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Not currently on view
probably Tunisia (Place Created)
Pen and ink, gold paint, and tempera colors
Ms. Ludwig X 1 (83.MM.118)
This is an illuminated copy of the Koran, Islam's sacred text, which contains revelations recited by the prophet Muhammad (died 632) to the people of Mecca and Medina. Because figurative art is not used in an Islamic religious context, this manuscript relies largely on the decorative properties of Arabic writing for its aesthetic effect.
Islamic texts such as this, and other objects with Arabic script, were admired in Europe for their distinctiveness and beautiful design. Artisans were inspired to create similar calligraphic patterns on glassware and ceramics. Other Islamic designs that were copied in the West include: knot work, scales, arabesques, medallions, dots, and commalike forms. The portability of many works of art, such as this book, facilitated this influence, as these objects could be carried from the Near East to Northern Africa, Spain, and Italy.
The Arts of Fire: Islamic Influences on the Italian Renaissance (May 4 to September 5, 2004) (leaf 4; plus fragments of a Qur'an)
- The J. Paul Getty Museum at the Getty Center (Los Angeles), May 4 to September 4, 2004
Traversing the Globe through Illuminated Manuscripts (January 22 to June 26, 2016) (fols. 9 - 4v; fols. 10 - 9v)
- The J. Paul Getty Museum at the Getty Center (Los Angeles), January 22 to June 26, 2016
Pathways to Paradise: Medieval India and Europe (May 1 to August 5, 2018) (bifolium 2 and 4)
- The J. Paul Getty Museum at the Getty Center (Los Angeles), May 1 to August 5, 2018
von Euw, Anton, and Joachim M. Plotzek. Die Handschriften der Sammlung Ludwig. 4 vols. (Cologne: Schnütgen-Museum, 1979-1985), vol. 3 (1982), pp. 15-18.
"Manuscript Acquisitions: The Ludwig Collection." The J. Paul Getty Museum Journal 12, 1984, p. 295.
Keene, Bryan C., and Morgan Conger. "Sentieri per il Paradiso: Percorsi Spirituali tra Europa e India." Alumina 60 (2018), pp. 50-7, pp. 54, 55.