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Top of the CONA Hierarchy
.... Built Work (CONA facet)
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........ <B> (6)
........ <C> (7)
........ <D> (1)
........ <E> (3)
........ <G> (6)
........ <H> (3)
........ <K> (4)
........ <L> (3)
........ <M> (4)
........ <N> (5)
........ <O> (2)
........ <P> (3)
........ <R> (8)
........ <S> (10)
........ <T> (6)
........ <U> (1)
........ <V> (3)
........ <W> (3)
........ <Y> (1)
.... Movable Work (CONA facet)
........ <1> (3)
........ <2> (1)
........ <8> (1)
........ <A> (121)
........ <B> (52)
........ <C> (79)
........ <D> (61)
........ <E> (42)
1. ............ [Ecce Homo]
(engraving (print); Bazin, Nicolas (engraver, 1636-1710), after Pierre Mignard painting; published 1690; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 670350; (CMalG)2558-300; accession number: 2001.PR.17** (FF. 18))
Descriptive: Ecce Homo: Christ wearing the crown of thorns
2. ............ Ecce Homo
(line engraving (print); Fontana, Pietro (printmaker, 1762-1837), after Guercino painting; published 19th century; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 539364; (CMalG)1366-954; accession number: 2000.PR.16** (FF. 12))
Descriptive: Ecce Homo: Tortures of Christ
3. ............ Ecce Homo
(engraving (print); Matham, Jacob (engraver, 1571-1631), after Hendrik Goltzius painting; published 1603; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 543954; accession number: 2000.PR.42**)
Descriptive: Ecce Homo: Man of Sorrows between two angels
4. ............ [Ecce Homo]
(engraving (print); Bolswert, Schelte (engraver, ca. 1586-1659), after Peter Paul Rubens painting; published 17th century; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 657948; (CMalG)1550-020; accession number: P990017** (FF. 31))
Descriptive: Ecce Homo: Christ presented to the people wearing the crown of thorns
5. ............ Ecce Puer
(sculpture (visual work); Medardo Rosso, (Italian sculptor, 1858-1928); 1906-1907; Philadelphia Museum of Art (Philadelphia, Philadelphia county, Pennsylvania, United States); 1969-80-1)
6. ............ Ecce Puer
(bust (figure); Medardo Rosso, Italian sculptor, 1858-1928; 1906; National Gallery of Scotland (Edinburgh, Edinburgh, Scotland, United Kingdom))
7. ............ Edward McKnight Kauffer
(oil painting (visual work); Raymond McIntyre (New Zealand artist, 1879-1933); ca. 1915; Museum of New Zealand Te Papa Tongarewa (Wellington, Wellington region, North Island, New Zealand); registration number: 1968-0002-22)
8. ............ Een jonge vrouw haar handen warmend boven een vuurtest, mogelijk een allegorie op de Winter
(easel painting (painting by form); Caesar Boëtius van Everdingen (Alkmaar 1617-1678-10-13); 1644/1648; Rijksmuseum (Amsterdam, North Holland, Netherlands); SK-A-4878; RM001.collect.2)
Descriptive: A young woman, warming her hands, possibly an allegory of winter
9. ............ Een oude vrouw, waarschijnlijk Rembrandts moeder, Neeltgen Willemsdr van Zuydtbroeck (gest 1640), vermoedelijk voorgesteld als de profetes Anna
(easel painting (painting by form); Rembrandt Harmensz. van Rijn (Leiden 1606-07-15 - Amsterdam 1669-10-08); 1631; Rijksmuseum (Amsterdam, North Holland, Netherlands); SK-A-3066; RM001.collect.5243)
Descriptive: An old woman, probably Rembrandt's mother, Neeltgen Willemsdr van Zuydtbroeck (d 1640), apparently in the guise of the prophetess Anna
10. ............ Een vrouw bij een spinnewiel en een man met een kan zittend in een interieur
(easel painting (painting by form); Pieter (I) Pietersz. (Antwerpen 1541 - Amsterdam 1603); 1560/1570; Rijksmuseum (Amsterdam, North Holland, Netherlands); SK-A-3962; RM001.collect.5045)
Descriptive: A woman at the spinning wheel and a man with a mug seated in an interior
11. ............ Egalité
(etching (print); Janinet, Jean-François (printmaker, 1752-1814); published 1793; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 2715-383; 715383; (CMalG)1516-756; accession number: P980009* (bx.30,f.4))
Descriptive: Allegory of Equality: Woman enthroned with emblems of fertility, a carpenter's level, and the Rights of Man and Citizen
12. ............ Egalité
(etching (print); unknown printmaker; published ca. 1793; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 2699-822; 699822; (CMalG)1516-756; accession number: P980009* (bx.20,f.5))
Descriptive: Equality: The medals of a knight of Saint-Louis are entered in the Register of Equality under observation by the sansculottes
13. ............ Eharo, dance mask
(ceremonial mask; Unknown; 1900s; Museum of New Zealand Te Papa Tongarewa (Wellington, Wellington region, North Island, New Zealand); FE000990)
14. ............ Eigentlicher Abriss und Beschreibung des sehr künstlich-bereiteten, kostbarn und hochansehligen Feuerwercks
