The J. Paul Getty Museum

[Arrangement of Specimens]

Object Details

Title:

[Arrangement of Specimens]

Artist/Maker:

Hippolyte Bayard (French, 1801 - 1887)

Culture:

French

Place:

Paris, France (Place Created)

Date:

about 1842

Medium:

Cyanotype

Object Number:

84.XO.968.5

Dimensions:

27.7 × 21.6 cm (10 7/8 × 8 1/2 in.)

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Object Description

Hippolyte Bayard, an early inventor of photography, did not limit himself to using one of the three processes he had devised. As new methods were announced, he frequently explored them. The cyanotype process was invented in 1842 by Sir John Herschel (1792-1871), the eminent British astronomer, mathematician, and chemist. The cyanotype is easily recognized by its distinctive Prussian blue background that is a result of the use of two iron salts: ferric ammonium citrate and potassium ferricyanide. Bayard made this cyanotype without the aid of a camera by laying the various fabrics, plants, and feathers directly on top of a regular piece of writing paper that had been coated with the iron salts and then dried. He probably secured his composition under a piece of glass before placing it out in the sun for five to fifteen minutes. The exposed parts of the paper turned a stunning blue while the parts covered by the objects remained much lighter verging toward white depending on the density of the materials. By washing the sheet of paper in water the developing process was stopped and the image fixed (made permanent).

Bayard was certainly not the only person who saw the potential of the cyanotype process to faithfully record plant specimens. Anna Atkins (1799–1871) and Anne Dixon (1799–1877), avid amateur botanists in England, embraced the process in 1843 and used it over the span of more than a decade to create volumes of images that documented botanical samples from around the world (see 84.XO.227 and 84.XA.1107).

Carolyn Peter, J. Paul Getty Museum, Department of Photographs
2019

Exhibitions
Exhibitions
Experimental Photography: Discovery and Invention (January 17 to April 2, 1989)
  • The J. Paul Getty Museum (Malibu), January 17 to April 2, 1989
Photography Until Now (February 14 to August 19, 1990)
  • The Museum of Modern Art (New York), February 14 to May 29, 1990
  • The Cleveland Museum of Art (Cleveland), June 27 to August 19, 1990
Arrows of Time: Photographs from the J. Paul Getty Museum (January 24 to April 2, 1995)
  • Armand Hammer Museum of Art and Cultural Center at UCLA (Los Angeles), January 24 to April 2, 1995
Photographers of Genius (March 16 to July 25, 2004) (Rotation 1: 3/15/04 - 4/19/04)
  • The J. Paul Getty Museum at the Getty Center (Los Angeles), March 16 to July 25, 2004
Bibliography
Bibliography

Gautrand, Jean-Claude. Hippolyte Bayard: naissance de l'image photographique (Paris: Trois Cailloux, 1986), pl. 2.

The J. Paul Getty Museum Handbook of the Collections. 7th ed. (Los Angeles: J. Paul Getty Museum, 2007), p. 287, ill.