Paris: Life & Luxury (April 26, 2011 to January 2, 2012) (16)
- The J. Paul Getty Museum at the Getty Center (Los Angeles), April 26 to August 7, 2011
- Museum of Fine Arts, Houston, September 18, 2011 to January 2, 2012
This image is available for download, without charge, under the Getty's Open Content Program.
Open Content images tend to be large in file-size. To avoid potential data charges from your carrier, we recommend making sure your device is connected to a Wi-Fi network before downloading.
Getty Center, Museum South Pavilion, Gallery S105
Mantel Clock (Pendule)
Paris, France (Place created)
about 1715 - 1725
Oak veneered with tortoise shell, blue-painted horn, brass, and ebony; enameled metal; gilt bronze mounts
101 × 46 × 28.6 cm (39 3/4 × 18 1/8 × 11 1/4 in.)
The figures on this clock represent Love conquering Time, a theme often repeated on French clocks of the early 1700s. The
While the clock's dial appears to be contemporary with the case, the movement is not. The blank gilt-bronze cartouche beneath the face may once have held an enamel plaque inscribed with the name of the original movement maker. Later in the eighteenth-century, Paul Gudin set the present movement in the case and painted his name on the enamel dial.
Fredericksen, Burton B., ed. The J. Paul Getty Museum: Greek and Roman Antiquities, Western European Paintings, French Decorative Arts of the Eighteenth Century (Malibu: J. Paul Getty Museum, 1975), p. 150, ill.
Wilson, Gillian. "The J. Paul Getty Museum: 6ème partie: Les Meubles Baroques.'" Connaissance des arts 279 (May 1975), p. 106, ill.
Wilson, Gillian. French Eighteenth-Century Clocks in the J. Paul Getty Museum (Malibu: J. Paul Getty Museum, 1976), pp. 22-25, no. 4.
Wilson, Gillian. Decorative Arts in the J. Paul Getty Museum (Malibu: J. Paul Getty Museum, 1977), p. 16, no. 17.
Miller, Carole Ann Lyons. "Clockwise Special Report: The J. Paul Getty Museum." Clockwise (August 1979), pp. 15-21, fig. 4.
Smith, Alan, ed. The Country Life International Dictionary of Clocks (New York, 1979), p. 90, fig. 6.
Edey, Winthrop. French Clocks in North American Collections (New York, 1982), p. 46, no. 38.
Schwartz, Marvin D. "Boulle Furniture." Art and Antiques 6 (April 1983), p. 75, ill.
Edey, Winthrop. "Time for Boulle." House and Garden (March 1985), p. 82, ill.
Ottomeyer, Hans, and Peter Pröschel, eds. Vergoldete Bronzen: Die Bronzearbeiten des Spätbarock und Klassizismus. 2 vols. (Munich: Klinkhardt & Biermann, 1986), vol 1 (1986), p. 40, fig. 1.2.5, ill.
Sassoon, Adrian, and Gillian Wilson. Decorative Arts: A Handbook of the Collection of the J. Paul Getty Museum (Malibu: J. Paul Getty Museum, 1986), p. 36, no. 78.
Ronfort, Jean-Nérée. "André-Charles Boulle: die Bronzearbeiten und seine Werkstatt im Louvre." In Vergoldete Bronzen: Die Bronzearbeiten des Spätbarock und Klassizismus. Hans Ottomeyer and Peter Pröschel, eds. 2 vols. (Munich: Klinkhardt & Biermann, 1986), vol. 1, p. 40; vol. 2, p. 478.
Harwood, Buie, Bridget May, and Curt Sherman. Architecture and Interior Design through the 18th Century: An Integrated History (Upper Saddle River: Prentice Hall, 2002), p. 392, no. 23.12, pl. 56.
Wilson, Gillian, et al. French Furniture and Gilt Bronzes, Baroque and Régence, Catalogue of the J. Paul Getty Museum Collection (Los Angeles: J. Paul Getty Museum, 2008), p. 370, app. no. 7.
Scott, Katie. "Figure and Ornament: Note on the Late Baroque Art Industry." In Taking Shape: Finding Sculpture in the Decorative Arts, exh. cat. Martina Droth et al., eds. (Leeds: Henry Moore Institute; Los Angeles: J. Paul Getty Museum, 2009), p. 169, fig. 2.
Bremer-David, Charissa, ed. Paris: Life & Luxury in the Eighteenth Century, exh. cat. (Los Angeles: The J. Paul Getty Museum, 2011), pp. 24-25, 118, no. 16.