The J. Paul Getty Museum

Bacchante with an Ape

Object Details

Title:

Bacchante with an Ape

Artist/Maker:

Hendrick ter Brugghen (Dutch, 1588 - 1629)

Culture:

Dutch

Date:

1627

Medium:

Oil on canvas

Object Number:

84.PA.5

Dimensions:

102.9 × 89.2 cm (40 1/2 × 35 1/8 in.)

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Object Description

A bacchante, follower of Bacchus, the god of wine, leans forward and grins at the viewer while squeezing a bunch of grapes into a golden drinking vessel. Her posture, exposed breasts, flushed cheeks, and inviting smile allude to her drunken state. There is something disturbing, however, in the way she provocatively confronts the viewer, leaning into the spectator's space and smiling broadly. In the lower left corner an ape mimics the woman's gesture, holding a smaller bunch of grapes in his right paw. The ape may serve a moralizing purpose, condemning excessive drinking.

While visiting Rome from about 1604 to 1614, Hendrick ter Brugghen saw the famous Bacchus by Caravaggio from which this classical painting of Bacchus's female follower derives.

Provenance
Provenance
in 19th century -

Litta Collection (Milan, Italy)

- 1889

N. Bianco (Turin, Italy) [sold, Bianco sale, Sambon, Milan, November 25, 1889, lot 8, to Cristoforo Benigno Crespi.]

1889 - after 1914

Commandatore Cristoforo Benigno Crespi, 1833 - 1920 (Milan, Italy) [unsold, Crespi sale, Lair-Dubreuil, Baudoin, Hotel Drouot, Paris, June 6, 1914, lot 79.]

by 1967

R. G. Poletti (Milan, Italy)

by 1968

F. Giordano (Turin, Italy)

by 1969

Botte (Vaduz, Liechtenstein) and Langenegger (Vaduz, Liechtenstein)

by 1975

Rolba Anstalt (Vaduz, Liechtenstein)

- 1984

R. G. Poletti (Lugano, Switzerland), sold to the J. Paul Getty Museum, 1984.

Exhibitions
Exhibitions
Hendrick ter Brugghen und die Malerei in Utrecht (February 11 to April 12, 1987)
  • Herzog Anton Ulrich-Museum (Braunschweig), February 11 to April 12, 1987
Bibliography
Bibliography

Sambon, Milan. Catalogo della Collezione N. Bianco di Torino. November 25 and 26, 1889, p. 11, lot 8, ill.

Houck, Mauritz Ernest. Verslagen en mededeelingen der Vereeniging tot Beoefening van Overijsselsch regt en Geschiedenia (Zwolle: Tijl, 1899), p. 395.

Houck, Mauritz Ernest. "Hendrick Ter Brugghen en zijn 'vier Evangelisten' te Deventer." Eigen haard (1900), p. 520.

Hôtel Drouot, Paris. Catalogue des Tableaux des Écoles Italienne, Allemande, Flamande, Française et Hollandaise et des Sculptures provenant de la Galerie Crespi de Milan. June 6, 1914, p. 43, lot 79, ill.

Baker, C. H. Collins. "Hendrick Terbrugghen and Plein Air." Burlington Magazine 50, no. 289 (April 1927), p. 196.

Devigne, Marguerite. "Un portrait de femme attribué à Hendrik Terbrugghen." Oud Holland 54 (1937), pp. 264-65, fig. 2.

Isarlo, Georges. Caravage et le Caravaggisme européen (Aix-en-Provence: Librairie Dragon, 1941), p. 235.

Nicolson, Benedict. "The Rijksmuseum 'Incredulity' and Terbrugghen's Chronology." Burlington Magazine 98, no. 637 (April 1956), p. 109n29.

Nicolson, Benedict. Hendrick ter Brugghen (London: Lund Humphries, 1958), p. 78, no. A47, pl. 77.

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European Paintings in the Collection of the Worcester Art Museum (Worcester: University of Massachusetts Press, 1974), pp. 104-6.

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