Diana and Her Nymphs on the Hunt

Object Details


Diana and Her Nymphs on the Hunt


Workshop of Peter Paul Rubens (Flemish, 1577 - 1640)




1627 - 1628


Oil on canvas


237.5 x 183.8 cm (93 1/2 x 72 3/8 in.)

Credit Line:

Gift of J. Paul Getty

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The robust figure of Diana strides into the foreground, swathed in a blood-red robe and clasping a spear behind her back. Much activity surrounds her: a dog jumps up at her side and a satyr tries to steal a kiss from one of her nymphs as another figure shouts behind him. The rhythmic composition, colors, and textures create a lifelike sensuousness, demonstrating the Flemish painter's mastery of Venetian color and his study of Roman art.

Peter Paul Rubens ran a prolific workshop and was able to meet the demand for his pictures by using assistants extensively. Images like this one were designed by Rubens, painted by the assistants, and given finishing touches by the master.

by 1642 - 1655

Diego Messía Felípez de Guzmán, marqués de Leganés, died 1655 (Madrid, Spain), by inheritance within the Felípez de Guzman family, 1655.

1655 - 1711

Felípez de Guzmán Family, by inheritance to Vicente Pío Osorio de Moscoso, 1711.

1711 - early 19th century

Vicente Pío Osorio de Moscoso, count of Altamira (Madrid, Spain), sold to José de Madrazo y Agudo.

early 19th century - still in 1856

José de Madrazo y Agudo, 1781 - 1859 (Madrid, Spain)

duke of Salamanca

about 1870 - 1951

Roblot (possibly Paris, France)

- 1961

Mme Jean Néger (Paris, France), sold to J. Paul Getty, 1961.

1961 - 1971

J. Paul Getty, American, 1892 - 1976 (Malibu, California; Sutton Place, Surrey, England), donated to the J. Paul Getty Museum, 1971.

Le Siècles de Rubens (October 12 to December 12, 1965) (202)
  • Musées Royaux des Beaux-Arts de Belgique, (Brussels), October 12 to December 12, 1965
The J. Paul Getty Collection (June 29 to September 3, 1972) (Cat. 47)
  • The Minneapolis Institute of Arts, (Minneapolis), June 29 to September 3, 1972

Volk, Mary Crawford. "On the Collection of the Marquis of Leganès in 1642: 'One of the Greatest Connoisseurs of this Age.'" Unpublished manuscript. n.d. pp. 7-14, part III, no. 214.

Inventory of Marquis de Leganés. (Madrid: 1642 & 1655) no. 214. possession of Archivio de Protocolos, Madrid.

De Guzman, Jose. Catologo de Galeria de Cuadros. (Madrid: 1856) p. 140, no. 581.

Rooses, Max. "La Galerie du Marquis de Léganès." Rubens-Bulletin, 5. (1897) p. 169, no. 214.

Neger, J. "The Biggest Scandal Since the Fake Vermeer." (April 10, 1960)

Walter, Richard. "The £250,000 riddle of the two 'Rubens'." Sunday Express. (December 31, 1961) ill.

Clovis, Christopher. "Which is the 'Real' Rubens?" Sunday Times (August 4, 1962) p. 18, ill.

"Expert's verdict deepens big art mystery." Daily Express. (January 1, 1962) ill.

"Rival Rubens dispute." Daily Telegraph & Morning Post. (January 1, 1962) ill.

Jaffé, Michael, and Julius Held. Illustrated London News. (January 20, 1962) p. 99, ill.

Knox, Sanka. "Getty and a Museum Both Say They Own Real 'Diana'." New York Times. (January 9, 1962) p. 44.

"The Dilemma of Diana's Double." Life International. (February 12, 1962) pp. 93-96, ill., pp. 93-95.

Navío, José López. "La Gran Colección de pinturas del Marquis de Leganés." Analecta Calasanctiana, 4, nos. 7-8. (1962) p. 278.

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Rydon, John. "End art riddle, asks oil man." Daily Express. (January 1, 1962)

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Gerson. Review of Brussels exh. Kunst-Chronik, 19. (March 1966) pp. 61-62.

Fredericksen, Burton B. Catalogue of the Paintings in the J. Paul Getty Museum (Malibu: J. Paul Getty Museum, 1972) pp. 66, 68, no. 83.

The J. Paul Getty Collection, exh. cat. (Minneapolis: The Minneapolis Institute of Arts, 1972) unpaginated, no. 47, ill.

Diaz-Padrón, Matías. Museum del Prado: Catálogo de Pinturas: I-Escuela Flamenca Siglo XVII. (Madrid: 1975) p. 297, cited under no. 1727.

Fredericksen, Burton B., ed. The J. Paul Getty Museum: Greek and Roman Antiquities, Western European Paintings, French Decorative Arts of the Eighteenth Century (Malibu: J. Paul Getty Museum, 1975) pp. 70, 108-9, ill.

Fredericksen, Burton B., et al. Guidebook: The J. Paul Getty Museum. 3rd ed. (Malibu: J. Paul Getty Museum, 1976) p. 67.

Fredericksen, Burton B., Jírí Frel, and Gillian Wilson. Guidebook: The J. Paul Getty Museum. 4th ed. Sandra Morgan, ed. (Malibu: J. Paul Getty Museum, 1978) p. 84.

Grzybkowska, Teresa. Rubens, Niderlandy i Polska. (Muzeum Sztuki w Lodzi: 1978) p. 146, fig. 129.

Adler, Wolfgang. Jan Wildens: Der Landschafts miarbeiter des Rubens. (Fridingen: 1980) no. G.34.

Fredericksen, Burton B., et al. The J. Paul Getty Museum Guidebook. 5th ed. (Malibu: J. Paul Getty Museum, 1980) p. 74.

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Bleyl, Matthias. "'Dianas Heimkehr von der Jadg' von P.P. Rubens-Zur Problematik nachträglicher Format-veränderungen." Kunst in Hessen und am Mittelrhein, 21. (1982) p. 60, note 26.

European Painting of the 16th, 17th, and 18th Centuries: The Cleveland Museum of Art Catalogue of Painting, Part Three. (Cleveland: 1982) pp. 30-31, ill.

Fels, Thomas Weston. "Student & Teacher: An Interview with John Walsh & Julius Held." The Print Collector's Newsletter 21. (November-December 1990) p. 172.

The Connoisseur 161, no. 674 (January 1966) p. 47, ill.

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Daily, Michael. Artwatch UK (Spring 2006), no. 21. pp. 12-13.