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Top of the CONA Hierarchy
.... Built Work (CONA facet)
........ <A> (2)
........ <B> (3)
........ <C> (7)
........ <D> (1)
........ <E> (2)
........ <G> (6)
........ <H> (3)
........ <K> (4)
........ <L> (1)
........ <M> (3)
........ <N> (4)
........ <O> (1)
........ <P> (2)
........ <R> (7)
........ <S> (7)
........ <T> (6)
........ <U> (1)
........ <V> (3)
........ <W> (2)
.... Movable Work (CONA facet)
........ <1> (3)
........ <2> (1)
........ <8> (1)
........ <A> (120)
........ <B> (51)
........ <C> (75)
........ <D> (58)
........ <E> (40)
........ <F> (33)
........ <G> (24)
........ <H> (34)
........ <I> (35)
........ <J> (14)
........ <K> (21)
........ <L> (75)
51. ............ Le fantôme
(etching (print); Ensor, James (etcher, 1860-1949); published 1889; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 889274; (OCoLC)ocn669502705; 669502705; accession number: 2010.PR.80*)
Descriptive: The Ghost
52. ............ L'Égalité
(stipple engraving (print); Monchy (printmaker); published: Chez Basset rue Jacques au coin de celle des Mathurins; published ca. 1792; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 2715-484; 715484; (CMalG)1516-756; accession number: P980009* (bx.30,f.8))
Descriptive: Allegory of Equality: Standing woman holding a level
53. ............ Le grand escalier de Versailles
(etchings (prints); Baudet, Etienne (printmaker, 1638-1711); published 1679-1683; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 606789; (OCoLC)ocn145875348; accession number: 2003.PR.49**)
Descriptive: Suite of prints depicting the allegorical figures and emblems on the ceiling of the grand staircase of Versailles
54. ............ Le guerrier constitutionelle
(etching (print); unknown printmaker; published 1792; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 2698-133; 698133; (CMalG)1516-756; accession number: P980009* (bx.19,f.8))
Descriptive: Satirical reference to the French military campaign at the gorges of Porrentruy, Switzerland: Bird-headed French minister of war grabbing the gorge of a sow (porc-truie)
55. ............ Le jeu de colin-maillard
(etching (print); Cochin, Charles Nicolas (printmaker, 1715-1790), after a painting by Nicolas Lancret; published: Chez Cochin, graveur du roi rue St. Jacque, vis-à-vis les Mathurins à St. Charles; published 1739; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 897121; (OCoLC)ocn672068225; accession number: 2010.PR.91**)
Descriptive: Group of noble men and women playing blind man's buff in a park
56. ............ Le manifique carousel fait sur le fleuue de l'Arne a Florence, pour le mariage du grand duc ..
(etchings (prints); Bocquet, Nicolas François (died 1716), derived from Remigio Cantagallina's etchings; published: Chez P. Giffart ...; published 1664; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 610059; (OCoLC)ocm80190962; accession number: 2003.PR.73*)
Descriptive: Bound suite of prints depicting the mock naval battle on the Arno River, Florence, on 3 November 1608, celebrating the wedding of Cosimo II of Tuscany to Maria Maddalena of Austria
57. ............ Le manifique carousel fait sur le fleuue de l'Arne a Florence, pour le mariage du grand duc ..
(etchings (prints); Bocquet, Nicolas François (died 1716), after prints by Cantagallina, Remigio; published: Chez Baltazar Moncornet, rue St. Iacques ...; Published: 16--; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 296713; (OCoLC)ocm82675388; accession number: 2003.PR.74*)
Descriptive: Suite of prints depicting the mock naval battle on the Arno River, Florence, on 3 November 1608, celebrating the wedding of Cosimo II of Tuscany to Maria Maddalena of Austria
58. ............ Le miroir du passé pour sauvegarde de l'avenir, ou, Tableau du gouvernement cadavero-faminocratique de 93. sous la tigro-cratie de Robespierre et compagnie
(etching (print); unknown printmaker; published 1797; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 2699-637; 699637; (CMalG)1516-756; accession number: P980009* (bx.21,f.1))
Descriptive: Revolutionary tribunal in a church: Allegory of the horrors and violence of the Reign of Terror
59. ............ [Le reposoir du Saint Sacrement]
(etching (print); Della Bella, Stefano (etcher, 1610-1664); published 17th century; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 2561-061; 561061; (CMalG)1366-954; accession number: P910002** (FF. 590))
Descriptive: Monument with altarpiece for the feast of Corpus Christi, Paris, with the Holy Sacrament carried under a canopy, followed by Louis XIV and his mother
60. ............ Le retour à la vertu
(engravings (prints); Schiavonetti, Niccoló (engraver, 1771-1813), after by Charles le Brun; Published: 10th of February 1795 by Mess. Colnaghi & Co. N. 132 Pall Mall; published 1795; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 667111; (OCoLC)ocm79409301; (CMalG)2602-798; accession number: 2003.PR.20** (FF. 10))
