An unknown man, cool and contained, stands proudly in front of a prosperous landscape that may include a portrait of his own residence. The fine yet restrained clothes, direct gaze, and proud bearing characterize the new Renaissance emphasis on individualism. The three-quarter turn of the body, with his arm forming the base of the triangular composition, became a popular pose in that era; not incidentally, it draws attention to the man's ring and the fine Middle Eastern carpet covering the table.