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Cultural Objects Names Authority  Cultural Objects Names Authority® Hierarchy
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Top of the CONA Hierarchy
.... Built Works (CONA facet)
........ <A> (19)
........ <B> (12)
........ <C> (31)
........ <D> (12)
........ <E> (10)
........ <F> (9)
........ <G> (14)
........ <H> (13)
........ <I> (1)
........ <J> (3)
........ <K> (6)
........ <L> (9)
........ <M> (22)
........ <N> (10)
........ <O> (8)
........ <P> (33)
........ <Q> (1)
........ <R> (12)
........ <S> (55)
........ <T> (32)
........ <U> (4)
........ <V> (10)
........ <W> (4)
........ <Y> (3)
........ <Z> (1)
.... Movable Works (CONA facet)
........ <1> (3)
........ <2> (1)
........ <7> (1)
........ <8> (1)
........ <A> (322)
........ <B> (138)
........ <C> (236)
........ <D> (128)
........ <E> (102)
........ <F> (163)
........ <G> (116)
........ <H> (101)
........ <I> (76)
26. ............ Illustrated Vita Christi, with Devotional Supplements
(illuminated manuscripts; Unknown English (English Illuminator); image 12th century; text 15th century; China (Asia, World, Top of the TGN hierarchy); 2008.3; Ms. 101)
27. ............ Illustrations to Tennyson's Idylls of the King, and Other Poems
(photographs; Julia Margaret Cameron (British, born India, 1815 - 1879); 1875; J. Paul Getty Museum (Los Angeles, Los Angeles county, California, United States); 84.XO.732.1.2)
28. ............ Il maraviglioso bucintoro nel quale il ser.mo principe di Venetia va solennemente il dì dell'Ascensa a sposar il mare et con esso parimente fu fatto il gloriosissimo incontro al ser.mo Antonio Priuli il giorno della felicissima sua venuta al possesso del principato
(etching (print); printer: Franco, Giacomo (Italian engraver, publisher, 1550-1620); published 1618; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 652976; (CMalG)1366-954; accession number: P910002** (FF. 1185))
Descriptive: Water procession in Venice celebrating the coronation of Doge Antonio Priuli, elected on 17 May 1618
29. ............ Il primo pensiere del quadro sopra il quale il Signor Roberti è stato gradito e ricevuto a l'Academia reale di pittura in Parigi
(etching (print); Saint Non, Jean Claude Richard de (printmaker, 1727-1791), after drawing by Hubert Robert; published 1766; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 777405; accession number: 2008.PR.6*)
Descriptive: Pantheon and staircase of the Porto di Ripetta, Rome: Sketch of the painting with which Hubert Robert was accepted into the Royal Academy of Painting in Paris
30. ............ Il prospetto principale del tempio e piazza S. Pietro in Vaticano, e palazzo pontificio
(etching (print); Vasi, Giuseppe (etcher, 1710-1782); Published: 1774; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 2647-220; 647220; (CMalG)1366-954; accession number: P910002** (FF. 1041))
Descriptive: St. Peter's basilica and square, Rome
31. ............ [Il Santo Padre in atto d'adorazione innanzi al sacramento esposto solennemente da Lui nella Cappella Paolina in Vaticano la domenica dell'avvento
(etching (print); Piranesi, Francesco (etcher, 1756-1810); published ca. 1783; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 501647; (OCoLC)ocn145864444; accession number: 960044**)
Descriptive: Ceremonial apparatus used in Forty Hours Devotion in the Pauline Chapel
32. ............ Il trionfo de carnavale nel paese de Cucagna
(etching (print); Ferdinando Bertelli (Italian engraver and publisher, active 1563); Published: 1560s; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 2834-593; 834593; accession number: 2009.PR.53*)
Descriptive: Carnival festivities featuring the mythical land of Cuccagna
33. ............ Il trionfo di Arianna e Bacco
(lithograph; Giarrè, Luigi (lithographer, fl. 1817-1844); published 1846; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 650024; (CMalG)1366-954; accession number: P910002** (FF. 1098))
Descriptive: Masquerade of the triumph of Bacchus and Ariadne, designed by Luigi Cecconi for Carnival in Florence in 1846
34. ............ [Imagines Veteris ac Novi Testamenti ...]
