La Vision de l'âme de Guy de Thurno

Object Details

Title:

La Vision de l'âme de Guy de Thurno

Artist/Maker(s):

Simon Marmion (Flemish, active 1450 - 1489)

and David Aubert (Flemish, active 1453 - 1479)

Culture:

Flemish

Place(s):

Valenciennes France Ghent Belgium (Place created)

Date:

1475

Medium:

Tempera colors, gold, and ink on parchment bound by Trautz-Bauzonnet between pasteboard covered with modern brown morocco

Dimensions:

Leaf: 36.4 x 25.7 cm (14 5/16 x 10 1/8 in.)

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The Vision of the Soul of Guy de Thurno is a French translation of a Latin text that discusses Church doctrine on purgatory (in French, the title is La Vision de l'ame de Guy de Thurno). Guy de Thurno was a wealthy citizen of Verona who died and then returned to earth in spirit form to haunt his widowed spouse. She turns to a local priest for help, and a dialogue between the priest and the ghost on the nature of the afterlife results.

A single illumination by the renowned Flemish artist Simon Marmion decorates this copy of the text. It shows the priest and the widow, along with four other men, grouped around an empty central space occupied by Guy's ghost. The bystanders look uneasy as the priest actively debates with the unseen spirit. The manuscript was commissioned by Margaret of York, duchess of Burgundy, as a companion piece to her illuminated Visions of the Knight Tondal, also in the Getty collection, which concerns heaven and hell.

Related Works
Exhibitions
Illuminated & Calligraphic Manuscripts (February 14 to April 1, 1955) (no. 89; fols. 6v-7)
  • Houghton Library, Harvard University, (Cambridge), February 14 to April 1, 1955
Le Siècle d'Or de la Miniature Flamande: Le Méçénat de Philippe le Bon (1959) (no. 191; fols. 6v-7)
  • Palais des beaux-arts (Brussels), 1959
Two Thousand Years of Calligraphy (June 6 to July 18, 1965) (no. 35; fols. 6v-7)
  • Walters Art Museum, (Baltimore), June 6 to July 18, 1965
Illuminated Flemish Manuscripts of the Late Middle Ages (July 26 to October 16, 1988) (fol. 7)
  • The J. Paul Getty Museum, (Malibu), July 26 to October 16, 1988
Vie a mon desir: Illuminated Manuscripts and Their Patrons (April 18 to July 2, 1989) (fols. 6v - 7)
  • The J. Paul Getty Museum, (Malibu), April 18 to July 2, 1989
Recent Acquisitions of Illuminated Manuscripts, 1984-1989 (July 17 to September 30, 1989) (fols. 6v - 7)
  • The J. Paul Getty Museum, (Malibu), July 17 to September 30, 1989
"The Visions of Tondal" and Manuscripts from the Time of Margaret of York (April 17 to July 1, 1990) (fols. 6v - 7)
  • The J. Paul Getty Museum, (Malibu), April 17 to July 1, 1990
Illuminated Devotional Manuscripts (October 16 to December 30, 1990) (fols. 6v - 7)
  • The J. Paul Getty Museum, (Malibu), October 16 to December 30, 1990
Manuscripts and Americans: An Exhibition in Honor of Franklin D. Murphy (July 21 to October 18, 1992) (fols. 6v - 7)
  • The J. Paul Getty Museum, (Malibu), July 21 to October 18, 1992
Fouquet's Century: Transformations in French Painting, 1415-1530 (April 26 to July 10, 1994) (fols. 6v - 7)
  • The J. Paul Getty Museum, (Malibu), April 26 to July 10, 1994
Devotion and Desire: Views of Women in the Middle Ages and Renaissance (July 25 to October 8, 1995) (fols. 6v - 7)
  • The J. Paul Getty Museum, (Malibu), July 25 to October 8, 1995
Flemish Illumination of the Late Middle Ages (November 3, 1998 to January 17, 1999) (fols. 6v - 7)
  • The J. Paul Getty Museum at the Getty Center, (Los Angeles), November 3, 1998 to January 17, 1999
Illuminating the Renaissance: The Triumph of Flemish Manuscript Painting in Europe (June 17, 2003 to February 22, 2004) (13; fols. 6v - 7: A Monk and Guy's Widow conversing with the Soul of Guy de Thurno)
  • The J. Paul Getty Museum at the Getty Center, (Los Angeles), June 17 to September 7, 2003
  • Royal Academy of Arts (London), November 29, 2003 to February 22, 2004