(engraving (print); unknown printmaker; published ca. 1666?; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 132864; accession number: 2000.PR.53**)
Descriptive: Fireworks display celebrating the marriage of Leopold I to Margarita Teresa, daughter of Philip IV of Spain
15. ............ Einführung der Künste in Deutschland durch das Christenthum
(etching (print); Schäffer, Eugen Eduard (printmaker, 1802-1877), after a mural painted by Philip Veit; published: Den Mitgliedern des Kunstvereins in Frankfurt a/M; published 1839; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 904910; (OCoLC)ocn695613711; accession number: 2011.PR.3**)
Descriptive: Introduction of the Arts to Germany through Christendom
16. ............ Einzug Sr. Majestaet Kaiser Ferdinand I. in Mailand
(lithograph; Wolf, Franz (lithographer, 1795-1859); published 1838; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 558919; (CMalG)1366-954; accession number: P910002** (FF. 469))
Descriptive: Entry of Ferdinand I and his consort Maria Anna into Milan through the Porta Orientale on 1 September 1838
17. ............ Elegantissimum opus coloribus expressum a Michaele Angelo Bonarroti in Vaticano Sacello a sum. Pont. Sixto IV. Sixtin. nuncupat
(etching (print); Cunego, Domenico (etcher), after a painting by Michelangelo; published by the printmaker; published 1780; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); (OCoLC)ocn123408109; 721939; accession number: 2007.PR.76**)
Descriptive: Ceiling of the Sistine Chapel
18. ............ Elephant with Raised Trunk
(sculpture (visual work); Unknown German (German Artist); 16th century; J. Paul Getty Museum at the Getty Center (Los Angeles, Los Angeles county, California, United States); 85.SB.64)
19. ............ Elijah Receiving Bread from the Widow of Zarephath
(painting (visual work); Giovanni Lanfranco (Italian, 1582 - 1647) (Italian Artist); 1621 - 1624; J. Paul Getty Museum at the Getty Center (Los Angeles, Los Angeles county, California, United States); 76.PA.1)
20. ............ Éloges des académiciens de l'Académie royale des sciences morts depuis l'an 1699
(etching (print); Picart, Bernard (printmaker, 1673-1733); published 1729; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 718078; (OCoLC)ocn123502368; accession number: 2007.PR.5*)
Descriptive: Allegory of the Sciences positioning a bust of Louis XIV at the Académie royale des sciences
21. ............ El sacrosanto concilio general de Trento
(engraving (print); unknown printmaker; published 17th century; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 651053; (CMalG)1366-954; accession number: P910002** (FF. 1159))
Descriptive: Session of the Council of Trent, held from 13 December 1545 to 4 December 1563
22. ............ [El sinarquismo]
(linocut (print); García Bustos, Arturo (1926-); published 1960; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 723197; accession number: 2007.PR.57*)
Descriptive: Negative consequences of the fascist movement Sinarquism in Mexico
23. ............ Encomium musices
(engravings (prints); bound volume comprises a title plate and sixteen numbered engravings by Adriaen Collaert and Théodore Galle after designs by Jan van der Straet, with Latin verses composed by Joannes Bochius; published by Apud Philippum Gallæum; dedication to Edward van der Dilft and Charles Malineus; published ca. 1589; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 777404; accession number: 2008.PR.2)
Descriptive: In Praise of Music: Volume with engravings of Biblical subjects
24. ............ En liberté comme toi
(stipple engraving (print); Bonneville, François (printmaker, 18th/19th century); published: Chez l'auteur, rue du Theatre Francois no. 4; published ca. 1794; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 2715-787; 715787; (CMalG)1516-756; accession number: P980009* (bx.30,f.13))
Descriptive: With freedom, like you: A black woman asks, Am I not your sister?
25. ............ Entrata in Roma dell'eccelmo ambasciatore di Pollonia l'anno MDCXXXIII
(etchings (prints); Della Bella, Stefano (etcher, 1610-1664); published: Gio. Jacomo de Rossi le stampa in Roma alla Pace; published ca. 1633; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 377789; (OCoLC)ocm84393834; (CMalG)1366-954; accession number: P910002* (item 741))
Descriptive: Entry of Ambassador Jerzy Ossolínski of Poland into Rome on 17 November 1633

........ <F> (36)
........ <G> (24)
........ <H> (35)
........ <I> (36)
........ <J> (14)
........ <K> (21)
........ <L> (76)
........ <M> (57)
........ <N> (15)
........ <O> (15)
........ <P> (83)
........ <R> (25)
........ <S> (76)
........ <T> (102)
........ <U> (3)
........ <V> (28)
........ <W> (15)
........ <Y> (1)
........ <Z> (3)

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