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Currently on view at: Getty Villa, Gallery 110, Stories of the Trojan War
Attic Red-Figured Kylix
Attributed to Brygos Painter (Greek (Attic), active about 490 - 470 B.C.)
Athens, Greece (Place created)
about 490 B.C.
11.2 × 39.1 × 31.4 cm (4 7/16 × 15 3/8 × 12 3/8 in.)
He must not be seen! I will cover his body, I will wrap him completely in my mantle. No one who loved him could bear to see the dark blood pouring from his nostrils and the raw wound in his breast.
So declared Tekmessa when she discovered the body of her dead lover Ajax in an Athenian tragedy by the playwright Sophokles. Ajax was one of the greatest of the Greek heroes in the
The interior of this
The exterior of the cup presents the events leading to Ajax's suicide. When Achilles was killed, Ajax saved his body from the Trojans, expecting to be rewarded with Achilles' armor. However,
by 1967 - 1986
Walter Bareiss, American, born Germany, 1919 - 2007
and Molly Bareiss, American, 1920 - 2006 (Stamford, Connecticut), donated to the J. Paul Getty Museum, 1986.
Greek Vases and Modern Drawings from the Collection of Mr. & Mrs. Walter Bareiss (June 13 to October 5, 1969) (87)
- The Metropolitan Museum of Art (New York), June 13 to October 5, 1969
Poets and Heroes (November 4, 1986 to February 28, 1987)
- Michael C. Carlos Museum of Emory University (Atlanta), November 4, 1986 to February 28, 1987
Ancient Art from the Permanent Collection (March 16, 1999 to May 23, 2004)
- The J. Paul Getty Museum at the Getty Center (Los Angeles), March 16, 1999 to May 23, 2004
Watzinger, Carl. Griechische Vasen in Tübingen (Reutlingen: Gryphius-Verlag, 1924), p. 38, no. E 36 inv. 1535b, pl. 20 (a fragment incorporated into the cup in 1969).
Bothmer, Dietrich von. "Aspects of a Collection," Metropolitan Museum of Art Bulletin 27, June 1969. pp. 424-436. p. 427; fig. 11.
Bothmer, Dietrich von, and J. Bean. Greek Vases and Modern Drawings from the Collection of Mr. and Mrs. Walter Bareiss. Exh. checklist, The Metropolitan Museum of Art. New York: 1969. p. 7, no. 87.
Beazley, J. D. Paralipomena. Additions to Attic Black-figure Vase-painters and to Attic Red-figure Vase-painters. 2nd ed. Oxford: 1971. p. 367, no. 1 bis.
Davies, Mark I. "Ajax and Tekmessa. A Cup by the Brygos Painter in the Bareiss Collection," Antike Kunst 16, 1 (1973), pp. 60-70. pls. 9.1, and 10.
Shefton, Brian. "Agamemnon or Ajax," Revue Archeologique 24 (1973), pp. 203-218. fig. 1.
Boardman, John. Athenian Red Figure Vases: The Archaic Period. London: 1975. fig. 246.
Williams, Dyfri. "Ajax, Odysseus, and the Arms of Achilles," Antike Kunst 23 (1980), pp. 137-145. p. 137, n. 5; pls. 33, 7 and 36.1-2.
Touchefeu, Odette. "Aias I," Lexicon Iconographicum Mythologiae Classicae (1981), pp. 312-336. pp. 325, no. 72, and 332, no. 140 (as L.69-11.35).
Joint Association of Classical Teachers. The World of Athens. Cambridge: Cambridge University Press, 1984., p.138, fig. 3.8.
Schefold, Karl. "Sophokles' Aias auf einer Lekythos," Antike Kunst 19 (1976). p. 72, n. 3.
Wescoat, Bonna D., ed. Poets and Heroes: Scenes of the Trojan War. Exh. cat, Emory University Museum of Art and Archaeology. Atlanta: 1986. pp. 52-57, no. 14.
