The J. Paul Getty Museum

Jules Janin

Object Details


Jules Janin


Nadar [Gaspard Félix Tournachon] (French, 1820 - 1910)




Paris, France (Place Created)




Salted paper prints from glass negative

Object Number:



24.7 × 18.4 cm (9 3/4 × 7 1/4 in.)

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Object Description

Often referred to as the prince of critics, theater critic, novelist, and literary historian Jules Janin was an amazingly prolific French writer of the mid-1800s, now all but forgotten. In conversation he attributed his forty-year success to his having changed his mind every fifteen days, thus continuing to surprise the attentive audience of his weekly theatrical reviews.

Scholars are undecided regarding the authorship of this portrait. For a brief period, Nadar and his brother Adrien Tournachon worked together in the latter's studio in the boulevard des Capucines. Three photographs of Janin wearing these clothes appear to have been made at a single sitting during this period. The three prints suggest a sequence of events in which Janin posed first for Adrien, then for both Adrien and Nadar, and then finally for Nadar alone. Janin's expression becomes progressively less friendly, perhaps due to a quarrel between him and Nadar or perhaps because his gout was troubling him. Nadar inscribed this print with Janin's name; it is probably the middle picture in the series, made by the brothers in collaboration.


Samuel Wagstaff, Jr., American, 1921 - 1987, sold to the J. Paul Getty Museum, 1984.

Nadar/Warhol: Paris/New York (July 20, 1999 to May 28, 2000)
  • The J. Paul Getty Museum at the Getty Center (Los Angeles), July 20 to October 10, 1999
  • The Andy Warhol Museum (Pittsburgh), November 6, 1999 to January 30, 2000
  • The Baltimore Museum of Art (Baltimore), March 12 to May 28, 2000
Real / Ideal: Photography in France, 1847-1860 (August 30 to November 27, 2016)
  • The J. Paul Getty Museum at the Getty Center (Los Angeles), August 30 to November 27, 2016

Baldwin, Gordon, and Judith Keller. Nadar Warhol: Paris New York: Photography and Fame. Introduction by Richard Brilliant. (Los Angeles: J. Paul Getty Museum, 1999), p. 102.