ID: 700001891 Page link: http://vocab.getty.edu/page/cona/700001891	Record Type: Movable Work
Images: 1

Portret van Lysbeth van Duvenvoorde (?-1472) (easel painting (painting by form); unknown; ca. 1430; Rijksmuseum (Amsterdam, North Holland, Netherlands); SK-C-1454; RM001.collect.4780)

Note: Although full-length portraits must have been produced on a large scale, among other things for wall and tomb paintings, it is unusual for such an early, autonomous portrait of an almost full-length figure to have survived. Most of the extant portraits from this early period consist of heads and busts. It is possible that there was a tradition of full-length marriage portraits in European painting. Other examples include Jan van Eyck's Arnolfini portrait of 1434, and the marriage portrait of a couple painted by an anonymous south German artist around 1470. Full-length figures, however, are more frequently found in miniatures, such as the portrait of Mary of Guelders in the prayer book of Mary of Guelders of c. 1415. Although the Rijksmuseum portrait was painted in oils, the parchment support makes it not unlikely that the artist had his roots in miniature painting. He was probably a local artist from one of the workshops in north or south Holland, where the couple lived.The support is a single sheet of parchment, and may be slightly trimmed at all sides. It has been laid down on plexiglass (34 x 21.7 cm). Neither a priming layer nor an underdrawing are visible to the naked eye nor with infrared reflectography. The paint layer was applied rather thickly, as in a panel painting. Mordant gilding was used in areas of gold (ornaments, jewellery etc.). The coat of arms was not reserved.

Titles:

Portret van Lysbeth van Duvenvoorde (?-1472) (preferred,C,U,RP,Dutch-P,U,U)

Portrait of Lysbeth van Duvenvoirde (?-1472) (C,U,DE,English-P,U,U)

Catalog Level: item

Work Types:

easel painting (painting by form) [300177435] (preferred)

..... (Objects Facet, Visual and Verbal Communication (hierarchy name), Visual Works (hierarchy name), visual works (works), <visual works by material or technique>, paintings (visual works), <paintings by form>)

Classifications:

paintings (preferred)

Creation Date: ca. 1430

Creator Display:

unknown [preferred,VP]

anoniem [,VP]

painter unknown (unknown cultural designation) [500125274]

Locations:

Current: Rijksmuseum (Amsterdam, North Holland, Netherlands) [500246547] Corporate Bodies (Corp. Body)

Repository Numbers: SK-C-1454; RM001.collect.4780

Credit Line: Bruikleen van het Koninklijk Kabinet van Schilderijen Mauritshuis

Other: Creation: Term Not Found (TGN Candidate) (Geographic)

Display Materials: oil on parchment

	oil paint (paint) [300015050]
	.......(Materials Facet, Materials (hierarchy name), materials (substances), <materials by function>, coating (material), <coating by form>, paint (coating), <paint by composition or origin>)

	parchment (animal material) [300011851]
	.......(Materials Facet, Materials (hierarchy name), materials (substances), <materials by origin>, biological material, animal material, processed animal material)

Dimensions: 32 x 20 cm (support); 42 x 29.3 x 5.9 cm (framed)

Events:

exhibition: Dutch Flowers II, 2012-03-19 - 20120-06-26

exhibition: Van Gogh Tekeningen - I, 2005-07-01 - 2005-09-18

General Subject:

portraits (preferred)

Specific Subjects:

	Duvenvoorde, Lysbeth van (North Netherlandish sitter, died 1472) [500354689]
	.....(Non-Artists) (ULAN)

Copyright: Public Domain

Provenance: bruikleen 1959; …; collection Joannes M.C. van Blaauwsonnevelt van den Bergh (1842-?), Haarlem, 1897;1 …; collection Herman J. Heshuysen, Haarlem, 1910;2 …; collection Jonkheer Henry Teixeira de Mattos (1867-1924), Haarlem and Vogelenzang;3 his daughter Jonkvrouwe Margaretha A. Teixeira de Mattos (1905-1954) and her husband Pierre van Son (1904-1969), Aerdenhout, 1937;4 …; sale, H.J.J.G.H. Miele (The Hague), Mrs J. Onnen-Vreede (Bilthoven) et al., Amsterdam (F. Muller), 25 January 1944 sqq., no. 34, fl. 55,000, to Wilhelm Martin, for the Mauritshuis, The Hague;5 on loan to the museum since 1959; on loan to the Museum Boijmans Van Beuningen, Rotterdam 2004-10

Inscriptions: wapen; inscriptie Mi verdriet lange te hopen, Wie is hi die sijn hert hout open.; inscriptie Afbeeltsel van Juffer Lijsbeth van Duvoorde, Heer Dircks dochter. Sij troude den 19 Meert ao 1430 aen Symon van Adrichem, Ridder Heer Floris soon, en sterff op Ons heeren hemelvaerts Avond ao: 1472, en is begraven in de Beverwijck in t Reguliersconvent voor het H. Cruys Autaer dat hy (Simon) had doen machen(?)

List/Hierarchical Position:

..... Movable Works

.......... Movable Works by class: drawings, paintings, prints, other two-dimensional media

Additional Notes:

Dutch ..... Portret van Lysbeth van Duvenvoorde (gest. 1472). Staande, tot de enkels, naar rechts. In de linkerhand een banderol met inscriptie. Linksboven het familiewapen. Onderdeel van een tweeluik, de verblijfplaats van de rechtervleugel met het portret van haar echtgenoot (in 1430) Symon van Adrichem is onbekend.

Sources and Contributors:
Portret van Lysbeth van Duvenvoorde (?-1472)	........ [VP,Rijksmuseum]
	........ Rijksmuseum XML files (2012)
Portrait of Lysbeth van Duvenvoirde (?-1472)	........ [VP]
	........ Rijksmuseum XML files (2012)

Subject: ....... [VP,Rijksmuseum]

....................... Rijksmuseum [online] (2000-) http://www.rijksmuseum.nl/collectie/SK-C-1454; accessed 30 August 2012

....................... Rijksmuseum XML files (2012)

Note:
English	..... [VP]
	..... Rijksmuseum [online] (2000-) http://www.rijksmuseum.nl/collectie/SK-C-1454; accessed 30 August 2012
Dutch	..... [VP]
	..... Rijksmuseum [online] (2000-) http://www.rijksmuseum.nl/collectie/SK-C-1454; accessed 30 August 2012