The J. Paul Getty Museum

The Deposition

Object Details

Title:

The Deposition

Artist/Maker:

Follower of Rogier van der Weyden (Netherlandish, 1399/1400 - 1464)

Culture:

Netherlandish

Date:

about 1490

Medium:

Oil on panel

Object Number:

79.PB.20

Dimensions:

61 × 99.7 cm (24 × 39 1/4 in.)

See more

See less

Object Description

Two of Christ's followers, Joseph of Arimathea and Nicodemus, carry his body from the cross to the tomb. Mary, his mother, kneels and pulls her son's face close to hers for one last moment, while Mary Magdalene kneels tearfully at his feet in splendid brocaded robes. Death has transformed Christ's green-tinged, rigid body in horrific detail: his hands are clenched into agonized claws, bloody scars from his Crown of Thorns dot his forehead, and his wounds are graphically evident.

The artist, a follower of Rogier van der Weyden, based this painting on Weyden's altarpiece, now in the Prado in Madrid. As Weyden did, this artist described faces, fabrics, and objects in great detail and arranged the figures as though in a frieze. The shallow space is further limited by the use of the gold-stippled background.

Provenance
Provenance
- 1888

Josef Karl Ritter von Klinkosch, 1822 - 1888 (Vienna, Austria), upon his death, held in trust by the estate.

1888 - 1889

Estate of Josef Karl Ritter von Klinkosch, 1822 - 1888 [sold, Klinkosch sale, Miethke, Vienna, March 2, 1889, lot 16, to Alois Spitzer.]

1889 - 1906

Dr. Alois Spitzer (Vienna, Austria) [sold, Spitzer sale, Wawra, Vienna, January 24, 1906, lot 142.]

-

Ehrendorfer (Vienna, Austria)

- 1978

Private Collection [sold, Sotheby's, London, December 13, 1978, lot 33, to David Carritt, Ltd., and P & D Colnaghi & Co., Ltd., London]

1978 - 1979

David Carritt, Ltd. (London, England; New York, New York) and P. & D. Colnaghi & Co., Ltd., London (L.2075), sold to the J. Paul Getty Museum, 1979.

Bibliography
Bibliography

Miethke, Vienna. Katalog der bedeutenden Sammlung von Oelgemälden, Miniaturen und Antiquitäten aus dem Nachlasse des Herrn Josef Carl Ritter von Klinkosch. April 2, 1889, p. 15, lot 16, ill.

C. J. Wawra, Vienna. Versteigerung der olgemälde und Handzeichnungen moderner und alter Meister, Miniatüren und Antiquitäten des vestorbenen Herrn Dr. Alois Spitzer. January 24, 1906, p. 37, lot 142 (as "Die Beweinung Christi" by Netherlandish Master).

von Frimmel, Theodor. Lexikon der Weiner Gemäldesammlungen (Munich: Georg Müller, 1914), vol. 2, p. 403, no. 16.

Michel, E. "Le Maître de Francfort." Gazette des Beaux-Arts 12, no. 1 (December 1934), p. 242.

Friedländer, Max J. Early Netherlandish Painting. Vol. 2, Rogier van der Weyden and the Master of Flémalle. Heinz Norden, trans. (Leyden: Sijthoff, 1967), pp. 78-79, no. 94c.

Fredericksen, Burton B. Masterpieces of Painting in the J. Paul Getty Museum (Malibu: J. Paul Getty Museum, 1980), unpaginated, no. 24, ill.

Fredericksen, Burton B., Jiří Frel, and Gillian Wilson. The J. Paul Getty Museum Guidebook. 5th ed. (Malibu: J. Paul Getty Museum, 1980), pp. 60-61, ill.

Smith, Alistair. Review of L'Oeuvre de Roger de le Pasture-van der Weyden. Brussels. Burlington Magazine 122, no. 922 (January 1980), p. 91.

Fredericksen, Burton. "A Flemish Deposition of ca. 1500 and Its Relation to Rogier's Lost Composition." The J. Paul Getty Museum Journal 9 (1981), pp. 133-56.

Goddard, Stephen H. "The Master of Frankfurt and His Shop." Ph.D. diss. (University of Iowa, 1983), pp. 144, 146, 147, 416-17, 560-61, no. G107, figs. 211-14.

Goddard, Stephen H. The Master of Frankfurt and His Shop (Brussels: Paleis der Academien, 1984), pp. 91-92, 159, no. 107.

Goddard, Stephen H. "Brocade Patterns in the Shop of Master of Frankfurt: An Accessory to Stylistic Analysis." Art Bulletin 67, no. 3 (September 1985), pp. 403, 406, 416.

Weightman, Christine. Margaret of York, Duchess of Burgundy, 1446-1503 (Gloucester and New York: Alan Sutton and St. Martin's Press, 1989), pp. 71, 184-86, ill.

Hall, Nicholas H. J., ed. Colnaghi in America: A Survey to Commemorate the First Decade of Colnaghi New York (New York: Colnaghi, 1992), p. 130.

Jaffé, David. Summary Catalogue of European Paintings in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997), p. 135, ill.

de Vos, Dirk. Rogier van der Weyden: The Complete Works (Antwerp and New York: Mercatorfonds, with Harry N. Abrams, Inc., 1999), pp. 388-90, ill.

Reynolds, Catherine. "Netherlandish Patterns in Fifteenth-Century Paris: Campin, van der Weyden and the Bedford Workshop." In Von Kunst und Temperament. Festschrift für Eberhard König. Caroline Zöhl and Mara Hofmann, eds. (Turnhout: Brepols, 2007), pp. 218, fig. 3.

Kennedy, Trinita, and John Nolan, eds. A Divine Light: Northern Renaissance Paintings from the Bob Jones University Museum & Gallery, exh. cat. (Nashville: Frist Center for the Visual Arts, 2011), p. 136, under no. 24, fig. 60, entry by Trinita Kennedy.

Woollett, Anne T. "Foreword: Early Netherlandish Painting in the Getty Collection." In Los Angeles Museums, Corpus of Early Netherlandish Painting. Diane Wolfthal and Cathy Metzger (Brussels: Royal Institute for Cultural Heritage, 2014), p. 8.

Wolfthal, Diane, and Cathy Metzger. Los Angeles Museums, Corpus of Early Netherlandish Painting (Brussels: Royal Institute for Cultural Heritage, 2014), pp. 206-21.

Reynolds, Catherine. "Evolution or Derivation [...]." In Rogier van der Weyden y España. Actas del Congreso Internacional. Lorne Campbell and José Pérez Preciado, eds. (Madrid: Museo del Prado, 2016), pp. 88-98, ill.

Tranié, Ghislain. Philippe de Gueldre (1467-1547): "Royne de Sicile" et "povre ver de terre" (Paris: Classiques Garnier, 2018), pp. 113, 597, 561, fig. 5.