A Criminal Case

Object Details

Title:

A Criminal Case

Artist/Maker(s):

Honoré Daumier (French, 1808 - 1879)

Culture:

French

Place(s):

France (Place created)

Date:

about 1865

Medium:

Watercolor and gouache with pen and brown ink and black chalk

Dimensions:

38.4 x 32.5 cm (15 1/8 x 12 13/16 in.)

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An astute observer of human nature and an often biting satirist, Honoré Daumier here masterfully employed watercolor to illustrate the foibles of the French judicial system. Poverty forced Daumier to begin work at an early age; he once took a job as a messenger for the city's law courts, where he was exposed to the complexities and inequities of the legal system. The strong, dramatic, diagonal of this composition focuses the viewer on the accused murderer. He leans over the dock to consult with his lawyer, who clearly controls the exchange, raising his right hand and seizing a sheaf of papers for reference. In contrast to the well-groomed and elegant lawyer, the criminal is wild-eyed and coarse. In the background a guard stands stiffly, oblivious to the exchange before him. In the gray courtroom, the empty space behind the guard suggests an air of anxiousness and uncertainty.

Provenance

Charles de Bériot (Paris)

Madame Albert Esnault-Peleterie (Paris)

Gustave Menuié (Paris)

Art Market (London)

Exhibitions
Exposition des peintures et dessins de H. Daumier (1878)
  • Durand-Ruel & Cie, (Paris), 1878, (Cat. 225)
Exposition internationale universelle de 1900 (April 15 to November 12, 1900)
  • Exposition universelle de 1900, (Paris), April 15 to November 12, 1900, (Cat. 847)
Daumier: Peintures, aquarelles, dessins (1934)
  • Galeries nationales du Grand Palais, (Paris), 1934, (Cat. catalogue by C. Sterling 136)
Réhabilitation du sujet (November 17 to December 9, 1934)
  • Galerie A. Seligmann, (Paris), November 17 to December 9, 1934, (Cat. 79)
Daumier 1808-1879 (1937)
  • Philadelphia Museum of Art, (Philadelphia), 1937, (Cat. catalogue by E. van Hook 35)
French Master Drawings (December 3, 1991 to February 16, 1992)
  • The J. Paul Getty Museum, (Malibu), December 3, 1991 to February 16, 1992, (Cat.)
Daumier Drawings (November 17, 1992 to January 17, 1993)
  • Städtische Galerie im Städelsches Kunstinstitut, (Frankfurt), November 17, 1992 to January 17, 1993, (Cat. catalogue by C. Ives, M. Stuffman and M. Sonnabend 85)
Drawings from the J. Paul Getty Museum (May 24 to August 8, 1993)
  • The Metropolitan Museum of Art, (New York), May 24 to August 8, 1993, (Cat. 36)
Drawings from the J. Paul Getty Museum (October 29, 1993 to January 23, 1994)
  • Royal Academy of Arts (London), October 29, 1993 to January 23, 1994, (Cat. 102)
The Compositional Drawing from the 16th to the 19th Century (April 16 to June 30, 1996)
  • The J. Paul Getty Museum, (Malibu), April 16 to June 30, 1996, (Cat.)
Master Drawings from the J. Paul Getty Museum (December 16, 1997 to February 22, 1998)
  • The J. Paul Getty Museum at the Getty Center, (Los Angeles), December 16, 1997 to February 22, 1998, (Cat.)
Daumier, 1808-1879 (June 11, 1999 to May 14, 2000)
  • Galeries nationales du Grand Palais, (Paris), October 5, 1999 to January 3, 2000, (Cat. catalogue by H. Loyrette et. al. 281)
The Prismatic Palette: Four Centuries of Watercolors (October 5, 2004 to January 2, 2005)
  • The J. Paul Getty Museum at the Getty Center, (Los Angeles), October 5, 2004 to January 2, 2005, (Cat.)
Defining Modernity: European Drawings 1800-1900 (June 5 to September 9, 2007)
  • The J. Paul Getty Museum at the Getty Center, (Los Angeles), June 5 to September 9, 2007, (Cat.)
A Light Touch: Exploring Humor in Drawing (September 23 to December 7, 2008)
  • The J. Paul Getty Museum at the Getty Center, (Los Angeles), September 23 to December 7, 2008, (Cat.)