Pope Gregory XV

Object Details


Pope Gregory XV


Guercino (Giovanni Francesco Barbieri) (Italian (Bolognese), 1591 - 1666)




about 1622 - 1623


Oil on canvas


133.7 x 98.4 cm (52 5/8 x 38 3/4 in.)

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Slanting light falls across the upper section of the painting, placing the left side of the sitter's face in shadow. He looks out of the picture, his eyes expressing weary concern. Shown in the act of reading a book at a small table, he seems more scholarly and retiring than powerfully vigorous.

In 1621 Guercino was called to Rome from Bologna to paint this portrait of Pope Gregory XV. Although Guercino rarely painted portraits, he used a composition that had become a standard for papal portraiture since the Renaissance. But Guercino placed less emphasis on the trappings of power than earlier papal portraits and more on his subject's character. This portrait shows a keen psychological understanding of his patron's state of mind, capturing the pope at the end of his life, worn out by the cares of office and failing health.

about 1622/1623 - 1623

Pope Gregory XV, Italian, 1554 - 1623 (Rome, Italy), possibly commissioned from the artist, about 1622/1623; by inheritance within the Ludovisi family, 1623.

1623 - possibly still in 1633

Ludovisi Family (Rome, Italy)

by 1854 - 1885

William Ward, first earl of Dudley, 1817 - 1885 (Witley Court, Hereford and Worcester, England), by inheritance to William Humble, 1885.

1885 - 1900

William Humble Ward, second earl of Dudley, 1867 - 1932 (Witley Court, Hereford and Worcester, England) [sold, Dudley sale, Christie's, London, June 16, 1900, lot 30, to S.T. Smith.]


S.T. Smith

1900 -

Thomas Agnew & Sons, Ltd. (London, England)

by 1908 - 1919

Ralph Cross Johnson, 1843 - 1923 (Washington, DC), donated to the the National Gallery of Art, Smithsonian Institution (renamed the National Collection of Fine Arts, and in 1980, the National Museum of American Art), 1919.

1919 - 1987

National Museum of American Art, Smithsonian Institution (Washington, DC), sold to the J. Paul Getty Museum, 1987.

Exhibition of Art Treasures (1857) (363; in definitive ed. of catalouge; lent by Lord Ward)
  • Unknown, 1857
Exhibition of the Works of the Old Masters (1871) (374; Lent by Earl of Dudley)
  • Royal Academy of Arts (London), 1871
Baroque Portraiture in Italy: Works from North American Collections (March 10 to May 19, 1985) (26; catalogue by John T. Spike)
  • Wadsworth Atheneum, (Hartford), March 20 to May 20, 1985
The Age of Correggio and the Carracci: Emilian Painting of the 16th and 17th Centuries (September 10, 1986 to May 24, 1987) (Cat. 165; catalogue entry by Denis Mahon)
  • Pinacoteca Nazionale (Bologna), September 10 to November 10, 1986
  • National Gallery of Art (Washington, D.C.), December 19, 1986 to February 16, 1987
  • The Metropolitan Museum of Art, (New York), March 26 to May 24, 1987
Giovanni Francesco Barbieri: Il Guercino, 1591 - 1666 (September 6, 1991 to May 17, 1992) (56; catalogue entry by Denis Mahon)
  • Museo Civico (Bologna), September 6 to November 10, 1991
  • Schirn Kunsthalle (Frankfurt), December 2, 1991 to February 9, 1992
The Genius of Rome 1592 - 1623 (January 20 to July 31, 2001) (9)
  • Royal Academy of Arts (London), January 20 to April 16, 2001
Bernini and the Birth of Baroque Portrait Sculpture (August 5, 2008 to March 8, 2009) (1.5)
  • The J. Paul Getty Museum at the Getty Center, (Los Angeles), August 5 to October 26, 2008
Captured Emotions: Baroque Painting in Bologna 1575-1725 (December 16, 2008 to May 3, 2009) (pl. 14)
  • The J. Paul Getty Museum at the Getty Center, (Los Angeles), December 16, 2008 to May 3, 2009

Malvasia, Carlo Cesare. Felsina Pittrice. (Bologna: 1678) vol. 2, p. 365.

Calvi, Iacopo Alessandro. Notizie della vita, e delle opere del cavaliere Gioan Francesco Barbieri detto Il Guercino da Cento celebre pittore. (Bologna: Tipografia Marsigli, 1808) pp. 16-17.

Malvasia, Carlo Cesare. Felsina Pittrice, vol. 1, Giampetro Zanotti, ed. (Bologna: 1841) vol. 2, p. 260.

Waagen, Gustav Friedrich. Treasures of Art in Great Britian: Being an Account of the Chief Collections of Paintings, Drawings, Sculptures, Illuminated Mss., &c., &c. 3 vols. (London: John Murray, 1854) vol. 2, p. 236.

Catalogue of the Art Treasures of the United Kingdom, Collected at Manchester in 1857, exh. cat. (Manchester: Art Treasures Exhibition, 1857) p. 36, no. 363.

Bürger, W. [Théodore Thoré]. Trésors d'art en Angleterre. (Brussels and Ostende: 1860) p. 104.

Atti, Gaetano. Intorno alla vita e alle opere di Gianfrancesco Barbieri detto il Guercino da Cento. (Rome: 1861) p. 133.

