Private Collection (France), sold to Giovanni Salocchi, 1969.
Giovanni Salocchi (Florence, Italy), sold to the J. Paul Getty Museum, 1969.
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Allegory of Magnanimity
Luca Giordano (Italian (Neapolitan), 1634 - 1705)
Oil on canvas
180.3 × 180.3 cm (71 × 71 in.)
Magnanimity, or greatness of soul, is the moral virtue of bearing adversity with tranquility and equanimity. This female personification wears an imperial crown and a gold brocade cloak lined with royal ermine to indicate the nobility of her disposition.
Two flying putti proffer another crown and a scepter, the symbol of Magnanimity's power to execute her noble thoughts, while the lion at her feet alludes to her fearlessness. At left, a putto prepares to empty a cornucopia (horn of plenty), evoking her generosity and disregard for material rewards and personal advantage.
Waterhouse, Ellis Kirkham. Notebooks. Vol. 58 (Los Angeles: Getty Research Institute) accession no. 870204, p. 223 (Dec. 10, 1970).
"Recent Accessions of American and Canadian Museums, April-June 1971." The Art Quarterly 34, no. 4 (1971), p. 498.
The J. Paul Getty Collection, exh. cat. (Minneapolis: Minneapolis Institute of Arts, 1972), unpaginated, no. 31, ill.
Fredericksen, Burton B., ed. The J. Paul Getty Museum: Greek and Roman Antiquities, Western European Paintings, French Decorative Arts of the Eighteenth Century (Malibu: J. Paul Getty Museum, 1975), p. 100, ill.
Fredericksen, Burton B., et al. Guidebook: The J. Paul Getty Museum. 3rd ed. (Malibu: J. Paul Getty Museum, 1976), p. 63.
Tomory, Peter. Catalogue of the Italian Paintings before 1800, The John and Mable Ringling Museum of Art (Sarasota: The John and Mable Ringling Museum of Art,1976), pp. 151, 153.
Ferrari, Oreste, and Giuseppe Scavizzi. Luca Giordano: L'opera completa (Naples: Electa, 1992), vol. 1, p. 291, no. A243b.
Ferrari, Oreste, and Giuseppe Scavizzi. Luca Giordano: L'opera completa (Naples: Electa, 1992), vol. 2, p. 591, fig. 323.