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Bible Historiale, 2 vols.
Paris, France (Place Created)
Tempera on parchment
Leaf: 35 × 26 cm (13 3/4 × 10 1/4 in.)
Compiled at the end of the 1200s by Guiart des Moulins and subsequently expanded, the Historical
Nicolas d'Oresme, French, died 1382
Charles-Henri de Clermont-Tonnerre, duke, French, 1571 - 1640
Source: Metal medallion on manuscript binding with the Clermont-Tonnerre coat-of-arms
possibly late 17th century
Possibly Guillaume de Lamoignon, French, 1617 - 1677
Chrétien-François II de Lamoignon, French, 1735 - 1789
Source: Crowned "L" stamp (vol. II, fol. 2r); Catalogue des livres de la bibliothèque de feu M. de Lamoignon, gardes des sceaux de France, II, Paris, 1791, catalogue particulier des manuscrits, p. 1, no. 2.
Hamilton Palace [sold, Hamilton Collection sale, Sotheby's, London, May 23, 1889, lot 7, to Bernard Quaritch.]
Bernard Quaritch, Ltd. [sold, Bernard Quaritch, London, 1892, to Lady Ludlow.]
possibly 1892-by 1940
Alice Sedgwick (Mankiewicz) Ludlow (Lady Ludlow), 1862 - 1945 [sold, Lady Ludlow sale, Sotheby's, London, December 16, 1940, lot 425, to Maggs Brothers.]
after 1940 - before 1983
Martin Bodmer, Swiss, 1899 - 1971 (Switzerland)
Hans P. Kraus, Sr., American, born Austria, 1907 - 1988, sold to the J. Paul Getty Museum, 1984.
Source: H.P. Kraus, Cimelia: catalogue 165 (1983), no. 5.
Dix siècles de livres français (July 9 to October 2, 1949) (vol. 1, fol.1 (not known if vol. 2 exhibition))
- Musée des Beaux-Arts de Lucerne, July 9 to October 2, 1949
A Thousand Years of the Bible: Medieval and Renaissance Manuscripts (January 15 to March 31, 1991) (vol. 2, fols. 86v-87)
- The J. Paul Getty Museum (Malibu), January 15 to March 31, 1991
Medieval Beasts (May 1 to July 29, 2007)
- The J. Paul Getty Museum at the Getty Center (Los Angeles), May 1 to July 29, 2007
Sotheby's, London. Valuable Illuminated Manuscripts, Printed Books, Autograph Letters, and Historical Documents (Lady Ludlow Sale). December 16, 1940, p. 62-63, lot 425.
von Seidlitz, Woldemar. "Berichte und Mittheilungen aus Sammlungen und Museen, über staatliche Kunstpflege und Restaurationen, neue Funde." Repertorium für Kunstwissenschaft 7 (1884), p. 86, no. 72.
Sotheby's, London. Catalogue of Ninety-One Manuscripts on Vellum from the Hamilton Collection. May 23, 1889, p. 11, lot 7.
Quaritch, Bernard. Facsimiles of Illustrations in Biblical and Liturgical Manuscripts executed in various countries during the XI-XVI centuries now in the possession of Bernard Quaritch (London: Bernard Quaritch, 1892), pp. 11-12, pls. 14-17.
Bourgeois, Pierre, and Julien Cain, eds. Dix siècles de livres français, exh. cat. (Lucerne: Musée des beaux-arts de Lucerne, 1949), no. 27, pl. 7.
La Librarie de Charles V, exh. cat. (Paris: Bibliothe`que National, 1968), pp. 105-6, no. 184, pp. 113-14, no. 197, pp. 119-20, no. 206.
Sneddon, Clive R. "The 'Bible du XIIIe Siecle': Its Medieval Public in the Light of Its Manuscript Tradition." In The Bible and Medieval Culture. W. Lourdaux and D. Verhelst, eds. (Leuven: Leuven University Press, 1979), pp. 127-40.
