by 1969 - 1983
1983 - 1986
Mary S. Bareiss 1983 Trust, sold to the J. Paul Getty Museum, 1986.
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Attic Red-Figure Cup Type B Fragment
Proto-Panaitian Group (Greek, active 515 - 505 B.C.)
Athens, Greece (Place Created)
about 500 B.C.
23.4 cm (9 3/16 in.)
Two nude boys race their horses on the outside of this drinking cup. The horses are depicted with their front legs well off the ground and their bodies stretched forward, conveying their swift speed. The riders, in keeping with the pace, seem to barely hold on to the reins. They lean backward, their long hair flying behind in the breeze. A mazelike meander marks the ground beneath the horses, and the pillars probably represent the race's start and finish lines. On the opposite side of the cup is a fragmentary image of a footrace. One runner stretches forward, his right leg and arm behind him.
Iozzo, M. "Xenophon, Peri Hippikes 11.2 and the Flank of the Horse." In Pflanzen und Tiere auf Griechischen Vasen, ed. by C. Lang-Auinger and E. Trinkl. Vienna, 2015, p. 72.
Bothmer, Dietrich von, and J. Bean. Greek Vases and Modern Drawings from the Collection of Mr. and Mrs. Walter Bareiss. Exh. checklist, The Metropolitan Museum of Art. New York: 1969, p. 6, no. 81.
"Acquisitions/1986." The J. Paul Getty Museum Journal 15 (1987), pp. 160-61, no. 7.
Müller, J-M., "Schöner Nonsens, Sinnloses Kalos? Ein Strukturvergleich zweier Anpassungsfähiger Inschriftenformen der Attischen Vasenmalerei." In Topfer-Maler-Schreiber. R. Wachter, ed. (Akanthus: Zurich, 2016), p. 117, footnote 105 (cited as AVI 5051).
Filser, Wolfgang. Die Elite Athens auf der attischen Luxuskeramik. Berlin/Munich/Boston: de Gruyter, 2017, 534, fig. 367.
Padgett, J. M. (ed.), The Berlin Painter and His World. exh. cat. (New Haven and London: Yale University Press, 2017), p. 364, under no. 81, footnote 6, entry by J. M. Padgett.