Exhibition of the Works of the Old Masters, exh. cat. (London: Royal Academy of Arts, 1871) p. 33, no. 374 (as "Portrait of a Cardinal" by Titian).

Christie, Manson & Woods, London. Important Pictures by Old Masters, from the collection of the late Earl of Dudley. June 16, 1900 p. 8, lot 30.

Carter, J.P. New York American. (16 November 1908)

Graves, Algernon. A Century of Loan Exhibitions, 1813-1912. 5 vols. (London: Algernon Graves, 1913-15), vol. 1 (1913) vol. 1, p. 457, vol. 3, p. 1321.

"The Ralph Cross Johnson Collection: National Gallery of Art, Washington, D.C." The American Magazine of Art 2, no. 10. (August 1920); no. 14. (December 1920) p. 346.

Report on...the United States National Museum of the year ending June 30, 1919. (1920) pp. 23-24, 149.

Rose, George B. "The Ralph Cross Johnson Collection in the National Gallery of Art." Art and Archaeology, vol. 10, no. 3. (September 1920) pp. 79, 87, 91, ill.; reprinted in Smithsonian Institute Report (1920), pp. 679-690, ill. Pl. 5; again reprinted, 1922.

The Christian Science Monitor. (26 October 1921)

Holmes, William H. Catalogue of the Collections in the National Gallery of Art. (Washington, D.C.: 1922) p. 58, no. 21, ill. facing p. 64; reprinted 1926, p. 69, no. 21, ill. facing p. 62.

Mechlin, Leila. "A Home for the National Gallery of Art." Daughters of the American Revolution, vol. 58, no. 7. (July 1924) p. 426, ill.

Mechlin, Leila. Washington Star. (August 7, 1928)

Hess, Jacob, ed. Die Künstlerbiographien von Giovanni Battista Passeri (Leipzig: Verlag Heinrich Keller; Wien: Verlag Anton Schroll & Co., 1934) p. 355.

Smithsonian Institution, National Collection of Fine Arts, Preliminary Catalogue Listing Paintings, Drawings and Sculpture, (checklist). (1963) p. 92.

Smithsonian Institute Annual Report. (1963) p. 188.

Taylor, Joshua C. National Collection of Fine Arts. (1978) p. 18.

Mahon, Denis. "Guercino as a Portraitist and his 'Pope Gregory XV.'" Apollo, vol. 113. (April 1981) pp. 230-35.

Spike, John T. Baroque Portraiture in Italy. exh. cat. (Sarasota, Ringling Museum, and Hartford, Wadsworth Atheneum: 1984-85) p. 94, no. 26, ill.

The Age of Correggio and the Carracci: Emilian Painting in the Sixteenth and Seventeenth Centuries, exh. cat. (Washington, D.C.: National Gallery of Art, 1986) pp. 442, 471-73, no. 165, ill.

Nell'età di Correggio e dei Carracci : Pittura in Emilia dei secoli XVI e XVII, exh. cat. (Bologna: Pinacoteca Nazionale, 1986) pp. 442, 471-73, no. 165, ill.

Lewis, Jo Ann. "Guercino to the Getty." The Washington Post, April 2, 1987

"Principales acquisitions des musées en 1987." La chronique des arts: Supplément à la Gazette des beaux-arts, 6th ser., 111, no. 1430 (March 1988) p. 33, no. 193, ill.

"Acquisitions/1987." The J. Paul Getty Museum Journal 16 (1988) p. 161, no. 30.

Salerno, Luigi. I Dipinti del Guercino. (Rome: 1988) pp. 173 (n. 91), 212.

Lombardi, Lidia. "Quel dipinto del Guercino che rivoluzionò un museo." Il Tempo, December 7, 1991

Dal Soglio, Pubblio. "Guercino tra ispirazione e accademia." Città nuova, November 10, 1991

Mahon, Dennis, ed. Giovanni Francesco Barbieri : Il Guercino 1591-1666, exh. cat. (Bologna: Museo Civico Archeologico, 1991) pp. 160-63, no. 56, ill.

Jaffé, David. Summary Catalogue of European Paintings in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997) p. 58, ill.

Brown, Beverly Louise. "The Birth of the Baroque: Painting in Rome 1592-1623." in The Genius of Rome 1592-1623, exhib. cat. (London: 2001) pp. 37-38, 379, cat. no. 9, ill.

The J. Paul Getty Museum Handbook of the Collections. 6th ed. (Los Angeles: J. Paul Getty Museum, 2001) p. 105, ill.

A Private Passion for Renaissance: Important Furniture and Sculpture, Sothey's sale, London, October 29, 2003, lot 44. p. 91.

The J. Paul Getty Museum Handbook of the Collections. 7th ed. (Los Angeles: J. Paul Getty Museum, 2007) p. 103, ill.

Schaefer, Scott. "The Bolognese Baroque in Los Angeles and Southern California." In Captured Emotions: Baroque Painting in Bologna, 1575-1725, exh. cat. Andreas Henning and Scott Schaefer, eds. (Los Angeles: J. Paul Getty Museum, 2008) pp. 44, 112, pl. 14.

Schaefer, Scott. "Bolognese Painters and the Problem of Portraiture." In Captured Emotions: Baroque Painting in Bologna, 1575-1725, exh. cat. Andreas Henning and Scott Schaefer, eds. (Los Angeles: J. Paul Getty Museum, 2008) pp. 39, 44, pl. 14.

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