by 1962 - 1983
1983 - 1986
Mary S. Bareiss 1983 Trust, sold to the J. Paul Getty Museum, 1986.
This image is available for download, without charge, under the Getty's Open Content Program.
Open Content images tend to be large in file-size. To avoid potential data charges from your carrier, we recommend making sure your device is connected to a Wi-Fi network before downloading.
Not currently on view
Attic Red-Figure Cup Fragment
Akestorides Painter (Greek (Attic), active about 470 - 450 B.C.)
Athens, Greece (Place Created)
about 470–450 B.C.
6.8 cm (2 11/16 in.)
By the early 400s B.C., professional teachers had established schools in Athens. These teachers, who specialized in various aspects of education, provided training for the male children of parents who could afford to pay the tuition. The most basic education in one of these schools would have involved reading and writing and perhaps arithmetic. At about the same time, scenes of youths at school learning their lessons began to appear on Athenian vases, part of a growing interest on the part of vase painters in depicting scenes of daily life.
This small red‑figure cup fragment shows a boy holding a scroll while another person, perhaps his teacher, stands in front of him. Scholars have disagreed over what the scroll says. Some read it as the beginning of a list of mythological figures. Others see it as a fragment from an epic poem by Hesiod, "The Catalog of Women." This school scene comes from the interior of the cup. On the exterior, only the feet of two figures remain.
Beazley, J. D. Attic Red-figure Vase-painters. 2nd ed. Oxford: 1963, p. 1670, no. 4bis.
Bothmer, Dietrich von, and J. Bean. Greek Vases and Modern Drawings from the Collection of Mr. and Mrs. Walter Bareiss. Exh. checklist, The Metropolitan Museum of Art. New York: 1969, p. 7, no. 97.
Beazley, J. D. Paralipomena. Additions to Attic Black-figure Vase-painters and to Attic Red-figure Vase-painters. 2nd ed. Oxford: 1971, p. 417, no. 4 bis.
Immerwahr, Henry. "More Book Rolls on Attic Vases," Antike Kunst 16 (1973), pp. 143-144, cat. no. 7bis; pl. 31.1-3.
"Acquisitions/1986." The J. Paul Getty Museum Journal 15 (1987), pp. 160-61, no. 7.
March, Jennifer R. The Creative Poet: Studies on the Treatment of Myths in Greek Poetry. Bulletin of the Institue of Classical Studies, Supplement 49 (1987), p. 61; pl. 24 (as Bareiss 63).
Beazley Addenda: Additional References to ABV, ARV2, and Paralipomena. 2nd ed. Compiled by T. Carpenter with T. Mannack and M. Mendonca. Oxford: 1989, p. 288.
Robertson, Martin. The Art of Vase Painting in Classical Athens. (Cambridge: Cambridge University Press, 1992), p. 167, fn. 41.
Robb, Kevin. Literacy and Paideia in Ancient Greece. Oxford: 1994, pp. 186-87; fig. 7.1, and cover.
Immerwahr, Henry. R. A Corpus of Attic Vase Inscriptions. Preliminary Edition. Part VI: Supplement. 2001, no. 5025.
Spivey, Nigel and Squire, Michael. Panorama of the Classical World (Los Angeles: Getty Publications, 2004), p. 242, fig. 381.
Glazebrook, A. "Reading Women: Book Rolls on Attic Vases." Mouseion: Journal of the Classical Association of Canada, series III, vol. 5.1 (2005), pp. 12, 40 (cat no. App. 38).
Schmidt, M., "Livello culturale di singoli pittori: dalla erudizione individuale all'automatismo artigianle", in La Ceramique Apulienne: Bilan et Perspectives (Naples: Centre Jean Berard, 2005), 201-206, 205.
Gaunt, Jasper. "The Poet and the Painter. A Hymn to Zeus on a Cup by the Brygos Painter." In Between Orality and Literacy. Communication and Adaption in the Ancient World. Ruth Scodel, ed. (Leiden-Boston: Brill, 2014), p. 108.
Manakidou, Eleni. "Ephebes and Boys of Same Age in Collective Activities on Cups of the Briseis Painter, the Dokimasia Painter, and the Triptolemos Painter." In Ēchadin: timētikos tomos gia tē Stella Drougou. Giannopoulou, Mimika and Chrysanthe Kalline, eds. (Athens: Tameio Archaiologikōn Porōn kai Apallotriōseōn, 2016), pp. 12-13, fig. 3.
Chatzidimitriou, A., "Η γραφή και η ανάγνωση στην εικονογραφία των αρχαϊκών και κλασικών χρόνων", ΑΔ 67-68 (2012-2013), Μέρος Α΄ Μελέτες, 2017, 336-338, fig. 54; 363, cat. no. A9.