, conservation still attracts those
who consider it paramount that what they do be worthwhile.
Response of Educators
During these decades of whirlwind change, in which conservation
has dramatically reinvented itself, how have educators responded?
In Italy and Germany, conservation training has become a virtual
industry, with a handful of stellar programs in each country. In
England, as well, there has been an explosion in the number of courses
at every level and with every permutation of qualification on offer.
There is no overall planning of this, merely what the market—
the immediate student market—will bear. Moreover, there is a
growing nationalist, and even regionalist (one thinks of the German
Länder), preference for local training and a consequent overprovision
and dilution of scarce resources.
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Sabino Giovannoni of the Opificio delle
Pietre Dure in Florence teaching mural painting techniques
to wall painting students. Conservation education typically
includes a grounding in the history of technology, involving
both materials science and the craft of replicating historic
techniques. Photo: Courtesy the Courtauld Institute of Art.
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Is all this worrying? Yes, because there is no consensus on professional
standards by which to assess the "products" of these training
initiatives, no objective assessment of the quality of the education.
Nor can the employment market (the current default mechanism) act
as an efficient natural selection tool. In that niche, survival
of the fittest may well not prove best for conservation. We do not
let market forces determine if doctors, lawyers, or even plumbers
are qualified.
Another educational response has been to offer some variety to
potential employers by carving the bursting curriculum pie into
more manageable bites—with the useful spin-off of attracting
yet more students. But if we train "technicians" or restrict
the curriculum to "principles of conservation," what is
the mechanism to ensure that the constraints on the education provided
are translated into constraints on the presumed competency of the
prospective employee? Courses have reputations—they develop slowly
and, importantly, erode slowly—but as a profession, surely we
have outgrown reliance on word of mouth.
The proliferation and fragmentation of educational provision is
reflected in the ICCROM-GCI
Training Directory, with well over three hundred entries. Just
assembling and disseminating this information is an achievement,
so it may seem churlish to ask for yet more, such as an electronic
forum for information exchange on training issues. In addition,
some comparative assessment of the training provision would be helpful;
of the three hundred odd courses listed in the directory, some are
five years long, while others are one day.
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In situ video microscopy in the Painted
Chamber of Cleeve Abbey in England. Assessment by Adrian Heritage
(seen here) of the potential of video microscopy led to further
research on time-lapse applications. While such research by
conservation students contributes substantially to the profession,
it does require concerted support. Photo: Courtesy the Courtauld
Institute of Art.
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While the wider profession grapples with these seemingly insoluble
inherent structural challenges, educators doggedly press on, preoccupied
with more immediate—and often more soluble—issues. As we plunge
optimistically into the new century, it is an auspicious time to
reflect on these, and this publication is an appropriate forum,
given the GCI's role in conservation education globally. The Institute's
achievements encompass not only direct training (including a contribution
to continuing professional development) but also initiatives in
teacher training and curriculum development, as well as a lamentably
brief flirtation with developing didactic materials. The legacy
of these contributions resonates throughout conservation education.
But there is more to do, much of it relating to promoting more effective
collaboration between educators and the conservation profession.
Toward Cooperative Solutions
The educational dilemma of producing conservators for a rapidly
changing profession will not go away. Nor will the diversity of
the administrative infrastructure. What, then, can we do to improve
the match between educational provision and professional practice?
Cooperative solutions should involve joint initiatives by the profession
and the educational establishment to ensure competency. Ultimately,
this must mean accreditation—accreditation that is rigorous,
competency specific, and, importantly, periodically revalidated.
Grasping that thorn has been painful and thus far controversial.
It is likely to be some considerable time until, as a profession,
we have the critical mass necessary to make a success of it.
In the meantime, we could improve the current situation by communicating
better about the competencies furnished through education and those
required by professional practice. Educators should contribute to
this dialogue by explicitly defining their products, clearly circumscribing
the range and levels of skills of graduates. Although this may seem
obvious, unrealistic assumptions are often made by prospective employers.
In its turn, the profession should be rigorous in defining the competencies
required and in ensuring that they are met. Outside of the museum
sector—where adequate control mechanisms already exist—this
process of defining and screening is particularly critical.
Joint initiatives should extend to the educational process itself.
These should apply to the initial period of formal training, as
well as to what used to be called "midcareer training"
but now is fashionable to denote as "continuing professional
development." Such initiatives are the most effective way of
ensuring the desired match between educational provision and professional
practice. And collaboration between educators and conservation professionals
brings considerable mutual benefit.
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Conservation of wall paintings at Monagri,
Cyprus. Providing appropriate site-based training is a demanding
aspect of the curriculum, but it offers invaluable experience.For
these post-Byzantine paintings, Ioanna Kakoulli (shown here
carrying out tests) undertook research on comparative cleaning
methods.Photo: Courtesy the Courtauld Institute of Art. |
For primary training, the most obvious areas to exploit for mutual
benefit are research and practical training. Remarkably, students
do a significant proportion of conservation research, but their
efforts are severely hampered by lack of access to equipment and
funding. As a profession, we rely heavily on this research, yet
inadequately provide for it. Research internships are urgently needed.
By contrast, there is a long tradition of offering museum internships
for practical work—internships that have evolved from the bench-fodder
days to today's well-structured affairs. Similar provision is urgently
required for site-based conservation.
Continuing professional development presents particular challenges
in the face of rapid evolution. Conservators in institutional contexts
have some opportunities, but for those in private practice, it is
particularly problematic. Although there is some course provision,
it is inadequate, and it is difficult for ill-paid conservators
to find the necessary time or funding. Professional training programs
should be looking for ways to provide regular updating, but they
lack the resourcesnor is it their sole responsibility. As in
all other respects, ensuring appropriate education is the joint
responsibility of educators and the profession. Only through active
cooperation will satisfactory solutions be found.
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In 1985, Sharon Cather helped establish the Courtauld Institute's
Conservation of Wall Painting Department, where she teaches the
postgraduate course and supervises conservation research and fieldwork
programs in Cyprus, Malta, and elsewhere. Her publications include
The Conservation of Wall Paintings, Early Medieval Wall Painting,
and Drawings by Bernini. A Fellow of IIC, the Society of Antiquaries,
and the American Academy, she is currently involved in consultative
and collaborative projects in Germany, Greece, Israel, and Italy.
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