The J. Paul Getty Museum

Exhibitions

Musée des arts décoratifs (July 17 to October 1, 1925) (lent by Georges Haardt and Company, Inc.)

• Musée des Arts Décoratifs (Paris), July 17 to October 1, 1925

A Private Exhibition of Beauvais Tapestries (February 21 to February 28, 1926) (lent by Georges Haardt and Company, Inc.)

• The American Art Galleries (New York), February 21 to February 28, 1926

Imagining the Orient (October 5, 2004 to April 3, 2005)

• The J. Paul Getty Museum at the Getty Center (Los Angeles), October 5, 2004 to April 3, 2005

Louis XIV at the Getty (June 9, 2015 to July 31, 2016)

• The J. Paul Getty Museum at the Getty Center (Los Angeles), June 9, 2015 to July 31, 2016

Bibliography

Szeto, Naomi Yin Yin. Fascination and Affinity, The Louvre and the Forbidden City (Hong Kong: Hong Kong Heritage Museum, 2017), pp. 172, 178.

Montié, and de Dion. "Quelque documents sur le Duchépairie de Rambouillet." Mémoirs et documents publiés par la Société archéologique de Rambouillet 7 (1886), pp. 208, 227.

Badin, Jules. La manufacture de tapisseries de Beauvais depuis ses origines jusqu'à nos jours (Paris: Société de propagation des livres d'art, 1909), p. 13.

Hunter, George Leland. The Practical Book of Tapestries (Philadelphia: J. B. Lippincott Company, 1925), p. 162.

A Private Exhibition of Beauvais Tapestries, exh. cat. (New York: Georges Haardt and Co., Inc., 1926), unpaginated.

Szokolny, Dr. "Vom amerikamischen Kunstmarket." Cicerone 18 (1926), pp. 271-72.

Jarry, Madeleine. "Chinoiseries à la mode de Beauvais." Plaisir de France 429 (May 1975), pp. 54-59.

Standen, Edith A. "The Story of the Emperor of China: A Beauvais Tapestry Series." The Metropolitan Museum of Art Journal 12 (1976), pp. 103-17.

Jarry, Madeleine. "La vision de la Chine dans les tapisseries de la manufacture royale de Beauvais: Les premières tentures chinoises." Les Rapports entre la Chine et l'Europe au temps des lumières: actes du IIe colloque international de sinologie, Centre de recherches interdisciplinaire de chantilly (CERIC), 16-18 septembre 1977 (Paris: Belles Lettres, 1980), pp. 173-83.

"Acquisitions/1983." The J. Paul Getty Museum Journal 12 (1984), pp. 261-62, no. 3.

"Some Acquisitions (1983-84) in the Department of Decorative Arts, The J. Paul Getty Museum." The Burlington Magazine 126, no. 975 (June 1984), p. 385.

Wilson, Gillian, Adrian Sassoon, and Charissa Bremer-David. "Acquisitions Made by the Department of Decorative Arts in 1983." The J. Paul Getty Museum Journal 12 (1984), pp. 173-80, no. 1, figs. 3, 7a.

Standen, Edith Appleton. European Post-Medieval Tapestries and Related Hangings in the Metropolitan Museum of Art. 2 vols. (New York: Metropolitan Museum of Art, 1985), vol. 2, pp. 461-68.

Sassoon, Adrian, and Gillian Wilson. Decorative Arts: A Handbook of the Collections of the J. Paul Getty Museum (Malibu: J. Paul Getty Museum, 1986), pp. 99-100, no. 213.

Boccara, Jacqueline. Ames de Laine et de Soie (Saint-Just-en-Chausée: Editions d'art Monelle Hayot, 1988), p. 306.

Boccara, Jacqueline. "Voyages du grand siècle: Tapisseries de Beauvais, de Bruxelles et de Gobelins." Les Antiquaires au Grand-Palais: XIVe biennale internationale (Paris: De Jonckheere, 1988), pp. 112-18.

Coural, Jean, and Chantal Gastinel-Coural. Beauvais: Manufacture nationale de tapisserie (Paris: Centre national des Arts plastiques, with Mobilier national, 1992), p. 24.

