Noir: The Romance of Black in 19th Century French Drawings and Prints (February 9 to May 15, 2016)
- The J. Paul Getty Museum at the Getty Center (Los Angeles), February 9 to May 15, 2016
This image is available for download, without charge, under the Getty's Open Content Program.
Open Content images tend to be large in file-size. To avoid potential data charges from your carrier, we recommend making sure your device is connected to a Wi-Fi network before downloading.
Not currently on view
Odilon Redon (French, 1840 - 1916)
France (Place created)
Charcoal, powdered charcoal, and yellow pastel, with stumping on brown wove paper, fixed from the recto and verso
52.5 × 37.3 cm (20 11/16 × 14 11/16 in.)
This is one of Odilon Redon's noirs, charcoal drawings that he made over several decades in the late 1800s and so named for their dark tones and mysterious, often nightmarish, imagery.
Here, strong black strokes of charcoal cover much of the warm-toned paper, creating an atmosphere of primordial gloom. From this dark void the capped head of a bearded figure appears. A strong, supernatural light emanates from him, and yet his eyes are cast in mysterious shadow. He smiles slightly.
Rays of light shine down from an orb above the figure's head; the orb is shaped like a thought-bubble that seems to connote thoughts or imagination--or put more abstractly, the cerebral act that precedes creation. And perhaps creation is what the artist has implied here: the first passages in the book of Genesis that describe God's creation of heaven and earth and the division of day from night.
On the other hand, the drawing's imagery is subtle and obtuse. Like a dream, the elements cannot add up to a purely rationalized experience.
Art + Ideas Podcast: Lee Hendrix on Noir