William Eggleston and the Color Tradition (October 26, 1999 to January 30, 2000)
- The J. Paul Getty Museum at the Getty Center (Los Angeles), October 26, 1999 to January 30, 2000
Not currently on view
William Eggleston (American, born 1939)
Southhaven, Mississippi, United States, North America (Place depicted)
negative about 1975; print 1980
Dye imbibition print
28.9 × 44.2 cm (11 3/8 × 17 3/8 in.)
© Eggleston Artistic Trust
Gift of Caldecot Chubb
"I am afraid that there are more people than I can imagine who can go no further than appreciating a picture that is a rectangle with an object in the middle of it which they can identify. They don't care what is around the object as long as nothing interferes with the object itself, right in the center . . . . what they really want to see is a picture with a figure or an object in the middle of it. They want something obvious. The blindness is apparent when someone lets slip the word "
Thus William Eggleston described his philosophy of picture-making. Indeed, the furniture in this home seems to have been assembled expressly to achieve the kind of central focus that Eggleston decried. Yet he chose to carefully place the organ just to the right of the picture's center and to shoot from an unusually low vantage point, so that the furniture seems to loom, holding court in the space.
In this lesson students examine the connection between a person's home and his or her personality.
Visual Arts; English–Language Arts; ESL (English as a Second Language)
Single Class Lesson