The J. Paul Getty Museum

The Abduction of Helen by Paris

Object Details

Title:

The Abduction of Helen by Paris

Artist/Maker:

Giovanni Francesco Susini (Italian, 1585 - 1653)

Culture:

Italian

Place:

Italy (Place Created)

Date:

1627

Medium:

Bronze on an eighteenth century gilt bronze base

Object Number:

90.SB.32

Dimensions:

67.9 × 34.3 × 33.7 cm (26 3/4 × 13 1/2 × 13 1/4 in.)

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Object Description

The subject of this tabletop bronze comes from Greek mythology. When the Trojan prince Paris abducted Helen--the beautiful wife of Menelaus, king of Sparta--and carried her off to the city of Troy, the Greeks responded by mounting an attack on the city, thus beginning the Trojan War. Both the bronze's subject--the Trojan War--and its small-scale format reveal the artist's interest in classical culture. The handling of the figures, however, shows the influence of Italian Mannerist sculpture of the 1600s. The sculptor, Giovanni Francesco Susini, welded the three nude figures together in an intensely dramatic composition. While Paris attempts to carry Helen off, she valiantly struggles against him. Below them a female servant protests. The women twist around the central spiral of Paris's lithe body. Susini arranges the figures as if on a stage; both Paris and Helen turn their faces toward the front. Yet, the spiral composition also encourages the viewer to walk around the piece, offering interesting alternate perspectives. From the sides and back, the details of the figures' exertion are visible: as he sinks his fingers into Helen's yielding flesh, the veins on Paris's hands project and Helen's hair flies loose.

Provenance
Provenance
- 1794

Jean-Baptiste Machault d'Arnouville, French, 1701 - 1794, by descent to Genevieve Francoise Aglae de Machault d'Arnouville.

1794 -

Genevieve Francoise Algae de Marchault d'Arnouville, French, (Paris), (wife of the Gaspard Marie Victor, comte de Choiseul Daillecourt), by descent to her daughter Mlle de Choiseul Daillecourt.

-

Mlle de Choiseul Daillecourt, French, (Paris) [unsold, Galerie Georges Petit, Paris, 21 May 1896, lot 1], by descent to her heirs at Chateau de Thoiry.

- 1989

Chateau de Thoiry [sold, Ader Picard Tajan, Paris, 15 April 1989, Lot A, to Ventbroach Fine Art Ltd.]

1989 - 1990

Ventbroach Fine Arts Limited (London), sold to the J. Paul Getty Museum.

Exhibitions
Exhibitions
Bronze (September 15 to December 9, 2012)
  • Royal Academy of Arts (London), September 15 to December 9, 2012
Bibliography
Bibliography

Baldinucci, Filippo. Notizie dei professori del Disegno (Florence: S.P.E.S., 1846), vol. 4, p. 118.

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Arnault-Plessis. "Thoiry, réserve de meubles précieux." Plaisir de France 40 (April 1973), figs. 9, 10.

Bazin, Germain. "Susini's Rape of Helen." Drouot 1989 (Paris, 1989), pp. 180-83.

"Elena e Paride secondo Susini." Giornale dell'arte, no. 67 (May 1989), p. 77.

Lemonnier, P., and P. Leperlier. "Machault d'Arnouville collectionneur." Estampille, no. 224 (April 1989), pp. 32-33.

Melikian, Souren. "French Weigh Reform of System Dating to 1556." International Herald Tribune (October 28-29, 1989), p. 12.

Melikian, Souren. "Image Hunting and the Price of Art." Art & Auction 12 (September 1989), p. 136.

Melikian, Souren. "When Art History Takes Precedence over Aesthetics." International Herald Tribune (April 22-23, 1989), pp. 6-7.

"Record absolu pour un objet d'art ancien." Gazette, no. 16 (April 21, 1989), p. 17.

"Reviews." Art and Auction 11 (June 1989), p. 202.

D.-R., F. "En tete depuis 80 ans." Connaissance des arts, no. 456 (February 1990), p. 40, fig. 3.

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Fusco, Peter, Peggy Anne Fogelman, and Marietta Cambareri. Masterpieces of the J. Paul Getty Museum: European Sculpture (Los Angeles: J. Paul Getty Museum, 1998), pp. 56-59, no. 1, ill., entry by Peggy Anne Fogelman.

The J. Paul Getty Museum Handbook of the Collections. 6th ed. (Los Angeles: J. Paul Getty Museum, 2001), pp. 254-55, ill.

Fogelman, Peggy, and Peter Fusco, with Marietta Cambareri. Italian and Spanish Sculpture: Catalogue of the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 2002), pp. 190-99, 355, 362-63, no. 24, fig. 6, entry by Peggy Fogelman.