Burow, Johannes. Corpus Vasorum Antiquorum. Tubingen 5 (Germany 54). Munich: 1986. Beilage 1, fig. 4.
"Acquisitions/1986." The J. Paul Getty Museum Journal 15 (1987) pp. 160-61, no. 7.
Beazley Addenda: Additional References to ABV, ARV2, and Paralipomena. 2nd ed. Compiled by T. Carpenter with T. Mannack and M. Mendonca. Oxford: 1989. p. 224.
Immerwahr, Henry. Attic Script. A Survey. Oxford and New York: 1990. p. 89, n. 37, no. 553.
The J. Paul Getty Museum Handbook of the Collections. 3rd ed. (Malibu: J. Paul Getty Museum, 1991) p. 47.
Robertson, Martin. The Art of Vase Painting in Classical Athens. Cambridge: 1992. p. 95; fig. 88 (wrongly cited as 81.AE.26).
Touchefeu-Meynier, Odette. "Odysseus," Lexicon Iconographicum Mythologiae Classicae VI (1992), pp. 943-970.
March, J. R. Bulletin of the Institute of Classical Studies 38 (1991-1993), pp. 1-36. pp. 5-6; pl. 2a.
Buxton, Richard. Imaginary Greece: The Contexts of Mythology. Cambridge: 1994 p. 126, fig. 14.
Shapiro, H. A. Myth into Art: Poet and Painter in Classical Greece. London and New York: 1994. p. 153, fig. 108, and p. 154, fig. 109.
Buxton, Richard. La Grece de l'imaginaire. Les contextes de la mythologie. Paris: 1996. p. 189; fig. 14.
Brinkman, Vinzenz. "Aias der Telamonier," Der Torso, Ruhm und Raetsel (exh. cat.), Glyptotek Muenchen, January 21-March 29, 1998. Munich: 1998. Pp. 127-133. p. 132; fig. 194.
March, Jenny. Cassell Dictionary of Classical Mythology. London: 1998. p. 368, s.v. Tecmessa; fig. 136.
Boardman, John. The History of Greek Vases. London: 2001. p. 243; fig. 268.
Immerwahr, Henry. R. A Corpus of Attic Vase Inscriptions. Preliminary Edition. Part VI: Supplement. 2001. no. 5015.
The J. Paul Getty Museum Handbook of the Collections. 6th ed. (Los Angeles: J. Paul Getty Museum, 2001) p. 47.
Tsingarida, Athena. "Soif d'emotions. La representation des sentiments dans la ceramique attique des VI et V siecles av. n. ere." Revue Belge de Philologie et D'Histoire 79. Brussels, 2001. p. 16, fig. 7.
Hedreen, Guy. Capturing Troy: The Narrative Functions of Landscape in Archaic and Early Classical Greek Art. Ann Arbor: 2001. fig. 28, pp. 104-5, 107-8, 110-11, 115, 117, n. 92, 143, nn. 73,74, 178, 221, 224, 234.
The J. Paul Getty Museum Handbook of the Antiquities Collection (Los Angeles: J. Paul Getty Museum, 2002) p. 69.
Sacks, David. Encyclopedia of the Ancient Greek World (New York: Facts on File, Inc., 2005) p. 17, ill.
Zwierlein, Otto. Hippolytus und Phaidra: Von Euripides bis D'Annunzio (Paderborn: Verlag Ferdinand Schoningh, 2005) pp. 26-27, abb. 5.
Neils, Jennifer. "The 'Unheroic' Corpse: Re-reading the Sarpedon Krater". In Athenian Potters and Painters, vol. 2. John H. Oakley and Olga Palagia, eds. (Oxford: Oxbow Books, 2009) 212-219 p. 215, fig.6.
The J. Paul Getty Museum Handbook of the Antiquities Collection. Rev. ed. (Los Angeles: J. Paul Getty Museum, 2010) p. 69.
Oakley, John H. The Greek Vase: Art of the Storyteller (Los Angeles: The J. Paul Getty Museum, 2013) front cover, pp. 84-85, fig. 21.