As if engaging in a tug-of-war with himself, Lucas Samaras confronts and struggles with his own reflection in this self-portrait. The leg-less reflection is incomplete, however, giving the impression of a deformed adversary. A monochromatic polka-dot background and a vibrant green and red border act as a stage for this dramatic struggle.
Samaras's Photo-Transformations, which he made in the 1970s as a means to examine various facets of himself, could be understood as visual manifestations of internal conflict. They are complex psychological investigations that, according to at least one critic, illustrate one person's efforts toward spiritual healing.