Bremer-David, Charissa, et al. Decorative Arts: An Illustrated Summary Catalogue of the Collections of the J. Paul Getty Museum (Malibu: J. Paul Getty Museum, 1993), pp. 167-68, no. 286.

Verbiest, Ferdinand, and Noël Golvers. The Astronomia Europaea of Ferdinand Verbiest, S.J. (Dillingen, 1687) (Nettetal: Steyler Verlag, 1993), p. 9, reproduced in reverse p. 453.

The J. Paul Getty Museum Handbook of the Collections. 4th ed. (Los Angeles: J. Paul Getty Museum, 1997), p. 190.

Masterpieces of the J. Paul Getty Museum: Decorative Arts (Los Angeles: J. Paul Getty Museum, 1997), p. 60, no. 44.

Bremer-David, Charissa. French Tapestries and Textiles in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997), pp. 80-97, no. 9.

Windt, Franziska. "Jean II. Brraband - Bildteppich 'Die Audienz beim Kaiser von China'." Kultur Stiftung der Länder - Patrimonia 182 (2000), pp. 8n5, 15-17.

The J. Paul Getty Museum Handbook of the Collections. 6th ed. (Los Angeles: J. Paul Getty Museum, 2001), p. 190, ill.

Wilson, Gillian, and Catherine Hess. Summary Catalogue of European Decorative Arts in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2001), pp. 146-48, no. 296.

Jolly, Anna. Seidengewebe des 18. Jahrhunderts. Vol. 2, Naturalismus (Riggisberg: Abegg-Stiftung, 2002), p. 25n98.

Woldbye, Vibeke. European Tapestries, 15th - 20th Century, Catalogue of the Collection, The Danish Museum of Art & Design (Copenhagen: The Danish Museum of Art & Design, 2006), p. 76.

The J. Paul Getty Museum Handbook of the Collections. 7th ed. (Los Angeles: J. Paul Getty Museum, 2007), p. 213, ill.

Wilson, Gillian, et al. French Furniture and Gilt Bronzes: Baroque and Régence: Catalogue of the J. Paul Getty Museum Collection (Los Angeles: J. Paul Getty Museum, 2008), p. 376 (app. no. 24-C), ill.

Bremer-David, Charissa. "The Emperor Sailing from The Story of the Emperor of China." European Tapestries in the Art Institute of Chicago, exh. cat. Koenraad Brosens, ed.  (Chicago: The Art Institute of Chicago, with Yale University Press, 2008), pp. 276, 277n24.

Bremer-David, Charissa. "The Tapestry Patronage of Madame de Montespan and Her Family." Tapestry in the Baroque: New Aspects of Production and Patronage. Thomas P. Campbell and Elizabeth A. H. Cleland, eds. (New York: Metropolitan Museum of Art, 2010), pp. 331, 332, 340, nn50-51, fig. 12.

The J. Paul Getty Museum Handbook of the Collections. 8th ed. (Los Angeles: J. Paul Getty Museum, 2015), pp. 266-67, ill.

Johns, Christopher. China and the Church: Chinoiserie in Global Context (Oakland: University of California Press, 2016), p. 84, fig. 25.

Reyniès, Nicole de and Clotilde Roy. "La Tapisserie en France au Grand Siècle: Un Âge d'Or de Culture et de Gloire." Du Moyen Âge à Nous Jours, La Tapisserie Française. Benoît-Henry Papounaud, ed. (Paris: Éditions du patrimoine, Centre des mounments nationaux, 2017), pp. 166, 331nn568 and 574.

Wang, Ching-Ling, "De Nederlandse ambassade naar het hof van keizer Kangxi in 1667." In Barbaren & Wijsgeren: Het beeld van China in de Gouden Eeuw. Thijs Weststeijn and Menno Jonker, eds. (Nijmegen: Uitgeverij Vantilt, 2017), pp. 39-40, 42, ill. fig. 1.

Knothe, Florian, Pascal-François Bertrand, et al. Imagining Qianlong: Louis XV's Chinese Emperor Tapestries and Battle Scene Prints at the Imperial Court in Beijing (Hong Kong: University Museum and Art Gallery, The University of Hong Kong, 2017), pp. 4-6, ill fig 2.

Education Resources

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