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Associate Director, Administration
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Photo: Dennis Keeley |
As
she was growing up in Los Angeles, Rona Sebastian assumed that one
day she would have a career in music. Like her sister before her,
she studied piano. She briefly attended the California Institute
of the Arts but wanted exposure to more disciplines and so transferred
to California State University, Northridge, graduating with a degree
in social psychology. Her love of music remained, however, and throughout
college and afterward she taught piano, first to children through
the Yamaha Music Schools and later to adults privately. The experience
of teaching, she believes, helped her learn how to communicate more
effectively with a variety of people.
In the early 1980s, while maintaining her teaching, she attended
UCLA's Graduate School of Management, earning an MBA in arts management
and finance. In addition to teaching, she also worked as a consultant
for the next few years and in 1985 became the administrator at the
J. Paul Getty Trust for several Getty programs, among them the Grant
Program, the Museum Management Institute, and Public Affairs. Two
years later she was asked also to temporarily help out at the GCI
when its administrator left. Shortly thereafter she became the GCI's
full-time administrator.
In 1990 Ms. Sebastian became Associate Director for Administration
at the Institute. During the same year she was named acting codirector
of the GCI following the director's departure. In this role she
had the opportunity to help the Institute during a transitional
period by providing a sense of continuity and support for the staff
and for the new director, Miguel Angel Corzo.
Today her responsibilities range from policy and planning—and
the oversight of all areas of administration—to directing the GCI's
move to the Getty Center, and include serving as the Institute's
representative to ICCROM and to the Advisory Council of AIC. She
also recently managed an Institute project that brought together
an independent multidisciplinary advisory committee to study the
deterioration of the carved marble lintels from the Church of the
Holy Sepulchre in Jerusalem. She enjoys the challenge of dealing
with planning for the GCI's future, as well as the day-to-day issues
of its operation. One thing she is planning for her personal future
is restoring her piano.
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