Sculptural Group of a Seated Poet and Sirens (2) with unjoined fragmentary curls (304)

Object Details


Sculptural Group of a Seated Poet and Sirens (2) with unjoined fragmentary curls (304)




Greek (Tarantine)


Tarentum (Taras), South Italy (Place created)


350 - 300 B.C.


Terracotta with white slip of calcium carbonate and polychromy (orange-gold, black, red, gold-yellow, brown, pink)

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A seated man is flanked by sirens, creatures part bird and part woman, in this nearly life-size terracotta group. In Greek mythology, the singing of the sirens lured sailors to their deaths; thus the creatures have general funerary connotations. The seated man is also a singer, as shown by his open mouth and the pick (plektron) with which he plays his now-missing lyre, once cradled in his left arm. His precise identity, however, is uncertain. He might be Orpheus, who was famous for his singing and who traveled to the land of the dead and was able to return. But in art of this period, Orpheus is usually shown wearing a specific Eastern costume not seen here. Therefore, this man may just be an ordinary mortal, perhaps the deceased, in the guise of a poet or singer.

Originally brightly painted, this large-scale terracotta sculpture is characteristic of the Greek colonies in South Italy. With its funerary imagery, the group may have decorated a tomb. Although terracotta sculpture is also found in mainland Greece, artists in the Greek colonies in South Italy used this medium with greater frequency and on a larger scale because there were few sources of good stone suitable for sculpting.

Related Works
- 1976

Bank Leu, A.G. (Zurich, Switzerland), sold to the J. Paul Getty Museum, 1976.

Education Resources

Education Resource




Giants of the Past

Students create paper sculptures based on Greek and Roman sculptures, and write stories told from the viewpoint of their sculptures.

Visual Arts; English–Language Arts


Three/Five-Part Lesson