Descriptive: The Repentant Magdalene
61. ............ Le retour du bal
(engraving (print); Beauvarlet, Jacques-Firmin (1731-1797), after a lost painting by Jean-François de Troy; published: Chez Marcel rue St. Julien no. 12 pres la rue St. Jacque; published ca. 1758; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 558292; accession number: 2002.PR.72*)
62. ............ Les apprêts du bal
(engraving (print); Beauvarlet, Jacques-Firmin (engraver, 1731-1797), after Jean-François de Troy; published by Chez Mar[c]el rue St. Julien no. 12 pres la rue St. Jacque; Published: ca. 1757; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 558291; accession number: 2002.PR.71*)
Descriptive: Before the ball: Woman at her toilette
63. ............ Le sauveur de la Belgique
(etching (print); published: Chez Villeneuve graveur rue Zacharie, St. Severin Maison du Passage, no. 72; published ca. 1793; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 2698-319; 698319; (CMalG)1516-756; accession number: P980009* (bx.19,f.10))
Descriptive: Satirical depiction of Général Dumouriez marching to Paris to overthrow the National Convention in March 1793
64. ............ Les crimes des rois
(etching (print); published by Chez Villeneuve graveur, rue Zacharie St Severin maison du passage no. 21; published 1790; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 2716-243; 716243; (CMalG)1516-756; accession number: P980009* (bx.17,f.8))
Descriptive: Allegory of Tyranny, with Fanaticism and Discord, attacking Nature on the steps of a palace
65. ............ Les douceurs de la fraternité
(stipple engraving (print); Gautier, Jean-Baptiste (printmaker), after a painting by Henri-Nicolas Van Gorp; published by Chez Bance rue S. Severin, n. 115; published ca. 1794; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 2715-863; 715863; (CMalG)1516-756; accession number: P980009* (bx.31,f.1))
Descriptive: Allegory of the harmony of fraternity, with the Temple of Liberty and the Rights of Man and Citizen
66. ............ Liberté
(etching (print); Janinet, Jean-François (printmaker, 1752-1814), delineated by Moitte, Jean Guillaume; published 1792; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 2715-264; 715264; (CMalG)1516-756; accession number: P980009* (bx.30,f.3))
Descriptive: Allegory of Liberty: Woman holding a club and a cap of liberty
67. ............ Light Blue Narcissus planter, Ru ware, Northern Song Dynasty
(planter; unknown Chinese; 1101/1150 CE)
68. ............ Lion Attacking a Bull
(sculpture (visual work); Attributed to Antonio Susini or Giovanni Francesco Susini; after a model by Giambologna; first quarter of 17th century; J. Paul Getty Museum at the Getty Center (Los Angeles, Los Angeles county, California, United States); 94.SB.11.2)
69. ............ Lion Attacking a Horse
(sculpture (visual work); Attributed to Antonio Susini or Giovanni Francesco Susini; after models by Giambologna; first quarter of 17th century; J. Paul Getty Museum at the Getty Center (Los Angeles, Los Angeles county, California, United States); 94.SB.11.1)
70. ............ Little schoolboy of Bonmahon
(oil painting (visual work); Edith Collier (New Zealand artist, 1885-1964); ca. 1915; Museum of New Zealand Te Papa Tongarewa (Wellington, Wellington region, North Island, New Zealand); registration number: 1957-0004-3)
71. ............ Livre de la Chasse
(manuscript (document genre); unknown illuminator; Gaston Phébus, author; about 1430 - 1440; J. Paul Getty Museum at the Getty Center (Los Angeles, Los Angeles county, California, United States); 87.MR.34; Ms. 27)
Descriptive: Book of the Hunt
72. ............ Livre des fais d'Alexandre le grant
(manuscript (document genre); Master of the Jardin de vertueuse consolation and assistant, illuminators: Jean du Quesne, scribe; Quintus Curtius Rufus, author; Vasco da Lucena, translator; about 1470 - 1475; J. Paul Getty Museum at the Getty Center (Los Angeles, Los Angeles county, California, United States); 83.MR.178; Ms. Ludwig XV 8)
Descriptive: Book of the Deeds of Alexander the Great
73. ............ Longmen Maitreya
(sculpture (visual work); anoniem ; 500/525; Rijksmuseum (Amsterdam, North Holland, Netherlands); AK-MAK-71; RM001.collect.923)
74. ............ Longqian grafvaas
(grave vase; anoniem; 960/1279; Rijksmuseum (Amsterdam, North Holland, Netherlands); AK-MAK-559; RM001.collect.668)
Descriptive: Longqian grave vase
75. ............ Lustered Armorial Plate
(plate (illustration); Workshop of Giorgio di Pietro Andreoli, known as Maestro Giorgio (Italian, about 1465 - about 1555) (Italian Artist); 1524; J. Paul Getty Museum at the Getty Center (Los Angeles, Los Angeles county, California, United States); 84.DE.111)

........ <M> (53)
........ <N> (13)
........ <O> (12)
........ <P> (82)
........ <R> (20)
........ <S> (72)
........ <T> (98)
........ <U> (2)
........ <V> (26)
........ <W> (15)
........ <Y> (1)
........ <Z> (3)

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