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The Coronation of the Virgin
Jean Bourdichon (French, 1457 - 1521, active Tours, France, early 1480s - 1521)
about 1480 - 1485
Tempera colors, gold, and ink on parchment
Leaf: 16.4 x 11.6 cm (6 7/16 x 4 9/16 in.)
At the top of the arched frame, God the Father offers his blessing from heaven and displays an orb, the symbol of his universal dominion. Below, an assembly of angels bears witness as the Virgin is crowned
In this miniature Jean Bourdichon displayed his knowledge of the principles of Italian Renaissance painting, including the sophisticated use of symmetry and geometry for the composition. Bourdichon arranged the angels at the feet of the Virgin in an ellipse, but to offset the composition's symmetry, he twisted the axis of the crowning angels, further emphasizing the illusion of receding space. In this miniature, Bourdichon represented the divine light emanating from the Virgin as visible rays, which then softly model the draperies of the two angels and the faces of those below.
Fouquet's Century: Transformations in French Painting, 1415-1530 (April 26 to July 10, 1994)
- The J. Paul Getty Museum, (Malibu), April 26 to July 10, 1994
Masterpieces of Medieval and Renaissance Manuscript illumination (December 16, 1997 to March 22, 1998)
- The J. Paul Getty Museum at the Getty Center, (Los Angeles), December 16, 1997 to March 22, 1998