Open Content images tend to be large in file-size. To avoid potential data charges from your carrier, we recommend making sure your device is connected to a Wi-Fi network before downloading.
This image is available for download, without charge, under the Getty's Open Content Program.
Not currently on view
Miniature from The Miracles of Our Lady
Tempera colors and gold paint on parchment
Leaf: 13.2 x 17.8 cm (5 3/16 x 7 in.)
This miniature originally appeared in a manuscript expressly created for Philip the Good, the duke of Burgundy that consists of a compilation of accounts of the miracles of the Virgin Mary. Philip was a highly successful political leader of his day as well as an important and influential patron of manuscript illumination. The witty scene illustrates a noblewoman's endeavor to deal with her husband's Christian mistress. In the chapel at right, the wife of the adulterous knight prays for the Virgin Mary to avenge her by punishing the mistress. However, Mary refuses the request on account of the adulteress's deep devotion to her. Subsequently when wife and mistress encounter one another in the street the mistress is so embarrassed--she falls to her knees--she promises to give up the husband. Meanwhile the wayward husband cowers behind the chapel. Given the duke's own serial philandering--he fathered several dozen children outside his marriage and relatively few within it--one cannot help but wonder how he responded to this moralizing tale.
The miniature is painted entirely in grey tones, a technique called grisaille, popular in the later Middle Ages. Despite the lack of color, the illuminator, Lieven van Lathem, vividly evokes the buildings and cobblestone streets of a prosperous Netherlands town such as Ghent where van Lathem, the court painter of Philip the Good, resided.
Building the Medieval World: Architecture in Illuminated Manuscripts (March 2 to May 16, 2010) (recto)
- The J. Paul Getty Museum at the Getty Center, (Los Angeles), March 2 to May 16, 2010
Illuminated Manuscripts from Belgium and the Netherlands (August 24, 2010 to February 6, 2011) (b: recto)
- The J. Paul Getty Museum at the Getty Center, (Los Angeles), August 24, 2010 to February 6, 2011
The Art of Devotion in the Middle Ages (August 28, 2012 to February 5, 2013) (recto)
- The J. Paul Getty Museum at the Getty Center, (Los Angeles), August 28, 2012 to February 5, 2013
Omont, Henri. Miracles de Notre-Dame (Paris: Berthaud, 1906), vol. 2.
Winkler, Friedrich. Die flämische Buchmalerei des XV. und XVI. Jahrhunderts (Leipzig: Verlag von E. A. Seemann, 1925), pp. 90, 193 [as by the Master of the Golden Fleece who today is recognized as Liévin van Lathem].
de Laborde, Alexandre. Les Miracles de Nostre-Dame (Paris, 1929), vol. 1, pp. 33-60 [as by the Master of the Golden Fleece]; vol. 2, pls. XIX-LXXXIV.
Gaspar, Camille, and Frederik Lyna. Philippe le Bon et ses Beaux Livres (Brussels, 1944), pp. 30-31, pls. XXVII-XXX.
Delaissé, Léon Marie Joseph. Le Siècle d'Or de la miniature Flamande: Le méçénat de Philippe le Bon, exh. cat. (Brussels: Palais des Beaux-Arts, 1959), no. 98, pl. 39 [as by Jean Tavernier under the influence of van Lathem].
Sciacca, Christine. Building the Medieval World (Los Angeles: J. Paul Getty Museum; London: The British Library, 2010), pp. 16-17, fig. 12.
Kren, Thomas. Illuminated Manuscripts from Belgium and the Netherlands in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2010), pp. 16-18, 37, 64, ill.