"Acquisitions/1984." The J. Paul Getty Museum Journal 13 (1985), pp. 199-200, no. 120, figs. 120a-120c.
The J. Paul Getty Museum Handbook of the Collections. 1st ed. (Malibu: J. Paul Getty Museum, 1986), p. 77, ill.
Zier, Mark A. "Peter Comestor." In Dictionary of the Middle Ages. Joseph R. Strayer, ed. Vol. 9 (New York: Charles Scribner's Sons, 1987), pp. 513-514.
The J. Paul Getty Museum Handbook of the Collections. 2nd ed. (Malibu: J. Paul Getty Museum, 1988), p. 77, ill.
A Thousand Years of the Bible: An Exhibition of Manuscripts from The J. Paul Getty Museum, Malibu [...], exh. cat. (Malibu: J. Paul Getty Museum; Los Angeles: University of California, 1991), fig. 19.
Warner, Marina. "Megan Jenkinson: Making Her Way Through the Palace of Memory."In Under the Aegis: The Virtues. Megan Jenkinson, ed. (Auckland: Fortuna Press, 1997), pp. 7-19, ill.
Gasnault, Pierre. "Charles-Henri de Clermont-Tonnerre et la bibliothèque du couvent des Minimes de Tonnerre." In Du copiste au collectionneur. Mélanges d'histoire des textes et des bibliothèques en l'honneur d'André Vernet. Bibliologia 18 (1998), p. 611n90.
Gasnault, Pierre. "Un nouveau manuscrit ayant appartenu a Charles-Henri de Clermont-Tonnerre (St-Pétersbourg, Fr. F.v. XV)."Scriptorium 53, no. 2 (1999), p. 340.
Layne, Sara Shatford. "Subject Access to Art Images." In Introduction to Art Image Access: Issues, Tools, Standards, Strategies. Murtha Baca, ed. (Los Angeles: Getty Research Institute, 2002), pp. 6-7, fig. 5.
Escobedo, Libby Karlinger. "Heroines, Wives, and Mothers: Depicting Women in the Bible Historiale and the Morgan Picture Bible."In Between the Picture and the Word: Manuscript Studies from the Index of Christian Art. Hourihane Calum, ed. (Princeton: Department of Art and Archaeology, Princeton University, 2005), pp. 100-11, figs. 15, 133, 149.
Kren, Thomas. French Illuminated Manuscripts in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2007), pp. xv-xvi, xxix, 45-46, ill.
Andås, Margrete S. "Art and Ritual in the Liminal Zone." In The Medieval Cathedral of Trondheim: Architectural and Ritual Constructions in their European Contexts. Margrete Syrstad Andås, et al eds. Ritus et Artes 3 (Turnhout: Brepols, 2007), p. 77.
Rosenberg, Gary D. "The measure of man and landscape in the Renaissance and Scientific Revolution." In The Revolution in Geology from the Renaissance to the Enlightenment. Gary D. Rosenberg, ed. (Boulder, CO: The Geological Society of America, 2009), pp. 13-15, fig. 1a.
Morrison, Elizabeth, and Anne D. Hedeman, eds. Imagining the Past in France: History in Manuscript Painting, 1250-1500 (Los Angeles: J. Paul Getty Museum, 2010), pp. 95, under no. 2, entry by Elizabeth Morrison; pp. 166-68, no. 22, ill., entry by Elizabeth Morrison; p. 177, under no. 25, entry by Anne D. Hedeman; p. 219, under no. 36, entry by Elizabeth Morrison.
Scott, Margaret. Fashion in the Middle Ages (Los Angeles: J. Paul Getty Museum, 2011), pp. 23, 33, fig. 18.
Krell, Alan. Burning Issues: Fire in Art and the Social Imagination (London: Reaktion Books Ltd, 2011), pp. 8, 11, fig. 3.