Lesson in which students understand the Age of Exploration and the Scientific Revolution through studying European decorative arts.
Visual Arts; History–Social Science
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Currently on view at: Getty Center, Museum South Pavilion, Gallery S105
Tapestry: Le Cheval rayé from Les Anciennes Indes Series
Woven at Gobelins Manufactory (French, founded 1662 - present)
after a cartoon painted by Albert Eckhout (Dutch, about 1610 - 1665)
and Frans Post (Dutch, 1612 - 1680)
and retouched by Jean-Baptiste Monnoyer (French, 1636 - 1699)
Jean-Baptiste Belin de Fontenay (French, 1653 - 1715)
René-Antoine Houasse (French, about 1644/1645 - 1710)
François Bonnemer (French, 1637 - 1689)
with later additions by Alexandre-François Desportes (French, 1661 - 1743)
Paris, France (Place created)
about 1692 - 1730
Wool and silk; modern cotton lining
330.2 x 574 cm (130 x 226 in.)
Studies made by two Dutch artists during an exploratory expedition to Brazil from 1637 to 1644 were the inspiration for this tapestry. The newly appointed Dutch governor, Prince Johan Maurits of Nassau, led a group of scientists and artists, including Albert Eckhout and Frans Post, to Brazil, where they studied and painted the unusual plant and animal life of this country. Many of the plants, fish, birds, and other animals woven in this hanging can be traced to life studies made by Eckhout and Post in South America. French artists at the Gobelins manufactory, who designed the