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Currently on view at: Getty Center, Museum South Pavilion, Gallery S110; Not currently on view
Tray (plateau Courteille ou de chiffonière)
Carcass by an imitator of Bernard II van Risenburgh (French, after 1696 - about 1766, master before 1730)
Porcelain painted by Charles-Nicolas Dodin (French, 1734 - 1803, active at Sèvres, France from 1754)
copied from an engraving by André Laurent (1708 - 1747)
Sèvres Manufactory (French, active 1756 - present)
Sèvres France Paris France (Place created)
table about 1900; plaque 1761
Painted oak carcass, with a top [removed] of soft paste porcelain, with a pink ground, polychrome enamel decoration and gilding; gilt bronze mounts
67 x 34.6 x 28.3 cm (26 3/8 x 13 5/8 x 11 1/8 in.)
Gift of J. Paul Getty
In 1758 the Sèvres
The Sèvres artist Charles-Nicolas Dodin copied the scene from a painting by François Boucher onto the plaque. The original painting was set into wood paneling above a door in an important Parisian townhouse, the Hôtel de Soubise. It became one of Boucher's most popular scenes in the 1700s, known through many prints that circulated widely throughout Europe.
Possibly Miss H. Cavendish-Bentinck [offered for sale, Christie's, London, March 3, 1893, lot 123, unsold]
Possibly John Cockshut [sold posthumously, Christie's, London, March 11, 1913, lot 92, to Harding]
Unknown, mounted to a table bearing the false stamp B.V.R.B.
Private Collection (England)
Rosenberg & Stiebel, Inc. (New York City, New York), sold to J. Paul Getty, 1949.
1949 - 1970
J. Paul Getty, American, 1892 - 1976, donated to the J. Paul Getty Museum, 1970. Plaque removed from table in 1991.
Getty, J. Paul, and Ethel Le Vane. Collector's Choice: The Chronicle of an Artistic Odyssey through Europe (London: W. H. Allen, 1955) pp. 77, 145-47, 167, 171 and ill. between pp. 176-77.
Wescher, Paul. "French Furniture of the Eighteenth Century in the J. Paul Getty Museum." Art Quarterly 18, no. 2 (Summer 1955) p. 121, ill. p. 129, no. 1.
"Vingt Mille Lieues dans les musées." Connaissance des arts no. 57 (November 1956) pp. 76-81, ill.
Verlet, Pierre, et al. Chefs d'oeuvre de la collection J. Paul Getty (Monaco, 1963) p. 118, ill.
Dauterman, C.C., J. Parker, and Edith A. Standen. Decorative Art from the Samuel H. Kress Collection at the Metropolitan Museum of Art (London, 1964) p. 165.
Getty, J. Paul. The Joys of Collecting (New York: Hawthorn Books, Inc., 1965) p. 148, ill.
Watson, Francis J.B. The Wrightsman Collection (New York, 1966) vol. 1, no. 3, p. LVII.
Huth, Hans. Lacquer of the West: The History of a Craft and an Industry, 1550-1950 (Chicago and London, 1971) pp. 93, 145, fig. 231.
Sassoon, Adrian. "New Research on a Table Stamped by Bernard van Risenburgh." The J. Paul Getty Museum Journal 9 (1981) pp. 167-74, figs. 1-5, 8, 9.
Guillemé-Brulon, Dorothée. "Un décor pour les meubles." L'Estampille 165 (January 1984) p. 28.
Laing, Alastair, et al. François Boucher, 1703-1770, exh. cat. (New York: The Metropolitan Museum of Art, 1986) pp. 354-55, no. 97.
Sassoon, Adrian, and Gillian Wilson. Decorative Arts: A Handbook of the Collection of the J. Paul Getty Museum (Malibu: J. Paul Getty Museum, 1986) p. 35, no. 75.
Savill, Rosalind. The Wallace Collection: Catalogue of the Sèvres Porcelain (London, 1988) vol. 1, pp. 354-55, vol. 2, p. 812, n. 2f.
Kjellberg, Pierre. Le Mobilier français du XVIIIe siècle: Dictionnaire des ébénistes et des menuisiers (Paris: Editions de l'Amateur, 1989) p. 139.