(etchings (prints); two etchings signed by Cesare Fantetti, two that are signed by Piero Aquila; after paintings by Raphael; published ca. 1675; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 569651; (OCoLC)ocn243699053; (CMalG)1366-954; accession number: 2000.PR.16* (bx.3,f.3-6))
Descriptive: Paintings of the Old and New Testaments by Raphael
35. ............ Inauguration de Louis XVI au Temple de la Constitution
(etching (print); François Anne David (French printmaker, 1741-1824); Published: 1790; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 2716-272; 716272; (CMalG)1516-756; accession number: P980009* (bx.4,f.1))
Descriptive: Deputies of the National Assembly take a civic oath before King Louis XVI on 4 February 4 1790
36. ............ Inauguration du buste de Marat au tombeau qui été élevé pour sa gloire et celle de Lazowski, place de la Réunion a Paris, l'an 2 de la Rep. Franc. une et indivisible /
(engraving (print); Ransonnette, Pierre Nicolas (1745-1810); published 1793; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 340492)
Descriptive: Dedication of the bust of Marat at the monument honoring him and Lazowski, in 1793
37. ............ Indépendance des États-Unis
(etching (print); Roger, L (printmaker); published: Chez Blin, imprimeur en taille-douce ...; published 1786; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 2715-262; 715262; (CMalG)1516-756; accession number: P980009* (bx.30,f.1))
Descriptive: Independence of the United States: Imagined monument celebrating the alliance of the Americans and French, with portraits of Franklin, Washington, and Louis XVI
38. ............ Indian crane
(etching (print); unknown (unknown nationality, artist) ; Published: 1818?; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 2722-784; 722784; accession number: 2007.PR.38*)
39. ............ India Photographs. (spine title)
(photograph albums; Felice Beato (English photographer, ca. 1825-1908); John Edward Saché (German photographer, 1824-1882), unknown (photographer); ca. 1858-1869; J. Paul Getty Museum at the Getty Center (Los Angeles, Los Angeles county, California, United States); 84.XM.897.2)
40. ............ Indra, Chief of the Gods
(carving (visual work); Unknown Javanese sculptor, early 9th century; early 9th century)
41. ............ Inglovane
(lithograph; Nhlengethwa, Sam (South African printmaker, born 1955); 1996; National Museum of African Art (Washington, DC, United States); 2001-7-1)
42. ............ [Ingres Painting of Maria Luigi Carlo Zenobio Salvatore Cherubini and his muse]
(daguerreotype (photograph); Unknown maker, French (Daguerreotypist); Eugène Piot (French, 1812 - 1890) (French Daguerreotypist); 1841 - 1842; J. Paul Getty Museum at the Getty Center (Los Angeles, Los Angeles county, California, United States); 84.XT.265.26)
Descriptive: Ingres Painting of Cherubini and his muse
43. ............ Ingresso fatto da Pio VI. in Venezia per il Canal Maggiore nel suo ritorn da Vienna e onori fattili da quella Repubblica
(etching (print); unknown printmaker ; published 1782; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 651587; (CMalG)1366-954; accession number: P910002** (FF. 1227))
Descriptive: Entry of Pope Pius VI into Venice through the Grand Canal, during a papal visit on 15-19 May 1782
44. ............ Inkstand (Encrier)
(inkstand; Unknown Chinese; European probably French; French (Chinese; European probably French; French Artist); porcelain early 1700s - before 1750; lacquer early 1700s - about 1750; mount abo; J. Paul Getty Museum at the Getty Center (Los Angeles, Los Angeles county, California, United States); 76.DI.12)
45. ............ Inmaculada Concepción
(painting (visual work); unknown Spanish (Madrid); ca. 1680; Museo Nacional de Bellas Artes (Santiago, Región Metropolitana, Chile); not available)
Descriptive: Immaculate Conception
46. ............ Innocentivs IX pon. opt. max. creatvs XXVIIII october MDLXXXXI
(etching (print); unknown printmaker; published ca. 1591; Getty Research Institute, Special Collections (Los Angeles, Los Angeles county, California, United States); 563269; (CMalG)1366-954; accession number: P910002** (FF. 715))
Descriptive: Procession with Pope Innocent IX carried on a throne after his election on 29 October 1591
47. ............ In Quarantine, Wellington
(painting (visual work); Tom Roberts (Australian painter, 1856-1931); 1900; Museum of New Zealand Te Papa Tongarewa (Wellington, Wellington region, North Island, New Zealand); 2006-0005-2)
48. ............ Inro
(inro; anoniem; 1700/1800; Rijksmuseum (Amsterdam, North Holland, Netherlands); AK-MAK-156; RM001.collect.1568)
Descriptive: Inro
49. ............ [Inscriptions of the Isis Temple in Philae]
(albumen print; Théodule Devéria (French, 1831 - 1871) (French photographer); 1859; J. Paul Getty Museum at the Getty Center (Los Angeles, Los Angeles county, California, United States); 2009.85.72)
50. ............ Inscription "Tabula Iliaca"
(stele; Unknown Roman (Roman Artist); 16 - 20; J. Paul Getty Museum at the Getty Villa (Malibu, Los Angeles county, California, United States); 81.AA.113)
Descriptive: Tablet Inscribed with a Letter about the Persian King Xerxes

........ <J> (69)
........ <K> (40)
........ <L> (441)
........ <M> (213)
........ <N> (52)
........ <O> (61)
........ <P> (392)
........ <Q> (7)
........ <R> (95)
........ <S> (326)
........ <T> (401)
........ <U> (25)
........ <V> (141)
........ <W> (67)
........ <Y> (8)
........ <Z> (3)
.... Visual Surrogates (CONA facet)
........ <F> (1)
........ <R> (1)
........ <S> (1)
.... Conceptual Works (CONA facet)
........ <A> (2)
........ <C> (2)
........ <F> (2)
........ <L> (1)
........ <M> (1)
........ <P> (1)
........ <R> (1)
........ <S> (1)
........ <T> (1)
........ <U> (1)
........ <V> (1)
........ <W> (1)
.... Unidentified Named Works (CONA facet)
........ <U> (2)

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