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The GCI publication Mortality Immortality? The Legacy of 20th-Century
Art has recently received several awards. The book—based
on a GCI conference on the preservation of contemporary art, held
at the Getty Center in March 1998—was a finalist in the fine
art category of the 1999 Independent Publisher Book Awards. This
spring, the volume also won second prize in the book category of
the 1999 American Association of Museums Publications Design Competition.
In Mortality
Immortality?, professionals from a variety of disciplines offer
individual perspectives under the following headings: "Is Contemporary
Art Only for Contemporary Times?," "Present and Future Perceptions,"
"The Challenge of Materials," "The Art Ecosystem," and "Who Is Responsible?"
Authors include celebrated artists David Hockney, Judy Chicago,
and Bill Viola; philosopher Arthur Danto; collectors Clifford Einstein
and Agnes Gund; and museum professionals Roy A. Perry, head of conservation
at the Tate Gallery, London; James Coddington, chief conservator
at the Museum of Modern Art, New York; Peter Galassi, chief curator
of photography at the Museum of Modern Art; and John Hanhardt, senior
curator of film and media arts at the Solomon R. Guggenheim Museum,
New York. The foreword is by Mildred Constantine, formerly a curator
at the Museum of Modern Art.
In December 1998, History
Told on Walls, the GCI video documentary on the royal bas-reliefs
of Abomey, won the Prix Coup de Coeur at the 1998 International
Audiovisual Festival/Museums and Heritage, organized by AVICOM,
the audiovisual arm of the International Council of Museums (ICOM).
The documentary—which had previously won the Gold Award for documentaries
at the 1997 Houston International Film Festival—is the story
of the successful collaboration between the Republic of Benin and
the GCI to preserve the heavily damaged bas-reliefs that once adorned
the Salle des Bijoux, or Hall of Jewels, part of the official palace
of King Glélé in Abomey. (A book on the bas-reliefs
and their conservation, Palace
Sculptures of Abomey, will be published by the Getty later this
year.)
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