Medusa

Object Details

Title:

Medusa

Artist/Maker(s):

Vincenzo Gemito (Italian, 1852 - 1929)

Culture:

Italian

Date:

1911

Medium:

Partially gilt silver

Dimensions:

23.5 cm (9 1/4 in.)

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The severed head of Medusa stares out from the convex face of a two-sided relief. Its psychological realism, simultaneously beautiful and hideous, reveals the conflicting yet symbiotic emotions of attraction and repulsion. This combination expresses the power of ancient Greek apotropaic objects, charms that warded off evil. Since the sight of Medusa's face--transformed by the goddess Athena into a monster with snakes for hair--had turned men into stone, it became a traditional apotropaic symbol. Athena affixed the actual Medusa's monstrous head to her shield, and human warriors followed suit.

The sculptor Vincenzo Gemito derived his composition from the famous antique cameo, the Tazza Farnese, but transformed it into an entirely new kind of sculptural object. He revived Renaissance techniques of lost-wax casting to make the relief. Although he concentrated on the face of the two-sided, glistening metallic relief, he textured the back with snakeskin.

Provenance
- 1980

Lester Carl Bean, about 1901 - 1967 (Freeport, Maine)

and Hazel Bean, born about 1906 (Freeport, Maine) [sold, Skinner, Boston, October 3, 1980, lot 617, to Mr. and Mrs. Piero Corsini]

1980 - before 1986

Piero Corsini (New York, New York)

and Marjetta Corsini (New York, New York)

- 1986

Piero Corsini Inc. (New York, New York), sold to the J. Paul Getty Museum, 1986.

Bibliography

Antonelli, L. "Vincenzo Gemito a Roma: La sua Medusa e la sua Sirena." Tribuna (28 April 1911)

"Cronaca." Arte 14 (March-April 1911), p. 148.

Esposizione internazionale di Roma, 1911: Catalogo della mostra di belle arti, exh. cat. (Bergamo, 1911), p. 13, no. 37B.

Scarpa, P. Artisti contemporanei italiani e stranieri residenti in Italia (Milan, 1928), pp. 111-12, ill.

Somaré, E., and A. Schettini. Gemito (Milan, 1944), p. 201, pl. 57.

Guida, G. Vincenzo Gemito (Rome, 1952), unnumbered plate.

Art News 82 (December 1983), inside cover advertisement.

"Acquisitions/1986." The J. Paul Getty Museum Journal 15 (1987), p. 221, no. 126.

Fusco, Peter. "Medusa as a Muse for Vincenzo Gemito (1852-1929)." J. Paul Getty Museum Journal 16 (1988), pp. 127-32.

González-Palacios, Alvar. Il Velo delle Grazie (Turin, 1992), pp. 88-89, pl. 11.

The J. Paul Getty Museum Handbook of the Collections. 4th ed. (Los Angeles: J. Paul Getty Museum, 1997), p. 273, ill.

Fusco, Peter. Summary Catalogue of European Sculpture in the J. Paul Getty Museum (Los Angeles: J. Paul Getty Museum, 1997), pp. 1, 25, ill.

The J. Paul Getty Museum Handbook of the Collections. 6th ed. (Los Angeles: J. Paul Getty Museum, 2001), p. 273, ill.

Education Resources

Education Resource

Subjects

Grades

Format

Shaping Ideas

In this lesson plan students consider symbolic forms and sketch their own designs for a symbolic sculpture.

Visual Arts

9-12

Single Class Lesson

Shaping Ideas

In this lesson students evaluate their own sketches, choose a final design, and create their own symbolic sculpture.

Visual Arts

9-12

Three/Five-Part Lesson

Shaping Ideas

In this lesson Students participate in a class critique of the symbolic sculptures they created.

Visual Arts

9-12

Single Class Lesson

Related Media
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    Audio: Medusa, Vincenzo Gemini (Angels and Demons)